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    Home » “Joker,” “The Irishman,” “1917,” “Rocketman” Among MPSE Golden Reel Award Nominees

    “Joker,” “The Irishman,” “1917,” “Rocketman” Among MPSE Golden Reel Award Nominees

    By SHOOTMonday, December 16, 2019Updated:Tuesday, May 14, 2024No Comments3980 Views
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    Joaquin Phoenix in "Joker" (photo by Nico Tavernise/courtesy of Warner Bros.)
    STUDIO CITY, Calif. --

    The Motion Picture Sound Editors (MPSE) has unveiled the nominees for the 67th Annual MPSE Golden Reel Awards. 

    Among the feature films to receive nominations are Joker, 1917, Toy Story 4, The Irishman, Rocketman, Ford v Ferrari, The Lion King and Jojo Rabbit.

    TV nominations include such shows as Chernobyl, The Handmaid’s Tale, Game of Thrones, The Mandalorian, Succession, The Watchmen, True Detective and The Watchmen. 

    “Sound artists continue to push boundaries for artistry and technical achievement in entertainment sound,” said MPSE president Tom McCarthy. “This year’s nominees represent the best work in sound across films, television, games, documentaries and other media. On behalf of The Motion Picture Sound Editors, I would like to congratulate all the nominees for their outstanding contributions to the art of sound.”

    The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 23 categories encompassing feature films, television, animation, computer entertainment and student work. The 67th Annual MPSE Golden Reel Awards ceremony is scheduled for Sunday, January 19, at the Westin Bonaventure Hotel in Los Angeles.

    Here’s a rundown of special awards and Golden Reel nominations:

    2020 MPSE FILMMAKER AWARD
    Victoria Alonso

    2020 MPSE CAREER ACHIEVEMENT AWARD
    Cecelia “Cece” Hall

    67th ANNUAL MPSE GOLDEN REEL AWARN NOMINEES

    Outstanding Achievement in Sound Editing – Feature Animation

    Toy Story 4
    Supervising Sound Editor: Coya Elliott
    Sound Designer: Ren Klyce
    Supervising Dialogue Editor: Cheryl Nardi
    Sound Effects Editors: Kimberly Patrick, Qianbaihui Yang, Jonathon Stevens
    Foley Editors: Thom Brennan, James Spencer
    Foley Artists:  John Roesch, MPSE, Shelley Roden, MPSE

    How to Train Your Dragon: The Hidden World
    Supervising Sound Editors:  Brian Chumney, Leff Lefferts
    Supervising Sound Designer: Randy Thom
    Sound Designers:  Al Nelson, Rick Hromadka
    Sound Effects Editors: Jon Borland, Malcolm Fife
    Foley Editor: Dee Selby
    Foley Artists: Jana Vance, Geoff Vaughan

    Frozen II
    Supervising Sound Editor: Odin Benitez, MPSE
    Sound Designers:  Jeff A. Sawyer, Stephen Robinson, MPSE Angelo Palazzo, Eliot Connors, MPSE
    Supervising Dialogue Editor: Harrison Meyle, MPSE
    Sound Effects Editors: Russell Topal
    Supervising Foley Editor:  Christopher Bonis
    Supervising Music Editor: Earl Ghaffari
    Music Editors: Fernand Bos, Kendall Demarest
    Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE
    Foley Editor: Scott Curtis

    Missing Link
    Supervising Sound Editor: Tim Chau, MPSE
    Sound Designers: Clayton Weber, MPSE, Tim Chau, MPSE
    Sound Effects Editors: Thomas O’Neil Younkman, Terry Rodman, MPSE, Jessie Pariseau
    Dialogue Editor: Fred Paragano
    Foley Editor: Travis Crotts
    Foley Artists: Catherine Harper, MPSE, Katherine Rose, MPSE, Amy Kane

    Abominable
    Supervising Sound Editors:  Ethan Van der Ryn, Erik Aadahl, MPSE
    Sound Designers: Rick Hromadka, Malte Bieler
    Sound Effects Editors: Jason W. Jennings, Tim Walston, MPSE, Goeun Lee

    The Lion King
    Supervising Sound Editors: Christopher Boyes, Frank Eulner
    Sound Designer: Christopher Boyes
    Sound Effects Editors: Justin Doyle, Pascal Garneau
    Dialogue Editor: Marshall Winn
    Foley Editor: Dee Selby
    Foley Artists: Jana Vance, Ronni Brown

    White Snake
    Supervising Sound Editor: Gary Chen
    Sound Effects Editors: Shuangshuang Wang, Mei He, Irene Sun, Sam Fan, Emily Ding, Silence Lu
    Dialogue Editor: Emily Ding
    ADR Editor: Sandra Sun
    Foley Artists: Ziwei Wang, Yin Miao
    Foley Editors: Sandra Sun, Mei He

    Spies in Disguise
    Supervising Sound Editors:  Leff Lefferts, Jeremy Bowker
    Sound Designer: Randy Thom
    Supervising ADR Editor: Bjorn Ole Schroeder
    Sound Effects Editors: Samson Neslund, David Farmer
    Dialogue Editor: Michael Silvers
    Foley Editors: Larry Oatfield, Chris Manning
    Foley Artists: Shelly Roden, MPSE, John Roesch, MPSE

    Outstanding Achievement in Sound Editing – Dialogue / ADR

    Once Upon a Time in Hollywood
    Supervising Sound Editor:  Wylie Stateman, MPSE
    Dialogue Editors:  Lindsey Alvarez, Michael Hertlein, MPSE
    ADR Editors: Leo Marcil, Zach Goheen

    Joker
    Supervising Sound Editor: Alan Robert Murray
    Supervising ADR Editor: Kira Roessler, MPSE
    Dialogue Editor:  Carmeron Steenhagen

    Ford v Ferrari
    Supervising Sound Editor:  Donald Sylvester
    Dialogue Editor:  Polly McKinnon

    JoJo Rabbit
    Supervising Sound Editors: Ai-Ling Lee, Tobias Poppe
    Supervising ADR Editor: Susan Dawes
    Dialogue Editors: Helen Luttrell, David V. Butler

