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    Home » Kamen Markov joins Framestore’s London advertising team as creative director

    Kamen Markov joins Framestore’s London advertising team as creative director

    By SHOOTWednesday, May 4, 2022Updated:Tuesday, May 14, 2024No Comments1306 Views
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    LONDON --

    Framestore has brought Kamen Markov aboard its London advertising team as creative director. 

    Markov has been a major player in the VFX world for a number of years collecting accolades for work including Cravendale’s “Cats with Thumbs” which reached over 10 million YouTube views, John Lewis & Partners’ “The Boy and the Piano” which won more than 15 VFX awards globally including VES, Cannes Lion, British Arrows, and ADC honors, as well as LEGO’s “Rebuild The World” campaign which was nominated for outstanding VFX at VES.

    Framestore executive creative director William Bartlett said of Markov, “As a key hire for us at an integral point of growth in our department, I can’t wait to see where his vision will take us and the boundaries he will break with his work.”

    Markov shared, “My style of work can be defined by a constant drive for closer and early collaboration with agencies and directors. I’m incredibly excited to continue my journey with Framestore which is a powerhouse in VFX, and I can’t wait to learn from the award-winning talent within the studio whilst also bringing my unique experience to the team.” 

    Markov started his career as a motion graphic designer for TV before going on to work as editor and VFX artist for TopForm Studio in Bulgaria, his home country. Markov then relocated to Mexico City where he began working at The FilterFX and quickly built a reputation for himself collaborating with some of the top advertising directors around such as Fred Clapp, Jorge Aguilera, and Oliver Castro. Markov then moved to London joining MPC where he worked as a VFX supervisor and lead compositor on award-winning projects with renowned directors including Daniel Kleinman, Jonathan Glazer, Ulf Johansson, Frederic Planchon, Robert Stromberg, Johan Renck and the directing collective Traktor.

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    Tags:FramestoreKamen MarkovWilliam Bartlett



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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