The man behind the iconic designs of the iPhone, iMac and iPad is leaving Apple.
Chief design officer Jony Ive is departing after more than two decades at Apple to start his own design firm, the company said Thursday.
But he's not completely severing ties with the company he has worked at for nearly 30 years. Apple said it will be one of Ive's clients at his new firm.
The Cupertino, California, company did not give an exact date for his departure.
Ive has been a fixture on Apple's design team since the early 1990s and is known for shaping Apple's signature rounded, stylish designs.
He is often pointed to as the visionary behind what set Apple apart from its competitors — technology that didn't just look like boxes of wires, but that was fashionable and trendy.
Ive joined the company in 1992 as a young senior designer. Apple's co-founder and longtime leader Steve Jobs was in the midst of his 12-year exile at the time, and upon his return he named Ive senior vice president of industrial design.
The pair were known to work closely together in the decades before Jobs' death in 2011 — once, Jobs referred to Ive as his "spiritual partner."
Walter Isaacson, who wrote the 2011 biography "Steve Jobs," quotes Jobs describing Ive as "wickedly intelligent in all ways."
"He gets the big picture as well as the most infinitesimal details about each product. And he understands that Apple is a product company. He is not just a designer," Jobs told Isaacson. "He has more operational power than anyone else at Apple except me."
The name for Ive's new design company, LoveFrom, comes from something Jobs once said to him, Ive told the Financial Times in an interview published Thursday.
Jobs said making something with "love and care" was a fundamental component and doing so meant you were "expressing your gratitude to humanity, to the species."
"I so identified with that motivation and was moved by his description," Ive said.
Ive, Isaacson wrote, is a fan of the German industrial designer Dieter Rams, who "preached the gospel of 'less but better.'" Apple's designs, led by Ive, have become synonymous with elegant simplicity.
"Simplicity isn't just a visual style," Ive told Isaacson. "It's not just minimalism or the absence of clutter. It involves digging through the depth of the complexity. To be truly simple, you have to go really deep."
Ive was eventually promoted to his head of design role, where he shaped the simplistic and people-friendly phones and computers for which Apple has become known. Ive had a say in it all, from the bright, rounded iMacs of the 1990s to the sleek, silver and black iPhones of today.
In more recent years, Ive put part of his focus into designing the company's giant spaceship-like campus, Apple Park.
Ive, who grew up outside London, was knighted at Buckingham Palace in 2012. He studied design at Newcastle Polytechnic (now Northumbria University) in Newcastle, England, and was among the first employees at a design company called Tangerine — work that would lead him to Apple.
He won't be immediately replaced. Two of his deputies will report directly to the company's chief operating officer, Jeff Williams, who has led the development of the Apple Watch.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More