    The Irishman
    Supervising Sound Editors: Phil Stockton,MPSE, Eugene Gearty
    ADR Editor: Marissa Littlefield
    Dialogue Editor: Phil Stockton, MPSE

    1917
    Supervising Sound Editor: Oliver Tarney, MPSE
    Dialogue Editor: Rachael Tate, MPSE

    Rocketman
    Supervising Sound Editor: Danny Sheehan

    Avengers: Endgame
    Supervising Sound Editors: Daniel Laurie, Shannon Mills
    Dialogue Editors: Jacob Riehle, Brad Semenoff

    Outstanding Achievement in Sound Editing – Effects / Foley

    Ford v Ferrari
    Supervising Sound Editor: Donald Sylvester
    Sound Designers: Jay Wilkenson, David Giammarco
    Sound Effects Editor: Eric Norris, MPSE
    Foley Editor: Anna MacKenzie

    Joker
    Supervising Sound Editor: Alan Robert Murray
    Sound Designer: Tom Ozanich, MPSE
    Sound Effects Editors: John Joseph Thomas, Darren Maynard, MPSE Christian Wenger
    Foley Editor: Michael Dressel, Willard Overstreet, Kevin R.W. Murray
    Foley Artists: Dan O’Connell, John Cucci, MPSE

    1917
    Supervising Sound Editor: Oliver Tarney, MPSE
    Sound Designers: Michael Fentum, James Harrison
    Foley Editor: Hugo Adams
    Foley Artists: Sue Harding, Andrea King

    Once Upon a Time in Hollywood
    Supervising Sound Editor: Wylie Stateman, MPSE
    Sound Designer: Harry Cohen, MPSE, Sylvain Lasseur
    Foley Artists: Rick Owens, MPSE, Gary Hecker, MPSE, Kyle Rochlin

    Avengers: Endgame
    Supervising Sound Editors: Shannon Mills, Daniel Laurie
    Sound Designer: Nia Hansen, David Farmer, MPSE
    Sound Effects Editors: Josh Gold, Samson Neslund, Steve Orlando
    Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE, Dan O’Connell, John Cucci, MPSE
    Foley Editor: Christopher Flick, Jim Likowski

    John Wick 3
    Supervising Sound Editor: Mark Stoeckinger, MPSE
    Sound Designers:  Alan Rankin, Martyn Zub, MPSE, Luke Gibleon
    Foley Artists: Dan O’Connell, John Cucci, MPSE

    Star Wars
    Supervising Sound Editors: David Acord, Matthew Wood
    Sound Designer: David Acord
    Sound Effects Editors: Addison Teague, Justin Doyle, Coya Elliott, Steve Slanec
    Foley Editors: Richard Gould, Dee Selby
    Foley Artists: Ronni Brown, Margie O’Malley

    A Hidden Life
    Supervising Sound Editor: Brad Engleking
    Sound Effects Editors: Robert Kellough, MPSE David Forshee
    Foley Artists: Dusty Albertz, Bastien Benkhelil

    Outstanding Achievement in Sound Editing – Music Underscore

    Joker
    Music Editors: Lena Glikson, Daniel Waldman

    Once Upon a Time in Hollywood
    Music Editor: Jim Schultz

    JoJo Rabbit
    Music Editor: Paul Apelgren

    Dolemite Is My Name
    Music Editor: Philip Tallman

    Waves
    Music Editors: Sally Boldt, Trey Edward Shults, and Johnnie Burn

    Queen & Slim
    Music Editor: Joseph S. DeBeasi

    Ad Astra
    Supervising Music Editor: Katrina Schiller, MPSE
    Music Editor: Lena Glikson, Terry Wilson, Will Kaplan, Philip Tallman
    Scoring Editor: Sam Zines, Rick Zeigler

    Little Women
    Scoring Editor:  Xavier Faricolli
    Music Editor: Suzana Peric

    Outstanding Achievement in Sound Editing – Feature Documentary

    Making Waves: The Art of Cinematic Sound
    Supervising Sound Editors: Kimberly Patrick, Qianbaihui Yang
    Dialogue Editor: Sung Rok Choi

    Apollo 11
    Supervising Sound Designer and Editor: Eric Milano
    Foley Artist:  Eric Milano

    The Cave
    Supervising Sound Editor: Peter Albrechtsen, MPSE
    Supervising Dialogue Editor: Lars Ginzel
    Sound Effects Editors: Rana Eid, Mikkel Nielsen, Thomas Pape
    Dialogue Editor: Theodora Flygt
    Supervising Music Editor: Graeme Stewart
    Foley Artist: Heikki Kossi, MPSE
    Foley Editors: Lars Halvorsen, Anne Tolkinnen

    Linda Ronstadt: The Sound of My Voice
    Supervising Sound Editor: Milos Zivkovic
    Supervising Music Editors: John Boylan, Julian Raymod, Bennett Salvay

    Echo in the Canyon
    Sound Designer: Robby Stambler, MPSE
    Dialogue Editor:  Sal Ojeda, MPSE

    Sea of Shadows
    Sound Designer: Bernhard Zorzi
    Dialogue Editor: Michael Pioderl
    Foley Editor: Bernd Dormayer

    Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
    Supervising Sound Editor: Phillip Stockton, MPSE

    Outstanding Achievement in Sound Editing – Foreign Language Feature

    Parasite
    Supervising Sound Editor: Choi Tae Young
    Sound Designer: Kang Hye Young
    Supervising ADR Editor: Kim Byung In
    Sound Effects Editors: Kang Hye Young
    Foley Artists: Park Sung Gyun, Lee Chung Gyu
    Foley Editor: Shin I Na

    Atlantics
    Supervising Sound Editor: Benoit de Clerck
    Dialogue Editor: Claude Gillet
    Foley Editor:  Thomas Ferrando
    Foley Artists: Bertrand Boudaud

    The Sound Story
    Supervising Sound Editor: Resul Pookutty, MPSE
    Sound Designer: Mahadevaiah Vijayakumar
    Sound Effects Editors: Krishnanunny Kj
    Foley Artists: Karan Arjun Singh, Shankar Sing, Anil Pawar
    Foley Editor: Ram Kishan Nath

