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    Home » “Jurassic World” Tops Box Office for 2nd Straight Week; “Inside Out” Makes Strong Debut

    “Jurassic World” Tops Box Office for 2nd Straight Week; “Inside Out” Makes Strong Debut

    By SHOOTSunday, June 21, 2015Updated:Tuesday, May 14, 2024No Comments1891 Views
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    This photo provided by Universal Pictures shows, Chris Pratt, left, and Bryce Dallas Howard in a scene from the film, "Jurassic World," directed by Colin Trevorrow, in the next installment of Steven Spielberg's groundbreaking "Jurassic Park" series. (Chuck Zlotnick/Universal Pictures via AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    In a box-office bout of Tyrannosaurus-sized proportions, "Jurassic World" kept the No. 1 spot with one of the biggest second weeks ever, while Pixar's "Inside Out" nearly matched it with a $91.1 million debut well above expectations.

    Universal's "Jurassic World" took in $102 million in North American theaters, according to studio estimates Sunday, making it only the second release to break $100 million in its second week. The enormous holdover for "Jurassic World," which last week set an opening weekend record with $208.8 million, has been bested by only 2012's "The Avengers," which made $103.1 million in second week.

    The unexpected sensation of the Colin Trevorrow-directed, Steven Spielberg-produced fourth entry in the franchise had turned Disney's $175 million 3-D "Inside Out" into an underdog expected to merely nip at the heels of "Jurassic World." But the emotional "Inside Out," about the voices in the head of an 11-year-old girl, blew past its own forecasts to set records, too.

    "Inside Out" was the first Pixar release not to open in first place, following an unparalleled two-decade streak of 14 straight no. 1s. But it's the largest opening for a wholly original movie (one not based on source material or a sequel), unseating "Avatar" in that distinction. Directed by Pete Docter ("Up") and co-directed by Ronaldo del Carmen, "Inside Out" had been expected to open in the range of previous Pixar non-sequels like "Wall-E" ($63.8 million opening) and "Brave" ($66.3 million).

    But "Inside Out" was propelled by gushing reviews from critics, a flashy premiere at the Cannes Film Festival and an appetite for a movie from Pixar. The animation studio hadn't had a release in two years after delaying "The Good Dinosaur" last year.

    "We came into the weekend thinking we'd do something in the 60s," said Dave Hollis, distribution head for Disney. "As we got closer to release, we hit a critical mass of really unbelievable critical response. In this day and age where technology allows people to see a Rotten Tomatoes score or read something and pass it along to their friends, all of a sudden, there was quite a stir about this as a thing to see."

    The twin hits of "Inside Out" and "Jurassic World" are giving Hollywood's summer a major boost. The weekend was up a staggering 64.6 percent over the same weekend last year, according to box-office data firm Rentrak. In 10 days, "Jurassic World" has already made $981.3 million and appears poised to be among the highest-grossing releases of all time.

    "Part of the success of 'Inside Out' is owed to this massive infusion of moviegoers into the marketplace," says Paul Dergarabedian, senior media analyst for Rentrak. "If you look at last weekend, around the world, how many people were in theaters when 'Jurassic World' made its debut?"

    He added, though, that "Inside Out" was also driven by Pixar's unique storytelling knack: "They can take almost any subject and turn it into something insightful, poignant and moving."

    "Inside Out" and "Jurassic World" had the multiplexes largely to themselves over the weekend. The other wide release to open was "Dope," a low-budget teen comedy set in Los Angeles' Inglewood neighborhood. Written and directed by Rick Famuyiwa, starring newcomer Shameik Moore and boasting some high-profile producers (Forest Whitaker, Pharrell Williams), "Dope" was acquired by Open Road after a buzzy premiere at the Sundance Film Festival.

    Though Open Road gave "Dope" an optimistic wide release of 2,002 theaters, it took in only $6 million.

    In limited release, the Adam Scott and Jason Schwartzman comedy "The Overnight" — also a Sundance premiere — opened on three screens in New York and Los Angeles, pulling in $61,523, good enough for the most packed theaters (albeit in far tinier numbers) besides those playing "Jurassic World" and "Inside Out."

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1. "Jurassic World," $102 million ($160.5 million international).

    2. "Inside Out," $91.1 million ($41 million international).

    3. "Spy," $10.5 million ($9.6 million international).

    4. "San Andreas," $8.2 million ($18 million international).

    5. "Dope," $6 million.

    6. "Insidious Chapter 3," $4.1 million ($3 million international).

    7. "Pitch Perfect 2," $3.3 million ($1 million international).

    8. "Mad Max: Fury Road," $2.8 million ($4.9 million international).

    9. "Avengers: Age of Ultron," $2.7 million.

    10. "Tomorrowland," $2 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Rentrak:

    1. "Jurassic World," $160.5 million.

    2. "Inside Out," $41 million.

    3. "SPL 2," $29 million.

    4. "San Andreas," $18 million.

    5. "Minions," $12.3 million.

    6. "Spy," $9.6 million.

    7. "The Classified File," $8.5 million.

    8. "Dragon Ball Z: Resurrection F," $7 million.

    9. "Mad Max: Fury Road," $4.9 million.

    10. "Poltergeist," $4.4 million.

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    Category:News
    Tags:box officeInside OutJurassic WorldPixar



    Disney Invests $1B In OpenAI; Deal Will Bring Characters Like Mickey Mouse To Sora AI Video Tool

    Thursday, December 11, 2025

    Disney is investing $1 billion in OpenAI and will bring characters such as Mickey Mouse, Cinderella and Luke Skywalker to the AI company's Sora video generation tool, in a licensing deal that the two companies announced on Thursday. At the same time, Disney went after Google, demanding the tech company stop exploiting its copyrighted characters to train its AI systems. The OpenAI agreement makes the Walt Disney Co. the first major content licensing partner for Sora, which uses generative artificial intelligence to create short videos. Under the three-year licensing deal, fans will be able to use Sora to generate and share videos based on more than 200 Disney, Marvel, Pixar and Star Wars characters. AI video generators like Sora have wowed with their ability to quickly create realistic clips based merely on text prompts. But a flood of such videos on social media, including clips depicting celebrities and deceased public figures, has raised worries about "AI slop" crowding out human-created work alongside concerns about misinformation, deepfakes and copyright. Disney and OpenAI said they are committed to responsible use of AI that protects the safety of users and the rights of creators. "This agreement shows how AI companies and creative leaders can work together responsibly to promote innovation that benefits society, respect the importance of creativity, and help works reach vast new audiences," OpenAI CEO Sam Altman said. Disney CEO Robert Iger said the deal will "extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works." As part of the deal, some user-generated Sora videos will be made available on the Disney+ streaming service. Disney will also become a "major customer" of... Read More

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