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    Home » Industry Mourns Hy Yablonka

    Industry Mourns Hy Yablonka

    By SHOOTFriday, January 30, 2015Updated:Tuesday, May 14, 2024No Comments4177 Views
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    Hy Yablonka

    Creative director/partner helped bring Chiat\Day into prominence

    LOS ANGELES --

    Hy Yablonka, a beloved creative who mentored assorted agency artisans, passed away earlier this month at the age of 81. Best known for his work as creative director at Chiat/Day from its very inception–and credited with the hiring of industry icon Lee Clow–Yablonka was Jay Chiat’s creative partner at the predecessor agency Jay Chiat & Associates which merged with Guy Day’s Faust/Day to form the L.A. boutique shop Chiat/Day (now TBWAChiatDay) in October 1968. Yablonka was one of four original shareholders in Chiat/Day–Jay Chiat and Guy Day holding the principal stakes with Yablonka and Faust Day’s Tom Burr serving as partners maintaining minority shares in the agency.

    Yablonka spearheaded creative for Chiat/Day, including all television spanning varied clients, including breakthrough work on the Honda automobile account. Chiat/Day’s first hire was Chuck Phillips as account exec; he later became the head account person. Yablonka and Phillips later teamed at Chiat/Day’s San Francisco office (Chiat/Day had bought the venerable S.F. agency Hoefer Dieterich & Brown) in the early 1980s. Phillips was CEO of the S.F. shop with Yablonka heading creative. Yablonka moved onto Kenyon & Eckhardt in Los Angeles, then New York to creative direct high-profile automobile business.

    Of their tenure together in San Francisco, Phillips recalled, “We had a blast up there.” But Phillips moved to Canada in 1987 to open Chiat/Day’s Toronto operation. Phillips related, “Hy and I lost touch. We reconnected in L.A. around 2000 and have been friends since.” Phillips noted that Yablonka had been in poor health in recent years and sadly his death “was not a surprise.”

    Yablonka had health issues which included multiple strokes and bouts with cancer. Mike Yablonka related that his father “passed away from his body getting older and simply shutting down on him.”

    Though he maintained a low profile, Yablonka is regarded as a major creative force behind Chiat/Day’s ascent from a small L.A. boutique to national prominence in the late 1960s and early ‘70s.

    Mike Yablonka recalled, “One of the things I would tell my friends growing up is that it was interesting to watch my dad as he would go to sleep in the evening, go to the bathroom in the middle of the night, and wake up with an idea in the morning that I would see on TV six months later.”

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    Category:News
    Tags:ChiatDayHy YablonkaTBWAChiatDay



    Review: Kate Winslet Makes Feature Directorial Debut With “Goodbye June”

    Friday, December 12, 2025

    Kate Winslet is due a very thoughtful Christmas gift this year. The veteran actor made a pretty extraordinary maternal gesture, directing, producing and starring in a film her son, Joe Anders, wrote, "Goodbye June," which is in limited release this weekend and streaming on Netflix Dec. 24.

    While it might be worth pointing out that the script originated in a screenwriting class, there will be no nepo baby jokes here. Put alongside most of the Christmas offerings on Netflix, which seem to veer more toward the secret princess/fantasy/romance side of things, and aren't even attempting to be, well, very good, "Goodbye June" is an admirably solid, if generic, drama about family and death with a very distinguished cast.

    Terminal illness, estranged adult siblings and hospital rooms are certainly not going to be everyone's cup of tea around the holidays, but you probably already know by this point whether this is an experience you want to sign up for. It remains a mystery why so many holiday movies feel the need to include a dying mother. Perhaps it's because, from an emotional standpoint, it rarely misses.

    Unlike, say "The Family Stone" however, "Goodbye June" actually places the audience in that most unpleasant of settings: The hospital. It begins with a nightmare scenario, with the elderly mother, June ( Helen Mirren ) collapsing as the kettle cries out on the stove. Her grown son Connor (Johnny Flynn) finds her, collects his father Bernie (Timothy Spall), and they race off to the hospital, forgetting to turn off the tap in the sink before they leave. "Goodbye June" has an eye for the mundane details that make up everyday life that all seem so small in the face of loss.

    Soon, they're greeted by the rest of June and Bernie's daughters, Julia... Read More

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