    Shadow
    Supervising Sound Editors:  Yang Jiang, MPSE, Zhao Nan, MPSE
    Dialogue Editors:  Li Xinghui, Liu Ye
    Sound Effects Editors: Skip Lievsay, MPSE, Yang Jiang, Blake Leyh, Larry Zipf
    Foley Editor: Ning Wei
    Foley Artists: Han Jun Sheng

    The Fall of the American Empire
    Supervising ADR Editor: Nathalie Fleurant, MPSE
    Sound Designer: Marie-Claude Gagne
    Dialogue Editor: Claire Pochon
    Sound Effects Editors: Jean-Philippe Savard, Marie-Claude Gagne
    Foley Artist: Nicolas Gagnon

    Gully Boy
    Supervising Sound Designer and Editor: Ayush Ahuja
    Music Editor:  Nakul Kamte

    Outstanding Achievement in Sound Editing – Musical

    Rocketman
    Music Editors: Andy Patterson, Cecile Tournesac

    Frozen II
    Supervising Music Editor: Earl Ghaffari
    Music Editors:  Fernand Bos, Kendall Demarest

    Judy
    Music Editor: Paul John Chandler

    Cats
    Supervising Music Editor: John Warhurst, Nina Harstone
    Music Editors: Victor Chaga, Cecile Tournesac, James Shirley

    Western Stars
    Music Editor:  Brandon Duncan

    Echo in the Canyon
    Music Editor: Robby Stambler, MPSE

    Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese
    Music Editor: John M. Davis

    Outstanding Achievement in Sound Editing – Computer Cinematic

    Gears 5
    Audio Directors:  John Morgan, Crispin Hands
    Sound Designers:  Frank Faugno, Samuel Justice, MPSE
    Supervising Sound Editors:  Charles Deenen, MPSE, Csaba Wagner
    Sound Effects Editors: Braden Parkes, Graham Donnelly, Nick Martin
    Foley Editor: Logan Wall

    Death Stranding
    Supervising Music Editor: Peter Scaturro
    Sound Designer: Jacob Allston, Jeff Darby, Rob Castro, Andres Herrera, Aaron Sanchez, Casey Slocum, Maria J Rascon
    Dialogue Lead: Jodie Kupsco
    Dialogue Editors: Dedrick Sarzaba, Ryan Schaad
    Audio Director: Ludvig Forrsell
    Audio Lead: Mike Niederquell
    Music Editor: Bill Hemstapat

    Call of Duty: Modern Warfare (2019)
    Audio Director: Stephen Miller
    Supervising Sound Editor: Dave Rowe
    Supervising Sound Designer: Charles Deenen, MPSE Csaba Wagner
    Principal Sound Designer: Stuart Provine
    Sound Designers: Bryan Watkins, Mark Ganus, Eddie Pacheco, Darren Blondin
    Dialogue Lead: Dave Natale
    Dialogue Editors: Chrissy Arya, Michael Krystek
    Sound Editors: Braden Parkes, Nick Martin, Tim Walston, MPSE, Brent Burge, Alex Ephraim, MPSE, Samuel Justice, MPSE
    Music Editors: Adam Kallibjian, Ernest Johnson, Tao-Ping Chen, James Zolyak, Sonia Coronado, Nick Mastroianni, Chris Rossetti
    Foley Artists: Gary Hecker, MPSE, Rick Owens, MPSE

    Mortal Kombat 11
    Supervising Sound Editor: Samuel Justice, MPSE
    Sound Designers: Graham Donnelly, Csaba Wagner, Jay Jennings, David Farmer, MPSE Eilam Hoffman
    Supervising Dialogue Editor: Joe Hudson
    Sound Editors: Byron Bullock, Michael Leaning, Michael Schiparo, Jesse Garcia, Bob Kellough, MPSE, Braden Parkes
    Foley Editor: Rustam Gimadiyev

    World of Warcraft: Reckoning
    Supervising Sound Editor: Paul Menichini, MPSE
    Sound Designer: Brian Johnson
    InGame Audio Lead: Dave Rovin
    Audio Lead: Caroline Hernandez, MPSE
    Sound Editors: Christopher Battaglia, MPSE, Isaac Hammons, Christopher Cody Flick, MPSE, Lawrence Peacock, John Thomas, Gary Summers
    Supervising Music Editor: Derek Duke
    Music Editors: Neal Acree, John Kurlander
    Foley Artists: Gregg Barbanell, MPSE

    Final Fantasy XIV – Shadowbringers
    Supervising Sound Editors: Scott Martin Gershin, MPSE, Masanobu Tomita
    Audio Producer: Debbie Gonzalez
    Audio Director: Masayoshi Soken
    Sound Designer: Jesse Garcia, Yousuke Nakashima
    Sound Editors: Dylan Levitt
    Foley Artists: Alica Stevenson, Dawn Lunford

    Outstanding Achievement in Sound Editing – Computer Interactive Game Play

    Call of Duty: Modern Warfare (2019)
    Audio Director: Stephen Miller
    Senior Lead Sound Designer: Dave Rowe
    Senior Lead Technical Sound Designer: Tim Stasica
    Principal Sound Designer: Stuart Provine
    Senior Sound Designers: Chris Egert, Doug Prior
    Supervising Sound Designers: Charles Deenen, MPSE, Csaba Wagner
    Sound Designers: Chris Staples, Eddie Pacheco, MPSE, Darren Blondin, Andy Bayless, Ian Mika, Corina Bello, John Drelick, Mark Ganus
    Dialogue Leads: Dave Natale, Bryan Watkins, Adam Boyd, MPSE, Mark Loperfido
    Sound Editors: Braden Parkes, Nick Martin, Brent Burge, Tim Walston, Alex Ephraim, Samuel Justice
    Dialogue Editors: Michael Krystek, Chrissy Arya, Cesar Marenco
    Music Editors: Adam Kallibjian, Ernest Johnson, Tao-Ping Chen, James Zolyak, Sonia Coronado, Nick Mastroianni, Chris Rossetti
    Foley Artists: Gary Hecker, MPSE, Rick Owens, MPSE

