Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Hollywood Studio Exec Katleman’s Book Recalls Exploits, The Deal That Got Away

    Hollywood Studio Exec Katleman’s Book Recalls Exploits, The Deal That Got Away

    By SHOOTTuesday, July 9, 2019Updated:Tuesday, May 14, 2024No Comments4720 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    This June 25, 2019 photo released by Peter Mah shows former Hollywood executive Harris Katleman, right, and his grandson Nick Katleman at a book signing event for the elder Katleman's memoir, “You Can’t Fall Off the Floor: And Other Lessons from a Life in Hollywood,” in Beverly Hills, Calif. The book, which was co-written by Nick Katleman, was published on June 25. (Peter Mah via AP)

    By Lynn Elber, Television Writer

    LOS ANGELES (AP) --

    Former Hollywood executive Harris Katleman has an eclectic, five-decade track record that could only be the result of skill, moxie and luck.

    He championed the Oscar-winning film adaptation of the WWII novel "From Here to Eternity," made the impresarios behind "The Price is Right" wealthier and helped "The Simpsons" become an unlikely TV wunderkind. His platinum-level business circle included media tycoons Rupert Murdoch, Robert Iger and Kirk Kerkorian.

    "I'm consistently, in my own psyche, amazed at what I accomplished," Katleman, 90, said in an interview about his new memoir, which details his career highlights and the demanding, colorful industry he navigated. The book takes its title from an exchange with Kerkorian, who wanted him to head then-struggling MGM Television.

    "I don't know how to run a studio," Katleman told him.

    "Neither do I," replied Kerkorian. "You can't fall off the floor."

    Katleman made a success of his time at MGM, as he had as an industry novice under the tutelage of MCA titan Lew Wasserman; with game show producers Mark Goodson and Bill Todman, and as chief executive of Fox's Twentieth Television for more than a decade. It was often a wild ride, one described concisely and unabashedly, expletives included, in "You Can't Fall Off the Floor" (Rosetta Books, $27.99), co-authored by Katleman and his grandson, writer Nick Katleman.

    Lessons learned are part of the book, and Harris Katleman believes they remain applicable today. Among them: "Business beats pleasure. … If you're drawn to Hollywood for the perks instead of the work, you're here for the wrong reasons."

    He skirts lightly over his personal life in favor of focusing on the big personalities he encountered, both stars and magnates, and the high-stakes transactions that drive the dream factory.

    Making deals was more gratifying than wrangling stars, as Katleman's book paints it. He recalled being assigned by MCA to ensure that the wayward Marlon Brando avoid trouble before shooting began on 1953's "The Wild One." Katleman and a colleague babysat the actor at his Hollywood hills house, until Brando managed a prison-style break one night with a hand-crafted rope of sheets.

    His absence went undetected until Wasserman called and asked if Katleman knew where Brando was.

    "Sleeping like a baby," Katleman said, only to be contradicted by his boss: "Unless he's got a long-lost twin, I think you're mistaken. He just stumbled into Chasen's." Katelman said he was told the actor was drunk and had three women with him.

    Brando had a heart of gold and good intentions, "but the man couldn't sit alone in a room for five minutes without posing potential harm to his career," Katleman writes.

    He fared better by chance with Jackie Gleason, then among TV's biggest stars with "The Jackie Gleason Show," which aired on CBS in the 1950s.

    The wife of CBS' then-president overheard a rehearsal feed that included Gleason's famously raw language, Katleman recounts, and called the studio's control room to demand the actor-comedian knock it off.

    "Krakatoa was second to Jackie's explosion," said Katleman, who'd been quickly dispatched to Gleason's dressing room after he'd stormed off the set and refused to return.

    Gleason told Katleman to get out, but he stood his ground and calmly introduced himself. It was the Katleman name that did the trick: Uncle Jake, who'd owned the El Rancho casino resort in Las Vegas, had forgiven Gleason's gambling debt before he became a star. The actor returned the favor to nephew Harris and ended the crisis — after extracting a reluctant apology from the executive's wife.

    Katelman, who worked with writers, including the acclaimed Paddy Chayefsky and Clifford Odets, said he preferred them to actors because they offered substance over ego and temperament. There were run-ins with some executives, but not with one who has since fallen hard from grace: Leslie Moonves.

    Moonves was a bartender and struggling actor when Katleman saw management potential in him and gave him a start at Fox. What he never witnessed or heard complaints about, Katleman said in an interview, was the sexual misconduct that led to Moonves' firing last year as CBS Corp. chief.

    Although not one for regrets, a deal that got away rankles Katleman, especially these days. A bid by him and other 20th Century Fox executives, including Alan Hirschfield and Dennis Stanfill, to take the company private fell apart. There was a dispute over whether Hirschfield or Stanfill would be CEO, Katleman said. Texas oilman Marvin Davis bought Fox, eventually selling it to Murdoch, who made it the foundation of his influential U.S. media empire.

    The outcome changed history, as Katleman sees it.

    "Rupert never would have owned Fox, there never would have been a Fox News and there never would have been a (President) Donald Trump," he said.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2019-07-11)
    Category:News
    Tags:FoxHarris KatlemanMGM



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleDirectors Jason Jeffrey, Mia Lidofsky Join m ss ng p eces
    Next Article Local permit denied for Woodstock 50 at upstate NY track
    SHOOT

    Add A Comment
    What's Hot

    Object & Animal Signs Director Alex Acy For U.S. & U.K. Representation

    Friday, January 16, 2026

    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026

    Kathleen Kennedy, Steward Of “Star Wars,” Steps Down From Lucasfilm

    Thursday, January 15, 2026
    Shoot Screenwork

    LePub NY and Director Ivan Zacharias Herald The Return Of Dos Equis’ Most Interesting Man In The World

    Friday, January 16, 2026

    The Most Interesting Man in the World has rediscovered his most interesting self–and as a…

    Top Spot of the Week: Director Steve Rogers, VCCP Get “Homesick” For Cadbury

    Thursday, January 15, 2026

    The Best Work You May Never See: NFL Playoff Momentum Builds As Canadian Fans Change Writing On The Walls From “No” To “Go Bills”

    Wednesday, January 14, 2026

    Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    Tuesday, January 13, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.