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    Home » The Historic and Legal Forces Behind The Sony ‘Interview’ Decision

    The Historic and Legal Forces Behind The Sony ‘Interview’ Decision

    By SPWSaturday, December 20, 2014Updated:Tuesday, May 14, 2024No Comments1872 Views
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    This photo provided by Columbia Pictures - Sony shows, from left, Diana Bang, as Sook, Seth Rogen, as Aaron, and James Franco, as Dave, in Columbia Pictures' "The Interview." (AP Photo/Columbia Pictures - Sony, Ed Araquel)

    2012 movie massacre hung over 'Interview' decision

    By Anthony McCartney, Entertainment Writer

    LOS ANGELES (AP) --

    When a group claiming credit for the hacking of Sony Pictures Entertainment threated violence against theaters showing "The Interview" earlier this week, the fate of the movie's big-screen life was all but sealed.

    Even though law enforcement didn't deem the threats of violence credible at the time, theater owners and Sony undoubtedly considered the 2012 massacre of a dozen people in a Colorado movie theater. That attack came without warning, and at the time there was no precedent for such mass violence against a U.S. movie audience.

    The theater's owner contends it could not have foreseen the bloodshed, but it still faces 20 lawsuits over the mass shootings and survivors and victims' families asserting more should have been done to protect those who went to see a midnight showing of "The Dark Knight Rises."

    Experts say the defense used by Cinemark Holdings, Inc couldn't be used if violence broke out at a showing of "The Interview."

    "It wasn't worth the risk," said Eric Wold, a movie exhibitor analyst with B. Riley & Co.

    Despite the legal liability, at least one notable lawyer disagrees with the decision to cancel "The Interview." President Barack Obama said Friday that it was a mistake for Sony to scrap the film, and he wished executives had consulted with him first.

    "We cannot have a society in which some dictatorship someplace can start imposing censorship," Obama said.

    Some Hollywood notables, including actors Rob Lowe, Steve Carrell and director Michael Moore, have also criticized Sony's decision.

    Diplomatic and creative considerations aside, scrapping "The Interview" was not a huge financial consideration for theater owners, who would ultimately be responsible for any lawsuits over violence. The film, starring Seth Rogen and James Franco, was expected to account for less than two percent of fourth quarter earnings for movie theaters, Wold said.

    Due to digital projections, theater owners can quickly re-program their screens to show other movies, such as new releases "The Hobbit 3" or "Night at the Museum." ''It's the press of a button," Wold said.

    The alternative could have been serious injuries to moviegoers as well as multiple lawsuits if the group calling itself the Guardians of Peace, or a copycat, attacked a cinema, said Jonathan Handel, a lawyer and professor at the University of Southern California Gould School of Law.

    "That's a lot of liability hanging over the theater chain," Handel said.

    He noted that mall owners and other studios had pressured Sony to cancel the Christmas Day release of "The Interview," which stars Seth Rogen and James Franco. "They don't want the movie-going experience on Christmas Day to resemble check in at LAX," he said.

    The film features an assassination plot against North Korean leader Kim Jong Un and the nation has denounced the movie. The FBI said Friday that it had determined North Korea was responsible for the hacking of Sony's servers, which resulted in the theft of unreleased films, scripts, financial and medical information on employees and other corporate data.

    It was only a matter of hours after hackers threatened massive violence against any theater showing "The Interview" that exhibitors started dropping the film. And no wonder.

    "If, God forbid, something happened, they're the ones who would be responsible for any lack of security or decisions that were made that led to the incident," said entertainment attorney Uri Fleming of the firm Kleinberg Lange Cuddy & Carlo.

    Sony cited the theater owners' decision to drop the film as the reason for its pulling of the movie.

    "Without theaters, we could not release it in the theaters on Christmas Day. We had no choice," the company wrote in a statement. Sony said it was looking for alternative distribution channels for the film.

    It remains unclear how a jury will perceive the case against Cinemark, which operated the Aurora, Colo., theater that James Holmes attacked in July 2012 during a midnight screening of the final installment of the latest Batman trilogy.

    In court filings, lawyers for victims of the shooting have noted that Cinemark deployed extra security at some of its midnight "Dark Knight Rises" screenings and had employed a security firm to assess the risk of a drug cartel attacking a theater along the U.S.-Mexico border.

    In an August ruling rejecting a motion by Cinemark to throw out the Aurora victims' suits, U.S. District Court Judge R. Brooke Jackson wrote that whether the company could have been expected to deploy extra security without a threat against its theaters "is not an easy question to answer."

    However, the judge noted that moviegoers are especially vulnerable to attack.

    "Although theaters had theretofore been spared a mass shooting incident, the patrons of a movie theater are, perhaps even more than students in a school or shoppers in a mall, 'sitting ducks,'" Jackson wrote.

    Fleming, the entertainment attorney, said Sony and the theater chains are unlikely to face any significant repercussions from pulling "The Interview."

    "Business relationships are the glue that bind (Hollywood)," he said.

     

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    Category:News
    Tags:Sony PicturesThe Interview



    Director Milo Blake Signs With PRETTYBIRD For U.K. Representation

    Tuesday, August 11, 2026

    PRETTYBIRD has added director Milo Blake to its U.K. roster. He continues to be handled by Furlined for commercial representation in the U.S.

    Blake is a British filmmaker, based in London, whose style and fascination with stories have been shaped by the cultural resonance of the city and the people within it. His eye for a set piece developed early, as whole worlds and universes built from his toys regularly took over the rooms of his childhood home. Inspired by the eclectic films in his parents’ DVD collection, that curiosity soon found a more permanent medium in filmmaking, sowing the seeds of a lifelong passion for film.

    Coming up, he made his name in the U.K.’s alternative music scene through collaborations with artists such as Obongjayar, Rachel Chinouriri, Lava La Rue, Big Piig, Louis Culture and Lord Apex. His music video work has been screened and gained recognition at SXSW Festival, Oscar-qualifying film festivals like New Orleans and Rhode Island as well as the UKMVAs. His video for Oscar Jerome in 2025 won him a Vimeo Staff Pick. His hybrid feature concert film, All the Way From the Sun, documented Loyle Carner’s epic inaugural show at the Royal Albert Hall for his acclaimed album, “Hugo.”

    In 2025, Blake’s film The Empty Seat for the Paralympics won a Clio for Social Good, Gold in the YDA commercial category, Best New Director at the Young Arrows, and received Silver and Bronze awards at Ciclope. Recent films include History is Calling for Puy du Fou España and Our House is Not a Home for the homelessness charity Shelter, which garnered a Wood Pencil at D&AD and a Silver at the British Arrows in 2026. Prior to joining PRETTYBIRD, Blake was repped in the U.K. ad market by... Read More

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