    Mortal Kombat 11
    Audio Directors: Rich Carle, Dan Forden, Alice Bernier
    Advanced Sound Designer: Stephen Schappler
    Senior Sound Designers: Eric Wedemeyer, Austin Shannon
    Sound Designers: Matt Swanson
    Advanced Audio Designer: Daran Nadra
    Senior Audio Designer: Dustin Reid

    Borderlands 3
    Audio Director: Mark Petty
    Audio Lead: Brian Fieser
    Sound Designers: Andrew Cheney, Raison Varner, Joshua Davidson, Ricky Meisner, Jesse Lemons, Patrick Ginn, Chad Bedell, Michael Finley, Eliot Connors, MPSE, Keith Bilderbeck, MPSE, Johannes Hammers, MPSE
    Supervising Sound Editor: Shannon Potter
    Foley Artists: Gary Hecker, MPSE, Rick Owens, MPSE
     
    Gears 5
    Audio Director: John Morgan
    Sound Designers: Josh Linton, Edward Bauman, Brent Silk, Aaron Holland, Sashen Reddy, Alec Bradey, Ian Savage, Frank Faugno, John Tennant, Toby Hulse
    Dialogue Editor: Tim McKenzie
    Supervising Music Editor: Crispin Hands

    Death Stranding
    Audio Director: Ludvig Forssell
    Audio Lead: Mike Niederquell
    Dialogue Lead: Jodie Kupsco
    Dialogue Editor: Dedrick Sarzaba
    Sound Designers: Hiroyuki Nakayama, Andres Herrera, Aaron Sanchez, Casey Slocum, Maria J Rascon, Christian Kjeldsen, Nick Van Kleef, Peter Wayne
    Dialogue Editors: Duncan Gillies, Damian O’Sullivan, Timothy Schauer
    Supervising Music Editor: Peter Scaturro
    Music Editor: Andrew Buresh
     

    Outstanding Achievement in Sound Editing – Live Action Under 35:00

    Barry
    “ronny/lily”
    Supervising Sound Editor:  Sean Heissinger, Matthew E. Taylor
    Sound Designer:  Rickley W. Dumm, MPSE
    Sound Effects Editors: Mark Allen
    Dialogue Editor:  John Creed, Harrison Meyle
    Music Editor:  Michael Brake
    Foley Artists:  Alyson Dee Moore, Chris Moriana
    Foley Editor:  John Sanacore, Clayton Weber

    Servant
    “ReBorn”
    Supervising Sound Editor: Sean Garnhart
    Supervising ADR Editor: Alexa Zimmerman, MPSE
    Sound Effects Editors: Mark Filip
    Dialogue Editor: Fredric Rosenberg
    Music Editor: Lesley Langs
    Foley Artists: Gareth Rhys Jones

    Battle at Big Rock
    Supervising Sound Editor: Oliver Tarney, MPSE
    Sound Designer: Oriol Tarragó, Michael Fentum
    Supervising ADR Editor: Gwendolyn Yates Whittle
    Dialogue Editor: Rachael Tate, MPSE
    Foley Artists:  Sue Harding, Andrea King
    Foley Editor: Hugo Adams

    Ballers
    “Players Only”
    Supervising Sound Editor: Mark Relyea, MPSE
    Supervising ADR Editor: Julie Altus
    Dialogue Editors: Chris Kahwaty, MPSE, Robert Guastini, MPSE
    Sound Effects Editor: Daisuke Sawa
    Music Editor: Bruno Roussel, MPSE
    Foley Artists: Joseph T. Sabella, Jesi Ruppel
    Foley Editor: Damien Smith

    The Good Place
    “The Answer”
    Supervising Sound Editor: Brent Findley, MPSE
    Sound Effects Editor: Kevin McCullough, MPSE
    Dialogue Editor: Michael Jesmer
    Music Editors: Jason Tregoe Newman, Bryant J. Furhmann, Jason Ryterband
    Foley Artists: Jody Holwadel Thomas, MPSE, Elizabeth Rainey
    Foley Editor: Terry Boyd Jr

    Fleabag
    “Episode 1”
    Sound Effects Editor: Jack Gillies
    Dialogue Editors: Harry Platford, Michael Williams

    Star Trek Short Treks
    “The Trouble with Edward”
    Supervising Sound Editor: Matthew E. Taylor
    Sound Designer: Tim Farrell
    Dialogue Editor: Sean Heissinger
    Music Editor: Matt Decker
    Foley Artists: Ginger Geary, Doug Maddick
    Foley Editor: Trevor Sperry

    Stucco
    Supervising Sound Editors:  Dave Farmer, Csaba Wagner
    Sound Designers:  Samuel Justice, Csaba Wagner
    Sound Effects Editors: Michael Orlowski, Graham Donnelly
    Dialogue Editor:  Frank Scheuring

    Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR

    The Mandalorian
    “Chapter One”
    Supervising Sound Editors: Matthew Wood, David Acord
    Dialogue Editors: Steve Slanec, James Spencer
    ADR Editor: Richard Quinn

    Vikings
    “New Beginnings”
    Supervising Sound Editors: Jane Tattersall, MPSE, David McCallum
    Supervising ADR Editor: Dale Sheldrake
    Dialogue Editor: Claire Dobson

    Modern Love
    “Take Me as I Am”
    Supervising Sound Editor: Lewis Goldstein
    Supervising ADR Editor: Gina Alfano, MPSE
    Dialogue Editor:  Alfred DeGrand

    Big Little Lies
    “What Have We Done”
    Supervising Sound Editors: Linda Forsén, Paul Lucien Col
    Dialogue Editor: Alex Horlick
    ADR Editor: Natalie Fleurant, MPSE

    Whiskey Cavalier
    “Czech Mate”
    Supervising Sound Editor: Brent Findley, MPSE
    Dialogue Editor: Michael Jesmer
    ADR Editor: Michael Jesmer

