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    Home » Italian creative agency deploys Ultimatte 12 for building virtual studio sets

    Italian creative agency deploys Ultimatte 12 for building virtual studio sets

    By SHOOTTuesday, February 25, 2020Updated:Tuesday, May 14, 2024No Comments1582 Views
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    FREMONT, Calif. --

    Blackmagic Design has announced that ViSo Video Solutions has upgraded its virtual reality studios, relying on Ultimatte 12 compositing processors and URSA Broadcast cameras, to produce national television commercials and shows, for clients such as Sky Italia, Mediaset, ESL and Netco Sports.

    Founded in 2010, ViSo Video Solutions not only offers clients its VR services, but also creates all computer generated (CG) and 3D assets needed in house, and provides all postproduction which includes editing and grading in DaVinci Resolve Studio.

    “Augmented and virtual studio environments bring so many benefits to productions,” said Luigi Nino, general manager at ViSo. “We chose to develop our VR system in house so that we could control every aspect, and customize materials, lighting, animations and effects for each clients’ specific needs.”

    The studio’s VR set is 130 square meters and uses three tripod mounted URSA Broadcasts as well as a dolly mounted 4.5m jib on a six meter track. An ATEM 4 M/E Broadcast Studio 4K, with ATEM 1 M/E Advanced Panel, is used for live vision mixing.

    “When you have multiple cameras like this shooting from different angles, it can be quite easy to miss a bit of spill, however having a dedicated Ultimatte attached to each camera chain, paired with the correct lighting, ensures we always get the best possible key,” added Nino.

    He continued: “We’d used Ultimatte previously and made the decision to upgrade to Ultimatte 12 as it is much better at dealing with green spill. Not only that it can also create quick and very accurate garbage mattes.”

    On moving CG objects in a set, Nino explained, “We have our own in house software that essentially takes control of all 3D/CG elements in the scene and allows us to edit them. You can visualize them in real-time and if something needs changing you can import models, pre-visualize them, move them, make them bigger or smaller, anything you want.”

    Once they decide on how the scene will look, it will be “frozen” and it is ready to be recorded with the help of Ultimatte.

    “One of my favorite examples is ESL Italy’s fortnightly magazine show, called House of Esports, which is shown on DMAXHD. We put the host and guests in the game being discussed and they can then get up and walk around the set and it just looks incredible.

    The scene is full of characters, effects and animations with elements in both the background and foreground to create a very realistic virtual set.”

    Nino concluded: “Since Blackmagic Design acquired Ultimatte, I have been astonished at the improvements made to an already fantastic chroma keyer. Combined with all of our other Blackmagic hardware, we now have a complete chain for acquisition and control at an amazing price point which ensures we achieve our quality objectives.”

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    Tags:Blackmagic DesignUltimatteViso Video Solutions



    Gifted Youth Signs Comedy Director Carlyn Hudson For U.S. Commercial Representation

    Tuesday, May 19, 2026

    Comedy director Carlyn Hudson has joined Gifted Youth for commercial representation in the U.S.

    Hudson’s branded collaborations include campaigns for Tinder, JIF, e.l.f., Cheerios, Nike, Google, Jack in the Box, Amazon, OGX, and the New York Festival of Advertising. Her unapologetic spot for Annovera, starring Whitney Cummings, earned a Cannes Lion. Three of her short films have premiered at SXSW, including horror-comedy Waffle which was nominated for the SXSW Grand Jury Award and went on to appear at 50 additional festivals. Hudson is a member of the WGA and has developed features for Netflix, Hulu, and others.

    Originally from Texas, Hudson got her creative start in dance and theater, and later attended the Stella Adler School of Acting program at NYU, before transferring to the University of Texas at Austin for film school. After graduation, Hudson began working in Austin’s independent film community with Richard Linklater and Andrew Bujalski. She later moved to Los Angeles to work with Funny or Die and CollegeHumor, where she cut her teeth directing dozens of sketches and branded pieces, and honed her distinct comedic dialogue and world-building style. Hudson approaches comedy with total cinematic conviction. Her films and campaigns find the absurd buried inside the ordinary, creating a disquietingly funny vision that’s entirely her own.

    “Carlyn’s work is both hilarious and human,” said Josh Morse, executive producer, Gifted Youth. “She’s able to establish realness and relatability, instantly drawing you in. We’re immensely happy to welcome her to our roster.”

    “I’m very excited to be in the company of my fellow Gifted Youth directors, and to work with Josh and the rest of the production team,” said... Read More

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