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    Home » Ikegami rolls out HDL-57 full-digital compact HDTV camera

    Ikegami rolls out HDL-57 full-digital compact HDTV camera

    By SHOOTTuesday, August 4, 2015Updated:Tuesday, May 14, 2024No Comments1793 Views
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    NEUSS, Germany --

    Ikegami announces a new addition to its range of broadcast quality television cameras. The HDL-57 is a compact high-definition camera designed for use on remotely controlled pan/tilt heads in applications such as parliamentary television or robotic studios. It can also be used wherever a high-grade fixed-position compact camera is required for intercutting with the output from full-size studio cameras. Camera head and controller are housed in a single robust rectangular unit measuring 90 x 103 x 180 mm (width x depth x height) and weighing 1.5 kg. The HDL-57 can be operated remotely or via its rear control panel.

    Three advanced 2.5 megapixel 2/3 inch CMOS sensors are employed to deliver wide dynamic range and, in principle, no smear. Each sensor incorporates active processing circuitry and delivers a digital output to the camera’s digital signal processor, all in a very small device with low power consumption. The sensors are equipped with native progressive and interlace modes. 1080/59.94i, 1080/50i, 720/59.94p, 720/50p and 1080/23.98p are available from the camera head. 1080/23.98p output is available as an option.

    Full digital processing is employed within the HDL-57, from imagers to HD-SDI output, delivering high signal integrity and high picture quality as well as stable and reliable operation.  Master gain is processed through a high-grade low-noise amplifier with negative feedback. Video noise cancellation circuits deliver images of wide dynamic range even at high gain level. Specified performance parameters include F11 at 2,000 lux sensitivity, 60 dB signal-to-noise ratio and 1,000 television lines resolution in 1080i format (700 TVL in 720p format).

    Among the operating features of the HDL-57 are six-position switchable gain (0 to +30 dB), six electric shutter speeds (1/100 to 1/2,000 second), four-position optical filter (100, 25, 6.2 and 1.6 per cent) and a two-position electronic colour correction filter (3,200 and 5,600 K). The optical filter wheel is motorised and can be operated from Ikegami remote control panels such as the RM-50B and OCP-300.  Using these filters in combination, the camera can handle a very wide range of lighting conditions. Auto-white-balance mode is available to cover the full range of colour temperatures.

    The Ikegami HDL-57 operates on 12 volt DC power (11 to 16 volts), consuming 18 watts or less. It delivers two HD-SDI outputs and has a reference signal input accepting tri-level HD sync. The camera will be demonstrated on the Ikegami stand (11.A31) at IBC2015, Amsterdam, September 11-15.

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    Tags:Ikegami



    Review: Director Noah Baumbach’s “Jay Kelly,” Starring George Clooney

    Tuesday, November 18, 2025
    This image released by Netflix shows George Clooney, left, and Adam Sandler in a scene from "Jay Kelly." (Peter Mountain/Netflix via AP)

    During his glittering career, George Clooney has played a casino thief, a Batman,a chain-gang convict, an assassin and a high-flying layoff artist. This fall, he's stretching even more, playing an utterly charming and gorgeous movie star. Kidding! Reality and fiction beautifully weave in and out in "Jay Kelly," director Noah Baumbach's love letter to Hollywood that, in other hands, could so easily have become just a love letter to Clooney. The script by Baumbach and Emily Mortimer finds Clooney — sorry, Jay Kelly — in a sort of midlife funk. He's 60, a universally beloved, deeply earnest movie hunk who has worked his way to the top and found, well, artifice. "My life doesn't really feel real," he says at one point, an actor trained in pretending going meta playing an actor trained in pretending. In another scene he muses: "All my memories are movies." A chance meeting with an old acting partner — a brilliant Billy Crudup, whose character was betrayed by Kelly years ago — reveals some unpleasant truths. "Is there a person in there? Maybe you don't actually exist," he asks the star, sending Kelly on a journey of self-discovery that just so happens to lead to one of Clooney's favorite places, Italy. Kelly's careful facade — the stories he tells about himself — soon gets chipped away. On his way up the hills of Hollywood, he apparently left some personal carnage behind. "Jay Kelly" is about those who sacrificed to get him there. Adam Sandler and Laura Dern play Kelly's long-suffering manager and publicist, respectively, while his resentful adult daughters are portrayed by Grace Edwards and Riley Keough. Kelly, we learn, put career first and that meant walking away from things like his daughters' school recitals and making his staff miss... Read More

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