    The Terror: Infamy
    “The Weak are Meat”
    Supervising Sound Editor: Gord Hillier
    ADR Editors: Aaron Olson, Gord Sproule
    Dialogue Editor: Gord Hillier

    Lost in Space
    “Unknown”
    Supervising Sound Editor: Branden Spencer, MPSE
    Dialogue Editors: Tim Tuchrello, Mike Hertlein, MPSE

    Castle Rock
    “Restore Hope”
    Supervising Sound Editor: Tim Kimmel, MPSE
    Dialogue Editor: Ryan Briley

    Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley

    The Mandalorian
    “Chapter One”
    Supervising Sound Editors: David Acord, Matthew Wood
    Sound Effects Editors: Bonnie Wild, Jon Borland, Chris Frazier, Pascal Garneau, Steve Slanec
    Foley Editor: Richard Gould
    Foley Artists: Ronni Brown, Jana Vance 

    Vikings
    “What Happens in the Cave”
    Sound Effects Editors: Steve Medeiros
    Foley Artists: Goro Koyama, Sandra Fox
    Foley Editor: Chris King

    The Terror: Infamy
    “Taizo”
    Supervising Sound Editor: Gord Hillier
    Sound Designer: Pat Haskill
    Foley Artist: Maureen Murphy
    Foley Editor: Dean Giammarco

    Tom Clancy’s Jack Ryan
    “Persona Non Grata”
    Supervising Sound Editor: Jon Wakeham
    Sound Designer: Russell Topal
    Sound Effects Editor: Will Digby
    Foley Artist: Dylan Wilhoit

    Mr. Robot
    “Method Not Allowed”
    Supervising Sound Editors: Kevin Buchholz, Brett Hinton

    Sund Designer: Dan Kremer
    Sound Effects Editors: Davis Fossum, Daniel Coleman, Patrick O’Sullivan
    Foley Artists: Dominquie Decaudain, Pam Kahn, MPSE
    Foley Editors: Randy Guth, Mike Marino

    Catch-22
    “EP 101”
    Supervising Sound Editor: Jerry Ross
    Sound Designer: Chris Assels
    Sound Effects Editors: Jeff Fuller
    Foley Editor: Clay Weber, MPSE
    Foley Artist: Catherine Harper, MPSE
    Foley Editor: Katherine Rose, MPSE

    Daybreak
    “Josh vs. the Apocalypse Part 1”
    Supervising Sound Editor:  John Benson
    Sound Effects Editors: John Snider, Todd Murakami
    Foley Artists: Zane Bruce
    Foley Editors: Larry Hopkins, Antony Zeller, MPSE

    Hanna
    “Forest”
    Supervising Sound Editor: Joe Beal
    Sound Designer: Andy Kennedy

    Outstanding Achievement in Sound Editing – Episodic Short Form – Music / Musical

    Wu Tang: An American Saga
    “All In Together Now”
    Music Editor: Shie Rozow

    Mr. Robot
    “Method Not Allowed”
    Music Editor: Ben Zales

    Tom Clancy’s Jack Ryan
    “Persona Non Grata”
    Music Editors: Eric Wegener, Alex Levy

    Vikings
    “What Happens in the Cave”
    Supervising Music Editor: Yuri Gorbachow
    Music Editor: Lise Beauchesne

    This Is Us
    “Stranger”
    Supervising Music Editor: Chris Foster

    Swamp Thing
    “The Anatomy Lesson”
    Music Editor: Matthew Llewellyn

    Daybreak
    “Cantu Tu Vida”
    Supervising Music Editor: Eduardo Ponsdomenech
    Music Editor: Christopher Kaller

    Catch-22
    “EP 101”
    Supervising Music Editor: Michael Alexander

    Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue/ADR

    Chernobyl
    “Please Remain Calm”
    Supervising Sound Editor: Stefan Henrix
    Supervising ADR Editor:  Harry Barnes

    True Detective
    “The Great War and Modern Memory”
    Supervising Sound Editors: Mandell Winter, MPSE, David Esparza, MPSE
    Dialogue Editor: Micah Loken, MPSE, Bernard Weiser, MPSE

    Game of Thrones
    “The Bells”
    Supervising Sound Editor: Tim Kimmel
    Supervising ADR Editor: Tim Hands, MPSE
    Dialogue Editors: Paul Bercovitch, John Matter

    The Marvelous Mrs. Maisel
    “A Jewish Girl Walks into the Apollo”
    Supervising Sound Editor: Ron Bochar
    Dialogue Editor: Sara Stern
    ADR Editor: Ruth Hernandez

    The Crown
    “Aberfan”
    Supervising Sound Editor: Lee Walpole, MPSE
    Dialogue Editor: Tom Williams
    ADR Editor:  Steve Little

    Succession
    “This is Not for Tears”
    Supervising Sound Editor: Nicholas Renbeck
    Dialogue Editors: Bill Orrico, Marlena Grzaslewicz
    Supervising ADR Editor: Angela Organ
    ADR Editor: Lidia Tamplenizza

    The Handmaid’s Tale
    “Mayday”
    Supervising Sound Editors: David McCallum, Jane Tattersall
    Dialogue Editor: Brent Pickett
    ADR Editor: Krystin Hunter

    Peaky Blinders
    “Mr. Jones”
    Supervising Sound Editor: Nigel Heath
    Dialogue Editor: Adele Fletcher
    ADR Editor: Adele Fletcher

    Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley

    Chernobyl
    “1.23.45”
    Supervising Sound Editor: Stefan Henrix
    Sound Designer: Joe Beal
    Foley Editors: Philip Clements, Tom Stewart
    Foley Artist:  Anna Wright

    Game of Thrones
    “The Bells”
    Supervising Sound Editor: Tim Kimmel
    Sound Designer: Paula Fairfield, MPSE
    Sound Effects Editors: Bradley Katona, MPSE Luke Gibleon
    Foley Artists: Jeffrey Wilhoit, MPSE Dylan Tuomy-Wilhoit
    Foley Editor: Brett Voss, MPSE

    The Watchmen
    “The Extraordinary Being”
    Supervising Sound Editor: Bradley North
    Sound Designer: Harry Cohen, MPSE
    Sound Effects Editors: Jordan Wilby, MPSE
    Foley Artist: Zane Bruce
    Foley Editor: Antony Zeller, MPSE

