Ryan Murphy, one of television’s busiest and most successful writers/directors/producers, will be named Television Showman of the Year at the 54th Annual International Cinematographers Guild (ICG, IATSE Local 600) Publicists Awards honoring excellence in publicity and promotion for motion pictures and television programs, to be held at the Beverly Hilton Hotel on Friday, February 24.
Murphy has created a wide array of shows and has won four Primetime Emmys, 11 additional award wins and 45 nominations and is the originator of the popular American television programs American Horror Story, Scream Queens, Glee, Nip/Tuck and The New Normal.
“Ryan Murphy is a visionary in the creation of entertainment projects who personifies the very concept of showmanship,” said Awards Committee chairman Henri Bollinger.
Steven Poster ASC., national president of the ICG, added, “Ryan is up there with a select few who have been able to bring such high consistency to everything they touch.”
Murphy began his career as a journalist, eventually turning his penmanship towards a career in film and television. His first program, Popular, a teenager comedy-drama for the WB Network ran for three seasons in 1999. More success came in 2003 with the debut of FX’s Nip/Tuck, which tells the tale of two plastic surgeons living and working in Miami, Florida. In 2009, Murphy debuted Glee about a high school glee club, which was inspired by his days in high school choir. In 2011, Murphy served as executive producer on American Horror Story with Jessica Lange and Dylan McDermott and guest stars Lady Gaga and Kathy Bates. In 2012, NBC announced plans to air Murphy’s newest series, The New Normal. In 2014 HBO film The Normal Heart debuted, chronicling the story of the onset of the AIDS crisis in New York, which won an Emmy for Outstanding Television Movie. Additional credits include American Crime Story, Feud, Scream Queens, Eat Pray Love and The Glee Project.
Lawsuit Alleges That TikTok Was Aware Of Risks Its Platform Posed To Kids and Teens
TikTok was aware that its design features are detrimental to its young users and that publicly touted tools aimed at limiting kids' time on the site were largely ineffective, according to internal documents and communications exposed in a lawsuit filed by the state of Kentucky.
The details are among redacted portions of Kentucky's lawsuit that contains the internal communications and documents unearthed during a more than two year investigation into the company by various states across the country.
Kentucky's lawsuit was filed this week, alongside separate complaints brought forth by attorneys general in a dozen states as well as the District of Columbia. TikTok is also facing another lawsuit from the Department of Justice and is itself suing the Justice Department over a federal law that could ban it in the U.S. by mid-January.
The redacted information — which was inadvertently revealed by Kentucky's attorney general's office and first reported by Kentucky Public Radio — touches on a range of topics, most importantly the extent to which TikTok knew how much time young users were spending on the platform and how sincere it was when rolling out tools aimed at curbing excessive use.
Beyond TikTok use among minors, the complaint alleges the short-form video sharing app has prioritized "beautiful people" on its platform and has noted internally that some of the content-moderation metrics it has publicized are "largely misleading."
The unredacted complaint, which was seen by The Associated Press, was sealed by a Kentucky state judge on Wednesday after state officials filed an emergency motion to seal it.
When reached for comment, TikTok spokesperson Alex Haurek said: "It is highly irresponsible of the Associated Press to... Read More