Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » iSPOT of the Week: Viral Video Emphasizes Rugged Requirement for Ford Truck Owners

    iSPOT of the Week: Viral Video Emphasizes Rugged Requirement for Ford Truck Owners

    By SHOOT StaffWednesday, January 30, 2008Updated:Tuesday, May 14, 2024No Comments1703 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    By Ken Liebeskind

    DETROIT --

    A man drinking an iced mint chip latte doesn’t seem particularly controversial, but it offends the Ford Motor Co. because its Ford F-Series trucks are for rugged men who must act the part or forfeit their right to drive the trucks.
        That’s the message behind Fancy Coffee, one of two viral video ads playing at www.bftrules.com and YouTube. The video, which began playing on both sites on Dec. 20, had 657,953 views on YouTube as of yesterday.
        The video spoofs the TV show Cops, as cops wearing BFT (“Built Ford Tough”) uniforms drive into a shopping mall and interrogate a Super Duty truck owner who walks out of a coffee shop with a tray of beverages. The cops let him go after he dumps his latte onto the pavement.
        The video “helps change the conservative image of the trucks and makes them more fun,” said Brad Hensen, creative director at J. Walter Thompson/Detroit that created the video that was produced by Tool of North America/Santa Monica. CA. “It’s very different from TV advertising for the trucks, because we’re not selling features or benefits or even trying to get you to buy one,” he said. “It’s a viral video that’s trying to widen the scope.” 
        The goal is to appeal to a younger audience by making the truck “attractive, interesting, fun and different,” he said.
        The video spoofs Cops by staging it in a California shopping mall that could be anywhere. “The show moves around the country and we’re trying to mimic that,” Hensen said. “When viewers come across it we want them to feel like they’re watching Cops, but if they look closely the infraction is absurd. It’s meant to creep up on you and take you by surprise.”
        Erich Joiner, who directed the video for Tool, said he mimicked the show through the casting. “We wanted it to feel very real, so the cops and the truck owner were real people. I set up the basic scenario and told them the key points and they were able to improvise.”
        Joiner said, “We researched how they shot the TV show and used the same type of video camera, the Sony DSR 570 DVcam. I put it on my shoulder and ran behind the actors like in the show.”
        Joiner shot the video in Aug., 2006. “It took awhile to come to fruition because it’s very different from the way Ford advertises,” Hensen said. “Over time the power and value of being on the Net in a way that’s non-traditional became very evident and they were willing to say ‘Yes.'”
        Hensen said Tool assisted them in the process by shooting the video on spec so JWT could show it to the client before it was sold.
        The campaign includes another video, No Manicures, that takes place in a nail salon. A new video, No Pink Shirts, will begin playing Feb. 1.

    Fancy Coffee has been promoted with a link on the YouTube home page. The bftrules url is posted after the video plays to drive viewers to the site.


    Copyright © 2008 DCA Business Media LLC. All rights reserved. All text, photos, graphics, artwork, and other material on the SHOOTonline.com site are copyrighted. All copying, reposting or reproduction, especially for commercial publicity use or resale in any manner, form, or medium, requires explicit, prior, permission from the publisher. If you have any questions regarding copyright or use of the materials on this site, are interested in article linking, reposting, pdf creation, or any form of  rticle re-distribution contact permissions@shootonline.com, we will try to address your needs and concerns. SHOOTonline.com may, in appropriate circumstances and at its discretion, terminate the accounts of users who infringe the intellectual property rights of others.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2008-02-01)
    Category:iSpot of the Week



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleNicolai Fuglsig Wins DGA Award As Best Commercial Director of 2007
    Next Article The Best Work You May Never See: Oregon Lottery’s “Burger” Directed By Bob Industries’ Zach Math
    SHOOT Staff

    Add A Comment
    What's Hot

    Object & Animal Signs Director Alex Acy For U.S. & U.K. Representation

    Friday, January 16, 2026

    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026

    Kathleen Kennedy, Steward Of “Star Wars,” Steps Down From Lucasfilm

    Thursday, January 15, 2026
    Shoot Screenwork

    LePub NY and Director Ivan Zacharias Herald The Return Of Dos Equis’ Most Interesting Man In The World

    Friday, January 16, 2026

    The Most Interesting Man in the World has rediscovered his most interesting self–and as a…

    Top Spot of the Week: Director Steve Rogers, VCCP Get “Homesick” For Cadbury

    Thursday, January 15, 2026

    The Best Work You May Never See: NFL Playoff Momentum Builds As Canadian Fans Change Writing On The Walls From “No” To “Go Bills”

    Wednesday, January 14, 2026

    Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    Tuesday, January 13, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.