    True Detective
    “The Great War and Modern Memory”
    Supervising Sound Editor: Mandell Winter, MPSE
    Sound Designer: David Esparza, MPSE
    Sound Effects Editor: Ryan Collins, MPSE
    Foley Editor: Eryne Prine, MPSE
    Foley Artists: Sarah Monat, Robin Harlan

    Stranger Things
    “Chapter Eight: The Battle of Starcourt”
    Supervising Sound Editors: Craig Henighan, William Files, MPSE
    Sound Effects Editors: Angelo Palazzo, Katie Halliday
    Foley Artist: Steven Baine

    Peaky Blinders
    “Strategy”
    Supervising Sound Editor: Jim Goddard
    Sound Effects Editor: Sarah Elias
    Foley Artists: Catherine Thomas, Anna Wright
    Foley Editor: Tom Stewart

    Black Mirror
    “Striking Vipers”
    Supervising Sound Editor: Steve Browell
    Sound Designer: Steve Browell
    Foley Artist: Barnaby Smyth
    Foley Editor: Mathias Schuster

    Jim Henson’s The Dark Crystal: Age of Resistance
    “What Was Sundered and Undone”
    Supervising Sound Editor: Tim Nielsen
    Sound Designers: David Farmer, MPSE, Tim Nielsen
    Sound Effects Editors: Andre Zweers, Jon Borland, Addison Teague, Lee Gilmore, MPSE
    Foley Artists: Shelley Roden, MPSE, John Roesch, MPSE
    Foley Editor: Anthony De Francesco

    Outstanding Achievement in Sound Editing – Episodic Long Form – Music / Musical

    NOS4A2
    “The Shorter Way”
    Music Editor: Michael Brake, MPSE

    Game of Thrones
    “The Long Night”
    Music Editor: David Klotz

    Billions
    “Fight Night”
    Music Editor: Shari Johanson

    Dark
    “An Endless Cycle”
    Music Editor: Lewis Morison

    Carnival Row
    “The Gloaming”
    Music Editor: Greg Vines

    Succession
    “This is Not for Tears”
    Music Editors: Todd Kasow, John Finklea

    The Handmaid’s Tale
    “Mayday”
    Supervising Music Editor: Yuri Gorbachow
    Music Editor: Lise Beauchesne

    American Gods
    “Donar the Great”
    Music Editor: Kevin Banks

    Outstanding Achievement in Sound Editing – Animation Short Form

    3 Below
    “Tales of Arcadia”
    Supervising Sound Editor: Otis Van Osten
    Sound Designer: James Miller
    Dialogue Editors: Jason Oliver, Carlos Sanches
    Foley Artists: Aran Tanchum, Vincent Guisetti
    Foley Editor: Tommy Sarioglou

    The Adventures of Rocky and Bullwinkle
    “Amazamoose and Squirrel Wonder: Chapter Five”
    Supervising Sound Editors: Rob McIntyre, Devon Bowman
    Sound Designer: Lawrence Reyes
    Dialogue Editor: Kerry Iverson-Brody
    Sound Effects Editor: Peter Munters
    Foley Artist: Monique Reymond
    Foley Editors: Roberto D. Alegria, Ezra Walker

    Overwatch: Sigma
    “Origin Story”
    Supervising Sound Editor: Paul Menichini, MPSE
    Sound Designer: Brian Johnson, Chris De La Pena
    Dialogue Editor: Christopher Cody Flick, MPSE, Isaac Hammons
    Sound Effects Editors: Christopher Battaglia, MPSE, John Thomas, Lawrence Peacock, Gary Summers
    Supervising Music Editor: Derek Duke
    Music Editors: Mark Petrie, Jake Lefkowitz

    Love, Death & Robots
    “The Secret War”
    Supervising Sound Editor: Bradley North
    Sound Designer: Craig Henighan
    Sound Effects Editors: Jordan Wilby, Troy Prehmus
    Dialogue Editor: Bradley North
    Music Editor: Jeff Charbonneau
    Foley Artists: Alicia Stevenson, Dawn Lunsford

    Rise of the Teenage Mutant Ninja Turtles
    “The Evil League of Mutants, Part 1&2”
    Supervising Sound Editor: Jeff Shiffman, MPSE
    Sound Effects Editors: Jessey Drake, MPSE, Carol Ma
    Dialogue Editor: John Deligiannis

    Star Wars: Resistance
    “The Voxx Vortex 5000”
    Supervising Sound Editors: David Acord, Matthew Wood
    Sound Effects Editors: David Collins
    Foley Supervisor: Frank Rinella
    Foley Artists: Andrea Gard
    Foley Editor: Frank Rinella

    DC Showcase Sgt. Rock
    Sound Designer: Robert Hargreaves, MPSE
    Supervising ADR Editor: Mark Keatts
    Dialogue Editor: Mike Garcia, MPSE
    ADR Editor: Kelly Foley-Downs
     

    Outstanding Achievement in Sound Editing – Special Venue

    Vader Immortal: A Star Wars VR Series
    “Episode 1”
    Supervising Sound Editors: Kevin Bolen, Paul Stoughton
    Sound Designer: Andy Martin
    Supervising ADR Editors: Gary Rydstrom, Steve Slanec
    Dialogue Editors: Anthony DeFrancesco, Christopher Barnett, MPSE Benjamin A. Burtt, MPSE
    Foley Artists: Shelley Roden, MPSE Jana Vance

    Avengers: Damage Control
    Supervising Sound Editors: Bill Rudolph, Kevin Bolen
    Sound Designers: Michael Brinkman, Jon Do, Andy Martin
    Dialogue Editor: James Spencer
    Sound Effects Editors: Richard Gould, Steve Orlando

    Myth
    Supervising Sound Editor:  Odin Benitez, MPSE
    Sound Designers: Angelo Palazzo, Jeff A. Sawyer
    Dialogue Editor: Harrison Meyle
    Technical Audio Designers: Kevin Bolen, Danny Piccione

