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    Home » “I May Destroy You,” “Collective,” “Crip Camp” Among Day 3 Winners Of Peabody Awards

    “I May Destroy You,” “Collective,” “Crip Camp” Among Day 3 Winners Of Peabody Awards

    By SHOOTWednesday, June 23, 2021Updated:Tuesday, May 14, 2024No Comments2710 Views
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    Michaela Coel in a scene from "I May Destroy You" (photo by Natalie Seery/courtesy of HBO)
    ATHENS, Ga. --

    Among the latest batch of Peabody Award winners are "I May Destroy You" in the Entertainment competition, and "Collective" and "Crip Camp" in the Documentary rundown.

    This year’s 30 winners, selected by The Peabody Awards Board of Jurors, are being announced throughout the week.. These winners represent the most compelling and empowering stories in broadcasting and digital media from 2020. 

    See below for today’s group of winners. The final batch of Peabody winners will be unveiled tomorrow (6/24).

    TODAY’S WINNERS
    Entertainment

    “I May Destroy You” 
    One of the year’s most critically-acclaimed series is the provocative brainchild of British screenwriter, director, producer, and actor, Michaela Coel. The story centers on her character Arabella, who awakens from a night on the town with fragmented memories of having been sexually assaulted. With a compelling narrative that mirrors the structural rhythms of psychological trauma, the show defines the emergent subgenre of consent drama and takes center stage in a developing cultural conversation around complex issues of sexuality and consent, freedom and abuse, friendship and trust.
    HBO in association with BBC, Various Artists Limited, and FALKNA (HBO)

    “La Llorona” 
    Jayro Bustamante’s reworking of that well-known Latin American folk tale about a weeping woman relies on the lyrical potential of the ghost story genre. The power of this gripping film is its inventive approach to visualizing the pains of a nation’s collective memory. It is a quietly powerful indictment of justice delayed and a visceral embodiment of accountability politics that rightly centers Guatemala’s indigenous population. 
    La Casa de Producción (Shudder)

    Documentary

    “Collective” 
    In the aftermath of a nightclub fire in Bucharest, the survivors suffering from non-life threatening burn injuries mysteriously begin dying. Journalists from the Gazeta Sporturilor newspaper probe into why, and their enterprising investigation, supported by key whistleblowers, is captured by director Alexander Nanau’s intimate and breathtaking cinema vérité film. What unfolds is a staggering exposure of official corruption that reaches from the highest levels of government and infects the entire health care system. 
    Alexander Nanau Production, Samsa Film HBO Europe (HBO Europe)

    “Immigration Nation” 
    Christina Clusiau and Shaul Schwarz’s six-part documentary on the Immigration and Customs Enforcement agency shows how bureaucrats and officers working across different, seemingly unconnected domains make up a complex and terrorizing system. With rare access to detention facilities, ICE agents on duty, immigrant families, and lawyers and activists, the filmmakers reveal how individual and collective justifications of “we are just doing our job” rationalize a punishing system.
    A Reel Peak Films Production for Netflix (Netflix)

    “Crip Camp” Presented by Selma Blair
    Nicole Newnham and James LeBrecht’s film features a group of summer campers who first met at Camp Jened in upstate New York in the early 1970s and went on to become key players and activists in the Disability Rights Movement in the U.S. With an unapologetic spirit and a welcome cheekiness found in its archival footage, the documentary gives us a glimpse into the warmth of the teenagers’ discovery of independence, romance, and themselves, while also offering an inspiring history of a space where people found the strength and the sense of community to take on a fight to change the very world around us. 
    A Higher Ground and Rusted Spoke Production in association with Little Punk / JustFilms / Ford Foundation for Netflix (Netflix)

    Public Service

    “Facing Race” 
    This audacious series tackles the deep-rooted subject of racial inequality, racism, racial privilege, and the systematic ways in which race structures and impacts the public and personal life of Seattle residents. From criminal justice to health disparities, environmental racism to land policy ramifications for Native American communities, the reporting team covers the magnitude and depth of the story sensitively yet critically. In particular, the series is attentive as well to the powerful emotional and psychological impact of racism and racial trauma, particularly among parents, trans-racial adoptees, and multiracial youth.
    KING 5 (KING-TV)

    News

    “PBS NewsHour: Coverage of COVID-19” 
    Relentless and comprehensive reporting from PBS NewsHour gave us the best news coverage of a once-in-a-century global pandemic. Their work on “Global Pandemic” covered the pandemic’s human toll on five continents, in countries already hit hard by war, famine, and death. In the United States, “Making Sense: The Victims of COVID” put a spotlight on the millions who lost their jobs, the devastating impact on restaurants, and the near shutdown of the travel industry, while shedding new light on how the pandemic revealed and exacerbated astonishing racial disparities in American health outcomes. 
    PBS NewsHour (PBS)

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    Category:News
    Tags:CollectiveCrip CampI May Destroy YouLa LloronaPeabody Awards



    Funny and Feminist Fashion Advances The Storytelling In “Palm Royale”

    Friday, November 14, 2025

    When Kristen Wiig steps out of a vintage Rolls-Royce in the opening scene of Season 2 of "Palm Royale," she's sporting a tall, yellow, fringed hat, gold platform sandals and sunny bell bottoms, with fabric petals that sway with every determined step. It's the first clue that the costumes on the female-driven comedy are taking center stage. The Apple TV show made a splash in its first season with the starry cast, high production values and ubiquitous grasshopper cocktail. Wiig's character, Maxine, tries to break into Palm Beach high society in 1969 and bumps heads with co-stars Carol Burnett, Allison Janney, Leslie Bibb and Laura Dern. But also playing a starring role are the vintage designer frocks that reflect each character. For Season 2, which premiered this week, Emmy-winning costume designer Alix Friedberg says she and her team coordinated "thousands" of looks that reflect the characters' jet-setting style. She says 50-60% of the brightly colored and graphic print costumes are original vintage designer pieces, sourced by shoppers and costume designers. "The looks are so iconic. Sometimes Kristen will walk in in something, and it brings tears to my eyes," Kaia Gerber — who plays Mitzi — said in a recent interview. The creative process entails more than shopping If not original vintage, Friedberg's team builds the costumes, and if a character has to wear an outfit in multiple scenes or in big dance numbers, the team may create duplicates to preserve continuity. Friedberg says she was lucky to find so many vendors with vintage designer pieces in great condition. "(Bibb's character) Dinah wears a few original Oscar de la Renta pieces that are really so perfect. Bill Blass was a big one, Oleg Cassini," Friedberg says. "There's a... Read More

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