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    Home » Hollywood Starts New Year With “Avatar: Fire and Ash” No. 1; James Cameron’s Sci-Fi Epic Crosses $1B

    Hollywood Starts New Year With “Avatar: Fire and Ash” No. 1; James Cameron’s Sci-Fi Epic Crosses $1B

    By SHOOTSunday, January 4, 2026No Comments223 Views
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    From left, Jamie Flatters, Jemaine Clement, Oona Castilla Chaplin, Sigourney Weaver, Stephen Lang and David Thewlis pose for photographers upon arrival at the UK premiere for the film "Avatar: Fire and Ash" in London, England, Thursday, Dec. 11, 2025. (Photo by Scott A Garfitt/Invision/AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    Hollywood kicked off 2026 with “Avatar: Fire and Ash” atop the box office for the third straight week and with hopes for a blockbuster-filled year after a disappointing 2025.

    In three weeks of release, “Fire and Ash” has cleared $1 billion worldwide. The third chapter in James Cameron’s Pandora epic collected $40 million over its third weekend in North American theaters, according to studio estimates Sunday.

    “Fire and Ash” is doing its biggest business overseas; it’s grossed $777.1 million internationally thus far. The Walt Disney Co. on Sunday trumped the $1 billion milestone as “cementing another monumental achievement for James Cameron’s groundbreaking franchise.”

    But over the holidays, it wasn’t just about the weekend ticket sales. The whole week was a lucrative one for Hollywood, with most schools still out. What drove ticket sales, beyond “Avatar”? Sydney Sweeney, Timothée Chalamet and “Zootopia 2.”

    The most sustained success over the holiday collider in theaters belonged to a movie that opened all the way back in November. Yet Disney’s “Zootopia 2” has had remarkable staying power. It landed in second place with $19 million, dipping a mere 4% from the previous weekend.

    The animated sequel has amassed $1.59 billion in six weeks. That makes “Zootopia 2” Disney’s second highest grossing animated movie ever, trailing only 2019’s photorealistic “The Lion King” ($1.66 billion).

    “The Housemaid,” the twisty thriller starring Sweeney and Amanda Seyfried, also emerged as a holiday-season hit for Lionsgate. It collected $14.9 million over the weekend, giving it $75.7 million domestically over three weeks. It dipped only 3% from last weekend. Internationally, “The Housemaid,” which cost a modest $35 million to make, has added $57.3 million.

    Just as Sweeney’s star power is propelling “The Housemaid,” so is Chalamet’s with “Marty Supreme.” The A24 release also held well in its third weekend, grossing an estimated $12.6 million. After two weeks of wide release, Josh Safdie’s frenetic table tennis tale has grossed $56 million in North America, passing the director’s previous film, “Uncut Gems” ($50 million worldwide).

    Just about everything playing in theaters saw small drops from the previous weekend. Sony’s action comedy “Anaconda,” starring Jack Black and Paul Rudd, dipped 31% to collect $10 million in second weekend. Focus Features’ “Song Sung Blue” dropped only 17% in its second weekend with $5.9 million. The Hugh Jackman-Kate Hudson Neil Diamond cover band movie has earned $25 million domestically.

    With “Avatar: Fire and Ash” and a wide variety of smaller hits, Hollywood started 2026 strongly. Overall sales were up 26.5% from the same weekend in 2025, according to data firm Comscore.

    The movie industry is coming off a poor 2025, where domestic moviegoing continued to slide. U.S. and Canada ticket sales in 2025 amounted to $8.9 billion, a 2% increase from the year earlier, according to Comscore, but about 20% below pre-pandemic levels. That slight improvement was notably less than anticipated and was also boosted by higher ticket prices. Actual tickets sold declined from more than 800 million in 2024 to around 780 million in 2025.

    The industry is now awaiting a potentially seismic shift with Warner Bros., one of the most theatrical-friendly studios, agreeing to sell to Netflix. That $83 billion deal awaits regulatory approval.

    Yet studios are cautiously optimistic 2026 could be the best box-office year of the decade. A release slate filled with marquee franchises, including new “Toy Story,” “Avengers,” “Spider-Man,” “Super Mario Bros” and “Dune” movies, has raised hopes of a turnaround.

    Top 10 movies by domestic box office
    With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “Avatar: Fire and Ash,” $40 million.

    2. “Zootopia 2,” $19 million.

    3. “The Housemaid,” $14.9 million.

    4. “Marty Supreme,” $12.6 million.

    5. “Anaconda,” $10 million.

    6. “The SpongeBob Movie: Search for SquarePants,” $8.2 million.

    7. “David,” $8 million.

    8. “Song Sung Blue,” $5.9 million.

    9. “Wicked: For Good,” $3.3 million.

    10. “Five Nights at Freddy’s 2,” $2.7 million.

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    Category:News
    Tags:Avatar: Fire and Ashbox officeJames Cameron



    Cannes Film Festival’s Auteur-Heavy Lineup Features Films by Almodovar, Pawlikowski and Hamaguchi

    Thursday, April 9, 2026

    New films by Polish filmmaker Paweł Pawlikowski, Japanese writer-director Ryusuke Hamaguchi and Spain's Pedro Almodovar will premiere at the 79th Cannes Film Festival next month.

    Organizers for the South of France festival, which runs May 12-23, laid out a lineup heavy on big-name international auteurs at a news conference Thursday in Paris.

    Cannes' most sought-after slots are in its competition lineup. This year, 21 films will vie for the Palme d'Or. That includes "Fatherland," a Cold War drama starring Sandra Hüller by Pawlikowski ("Ida," "Cold War" ); "All of a Sudden," the French language debut for Hamaguchi ( "Drive My Car" ); and Almodovar's "Bitter Christmas" ("Amarga Navidad") which has already opened in Spain.

    Cannes is so far light on Hollywood releases and American filmmakers. One exception in competition is Ira Sachs' "The Man I Love," a New York tale starring Rami Malek set during the 1980s AIDS crisis. In the Un Certain Regard sidebar, Jane Schoenbrun will unveil their follow-up to 2014's "I Saw the TV Glow": "Teenage Sex and Death at Camp Miasma," about the making of a slasher movie. It stars Hannah Einbinder and Gillian Anderson.

    Previous Palme d'Or winners will be represented
    A number of former Palme winners are in the mix. That includes Romanian auteur Cristian Mungiu's Norway-set "Fjord," starring the recently Oscar-nominated Renate Reinsve and Sebastian Stan. Mungiu's "4 Months, 3 Weeks and 2 Days" won the Palme in 2007.

    Also returning is Japanese director Hirokazu Kore-eda, whose 2018 drama... Read More

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