    Millennium Falcon: Smuggler’s Run
    Supervising Sound Editors: John Kestler, Richard Ludlow, MPSE, Kevin Bolen, Gary Rydstrom
    Sound Designers: Kellen Fenton, Justin Hollis, Tom Myers, Anthony De Francesco, Nicholas Tomassetti, Alex Barnhart, Jason Walsh
    Dialogue Editor: Wesley Dewberry
    Music Editors: Matthew Carl Earl, Mary Webster

    Outstanding Achievement in Sound Editing – Single Presentation

    El Camino: A Breaking Bad Movie
    Supervising Sound Editor: Nick Forshager, Todd Toon, MPSE
    Supervising ADR Editor: Kathryn Madsen
    Sound Effects Editors: Luke Gibleon
    Dialogue Editor:  Jane Boegel
    Foley Editor:  Jeff Cranford
    Supervising Music Editor:  Jason Tregoe Newman
    Music Editor: Bryant J. Fuhrmann
    Foley Artists: Gregg Barbell, MPSE, Alex Ullrich

    Catherine the Great
    Supervising Sound Editor: Jim Goddard
    Sound Designer: Craig Butters
    Dialogue Editor: Duncan Price
    ADR Editor: Matthew Mewett
    Music Editor: Andrew Glen
    Foley Artists: Catherine Thomas, Anna Wright
    Foley Editor: Philip Clements

    When They See Us
    Supervising Sound Editor: John Benson
    Sound Designer: Bruce Tannis, MPSE
    Supervising ADR Editor: Susan Dudeck
    Sound Effects Editors: Elliott Koretz, MPSE, Matt Wilson, Suat Ayas, MPSE
    Dialogue Editors: Susan Dudeck, Chase Keene, Jesse Pomeroy, Naaman Haynes, Bobbi Banks, MPSE
    ADR Editor: Chase Keene
    Music Editor: Jen Monnar
    Foley Artists: Dawn Lunsford, Alicia Stevenson

    Into the Dark
    Sound Designer: Roland Thai
    Dialogue Editor: Justin Walker, MPSE
    Music Editor: Mark Skillingberg
    Foley Artist:  Jonathan Bruce
    Foley Editors: Amy Barber, Julia Huberman

    Transparent Musicale Finale
    Supervising Sound Editor: Wade Barnett
    Sound Effects Editor: Michael Baird
    ADR Editor: Ryan Briley
    Music Editor: Angie Rubin

    Outstanding Achievement in Sound Editing – Non-Theatrical Feature

    Togo
    Supervising Sound Editors: Odin Benitez, MPSE, Todd Toon, MPSE
    Sound Designer: Martyn Zub, MPSE
    Dialogue Editor: John C. Stuver, MPSE
    Sound Effects Editors: Jason King, Adam Kopald, MPSE, Luke Gibleon, Christopher Bonis
    ADR Editor: Dave McMoyler
    Supervising Music Editor: Peter “Oso” Snell, MPSE
    Foley Artists: Mike Horton, Tim McKeown
    Supervising Foley Editor: Walter Spencer

    Deadwood
    Supervising Sound Editors:  Mandell Winter, MPSE, Daniel Colman
    Sound Designer: Ben Cook
    Dialogue Editors: Brian Armstrong, Bernard Weiser, Shane Hayes
    ADR Editors: Rob Chen, Dhyana Carlton-Tims
    Foley Editor: Eryne Prine
    Music Editors: Micha Liberman, Jillinda Palmer, Stephanie Gangel

    Lady and the Tramp
    Supervising Sound Editors: Andrew DeCristofaro, MPSE, Darren “Sunny” Warkentin MPSE
    Sound Designer: David Esparza
    Dialogue Editor: Kelly Oxford
    Sound Effects Editors: Michael Payne MPSE, Matthew Wilson
    ADR Editor: David Stanke
    Foley Editor: Geordy Sincavage 
    Supervising Music Editor: Bryan Lawson
    Music Editor: Erica Weis

    IO
    Supervising Sound Editor: Mac Smith
    Sound Designers: Mac Smith, Brandon Proctor
    Dialogue Editor: Brad Semenoff
    Sound Effects Editors:
    ADR Editor: Chris Gridley
    Foley Editor: Richard Gould 
    Foley Artist: Heikki Kossi, MPSE 

    Guava Island
    Supervising Sound Editor: Trevor Gates
    Dialogue Editor: Jesse Kees
    Sound Effects Editors: Matt Hall, Paul Knox
    Supervising ADR Editor: Jason Dotts
    Foley Editor: Walter Spencer 
    Music Editor: Devaughn Watts
    Foley Artists: Tim McKeown, Mike Hornton

    OG
    Supervising Sound Editors: Frederic Dubois, MPSE, Dror Mohar
    Foley Artist: Tapio Liukkonen 

    Escape Plan: Extractors
    Supervising Sound Editor: David Barber, MPSE
    Sound Designer: Roland Thai
    Supervising Dialogue Editor: 
    Sound Effects Editors: George Haddad, MPSE
    ADR Editor: Michael Kreple
    Foley Editor: David Kitchens, MPSE
    Foley Artist: Gonzalo “Bino” Espinoza
    Music Editor: Ben Zarai

    Mary
    Supervising Sound Editor: David Barber, MPSE
    Dialogue Editor: Karol Urban, MPSE
    Sound Effects Editors: George Haddad, MPSE, Roland Thai, Steve Urban, MPSE, Ben Zarai
    ADR Editor: Michael Kreple
    Foley Artist: Gonzalo “Bino” Espinoza 
    Foley Editor: David Kitchens, MPSE

    Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form

    Invader Zim: Enter the Florpus
    Supervising Sound Editor:  Kate Finan, MPSE, Jeff Shiffman, MPSE
    Dialogue Editor:  Johnathan Hylander
    Sound Effects Editors: Jessey Drake, MPSE, Tess Fournier, MPSE, Ben Gieschen, Mitchell Lestner, Greg Rubin

