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    Home » Inspired By “A Face in the Crowd,” Gia Coppola’s “Mainstream” Tackles Influencer Culture

    Inspired By “A Face in the Crowd,” Gia Coppola’s “Mainstream” Tackles Influencer Culture

    By SHOOTSaturday, September 5, 2020Updated:Tuesday, May 14, 2024No Comments4158 Views
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    Actress Maya Hawke, left, and director Gia Coppola pose for photographers upon arrival at the premiere for the film 'Mainstream' during the 77th edition of the Venice Film Festival in Venice, Italy, Saturday, Sept. 5, 2020. (Photo by Joel C Ryan/Invision/AP)

    By Nicole Winfield

    VENICE, Italy (AP) --

    Coronavirus lockdowns have kept most U.S. filmmakers and actors away from the Venice Film Festival, but Gia Coppola and Maya Hawke have brought a bit of today's America to the Lido with "Mainstream," a skewering look at YouTube and influencer culture.

    The two descendants of Hollywood royalty (Coppola is a grandchild of Francis Ford and Hawke is the first-born of Uma Thurman and Ethan Hawke) said they have been tested repeatedly for the virus since arriving, as required by festival organizers for participants from outside Europe.

    "It feels like a moment where we're like 'OK, we can follow the rules and we can still celebrate art and filmmaking and protect each other, keep each other safe,'" Hawke said, adding that she appreciated in particular the discipline of festival-goers in adhering to Italy's anti-virus precautions that include mask mandates and social distancing norms.

    In the U.S., "we're still really struggling and having trouble working together. And that's what feels so good about being here: that everyone is working together really, really well and respecting each other," she told The Associated Press on Saturday. 

    It's Coppola's second feature-length film and second appearance at Venice, after her 2013 debut "Palo Alto," competed in the Horizons section for up-and-coming talent, where "Mainstream" is also making its debut.

    The film stars Hawke as Frankie, a Los Angeles bartender whose YouTube video of a charismatic nobody, played by Andrew Garfield, becomes an internet sensation. The film explores the underbelly of influencer culture and the constant need to get attention from strangers on social media.

    "It asks the question about whether or not it's possible to make art while you're still trying to get attention and look for likes," said Hawke, currently getting her own attention for her role on the Netflix series "Stranger Things." Hawke said her instinctive answer is no, but allows that Garfield's final performance in which his persona unravels online certainly counts as art.

    Coppola said she was inspired to make the film by "A Face in the Crowd," the 1957 film starring Andy Griffith about a drifter who becomes a radio and television sensation. "Mainstream" is essentially a redux and variation. 

    "The morals for me are that all that glitters is not gold, and community and connection is really important," Coppola said.

    The festival, the first major in-person cinema showcase after COVID-19 locked down the film industry, wraps up on Sept. 12. In addition to the Horizons competition, 18 films are competing for the Golden Lion in the main selection.

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    Category:News
    Tags:Gia CoppolaMainstreamMaya HawkeVenice Film Festival



    Review: “Lee Cronin’s The Mummy”

    Friday, April 17, 2026
    This image released by Warner Bros. Pictures shows Natalie Grace in a scene from "Lee Cronin's The Mummy." (Warner Bros. Pictures via AP)

    The tagline for "Lee Cronin's The Mummy" is "Some things are meant to stay buried." That also applies to the misguided "Lee Cronin's The Mummy," which should definitely stay deep underground for eternity. Let's face it, Mummy has always been the lamest of the classic, old-school monsters, a grunting, slow-moving and poorly bandaged zombie. Dracula has a bite, after all, and Frankenstein's monster has superhuman strength. What's Mummy going to do? Lumber us to death? Cronin evidently believes there's still life in this old Egyptian cursed dude, despite being portrayed as the dim-witted straight guy in old Abbott and Costello movies or appearing as high priest Imhotep in the Brendan Fraser franchise. So Cronin has resurrected The Mummy but grafted it onto the body of a demon possession movie. His Mummy is actually not a man at all, but a teenage girl who is controlled by an ancient demon and grunts a lot. "Lee Cronin's The Mummy" — the title alone is a flex, like he gets his name on this thing like Guillermo del Toro, John Carpenter or Tyler Perry? — is overly long, constantly ping-pongs between Cairo and Albuquerque, New Mexico, and after a sedate first half, plows into a gross-out bloodfest at the end that doesn't match the rest of the film. Cronin, behind the surprise 2023 horror hit "Evil Dead Rise," is weirdly obsessed by toes and teeth, and while he gets kudos for having an Arabic-speaking main actor (a superb May Calamawy) and portraying real-feeling Middle Eastern characters, there's a feeling that no one wanted to edit his weirder impulses, like some light, inter-family cannibalism. It starts with the abduction of a Cairo-based family's young daughter, who resurfaces eight years later in a 3,000-year-old sarcophagus, catatonic and showing... Read More

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