    Batman: Hush 
    Supervising Sound Editor:  Rob McIntyre, D.J. Lynch
    Sound Designer:  Evan Dockter  
    Sound Effects Editors: Lawrence Reyes, Derek Swanson
    Foley Editor:  Aran Tanchum, Alfredo Douglas 
    Foley Artists: Vincent Guisetti 

    Lego DC Batman: Family Matters
    Supervising Sound Editor: Rob McIntyre, D.J. Lynch
    Sound Designer: Lawrence Reyes 
    Sound Effects Editors: Ezra Walker
    ADR Editor: George Peters 
    Foley Editor: Aran Tanchum, Derek Swanson
    Foley Artists:  Vincent Guisetti 

    Reign of the Supermen
    Supervising Sound Editor:  Rob McIntyre, D.J. Lynch
    Sound Designer:  Evan Dockter  
    Sound Effects Editors: Ezra Walker 
    Foley Editor:  Aran Tanchum, Alfredo Douglas 
    Foley Artists: Vincent Guisetti 

    Lucky
    Supervising Sound Editor:  Jeff Shiffman, MPSE 
    Dialogue Editor:  Michael Wessner
    Sound Effects Editors: Tess Fournier, MPSE, Brad Meyer, MPSE 
    Foley Editor: Carol Ma 

    Wonder Woman: Bloodlines
    Supervising Sound Editor:  Rob McIntyre, D.J. Lynch
    Sound Designer:  Evan Dockter 
    Sound Effects Editors: Ezra Walker  
    Foley Editor: Aran Tanchum, Alfredo Douglas 
    Foley Artists: Vincent Guisetti

    Batman vs Teenage Mutant Turtles
    Supervising Sound Editor:  Jeff Shiffman, MPSE
    Dialogue Editor:  Kelly Foley Downs, Patrick J. Foley, Michael Garcia
    Sound Effects Editors: Jessey Drake, MPSE, Mitchell Lestner, Kevin Hart
    Supervising ADR Editor: Mark A. Keatts
    Foley Editor: Tess Fournier, MPSE  

    Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

    Serengeti
    Supervising Sound Editor: Paul Cowgill
    Foley Editor: Peter Davies 
    Music Editor: Alessandro Baldessari
    Foley Artists: Paul Ackerman  

    Hostile Planet: Oceans
    Supervising Sound Editor: Kate Hopkins, Tim Owens
    Sound Effects Editors: Jonny Crew, Hannah Gregory, Ben Peace
    Foley Editor: Tom Mercer  
    Foley Artists: Ben Jones

    Apollo: Missions to the Moon
    Supervising Sound Editor: John Warrin 
    Dialogue Editor: Nick Pavey
    Sound Effects Editors: Christopher Pentecost, Brian Golub, Leandro Cassan 

    The Cornell Lab of Ornithology: Bird of Prey
    Supervising Sound Editor:  Nicholas Renbeck
    Dialogue Editor:  Branka Mrkic-Tana
    Foley Editor:  George Lara, Dow McKeeve 
    Foley Artists: Marko Costanzo  

    Our Planet: One Planet
    Sound Effects Editors: Kate Hopkins, Tim Owens

    Epic Yellowstone
    Sound Designer: Brian Eimer
    Sound Effects Editors: Michael Bonini, Robynne Trueman
    Foley Editor: Michael Le
    Foley Artists: Guy Francoeur 

    What’s My Name: Muhammed Ali
    Supervising Sound Editor: Mandell Winter, David Esparza
    Dialogue Editor:  Sang Kim, Micah Loken
    Sound Effects Editors: Ryan Collins, Ando Johnson

    This Is Football
    Supervising Sound Editor: Greg Gettens 
    Sound Effects Editors: Chad Orororo 
    Foley Editor: Ciaran Smith, Philip Moroz  
    Foley Artists: Paula Boram  

    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

    Solar Plexus
    Sound Designer: Ines Adriana

    You Are Yolking Me!
    Supervising Sound Editor: Jiaqing Audrey Gu
    Foley Artists:  Hao Chen, Mozhu Yan, Kelly Mineou Han

    Heatwave
    Supervising Sound Editor: Kevin Langhamer

    Bolero
    Supervising Sound Editor:  Paul J. Vogel

    Ghazaal
    Supervising Sound Editor:  Bo Pang
    Foley Artists:  Xiao Ni, Bo Pang

    The Tower
    Supervising Sound Editor: Jane Lo

    Whale Done
    Supervising Sound Editor: Xiangying Jiang
    Sound Designer: Xiangying Jiang
    Dialogue Editor: YouJIa Shen
    Sound Effects Editor: Rose Jing

    Time
    Sound Designer:  Jeff Noller

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    Category:News
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    Location Lensing In L.A. Declines In 2025

    Thursday, January 15, 2026

    FilmLA Research has issued a report on regional filming activity in 2025 as well as for Q4 of that year (October-December). And while there was improvement during that three-month period as compared to the previous quarter, it wasn’t enough to save the bottom line for 2025.

    On-location production activity for the Q4 of ‘25 totaled 4,625 shoot days (SD), a 5.6 percent increase from the prior quarter (July-September, at 4,380 SD). Overall, 2025 finished with an annual total of 19,694 SD, a number 16.1 percent below the 2024 total (at 23,480 SD).

    “While the year-end numbers are disappointing, they are not unexpected,” said FilmLA VP of integrated communications Philip Sokoloski. “FilmLA has consistently projected that the full effect of the expanded Film and Television Tax Credit Program would take time to materialize, and although our overall numbers remain low, there are dozens of incentivized projects that have yet to begin filming. We were pleased to see that a majority of the incentivized project shoot days in the feature film category were for independent films, and we look forward to continuing to support productions of all sizes as they kick off early in the New Year.”

    Since the expanded California Film & TV Tax Credit Program went into effect last July, 119 projects have been awarded incentives. The most recent allocation round, held in early December, awarded credits to 28 film projects, many of which will be made in Greater Los Angeles. All approved productions have 180 days to start production after receiving their incentive award. Incentivized projects accounted for approximately 13 percent of all Film and TV shoot days in Q4.

    “FilmLA is grateful to have had the opportunity to meet with independent... Read More

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