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    Home » Kelly Knight Becomes AMV BBDO’s 1st chief diversity & HR officer

    Kelly Knight Becomes AMV BBDO’s 1st chief diversity & HR officer

    By SHOOTWednesday, December 2, 2020Updated:Tuesday, May 14, 2024No Comments1129 Views
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    LONDON --

    AMV BBDO has promoted Kelly Knight to serve as its first chief diversity and HR officer. She will work with senior leadership at the agency to ramp up its efforts building a culture which is inclusive, celebrates and recognizes diversity. Her responsibilities also include ensuring that AMV’s services and strategy are aligned to the agency’s cultural goals. She reports to Sarah Douglas, CEO.

    Knight has spent her career working in human resources and was appointed by AMV as HR director in 2006. As well as championing HR initiatives at AMV, Knight is active in industry-wide campaigns to make careers in advertising more accessible to people who are under-represented.

    She was part of the IPA’s Creative Skillset Working Party, which developed the first advertising apprenticeship in 2012, and is now a member of the All Party Parliamentary Group on Apprenticeships. Knight also sits on the IPA’s Creative Pioneers Board and is a member of the association’s Future of Talent Strategy Group.

    Earlier this year she was included on the inaugural IPA iList, which recognizes individuals for their game-changing dedication to improving the diversity and inclusivity of the advertising industry. 

    Knight said, “Diversity, equality and inclusion is in my DNA. From the moment I started at AMV I worked with the IPA to address the lack of diversity in our industry.  I’m delighted that this is being formally recognized and I will strive to continue to work with my agency and the wider industry in the pursuit of equality.”

    Douglas said, “Kelly is the consummate human resources professional. Along with that, she has a vision for how our industry in general, and AMV in particular, can build a more diverse workforce and a culture that is truly inclusive, as well as the skills to make her vision a reality. This promotion is recognition of her achievements as well as signifying the continuing commitment AMV has to building the best possible workplace.”

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    Tags:AMV BBDOdiversityinclusionKelly KnightSarah Douglas



    Women Propel “Wuthering Heights” To Box Office-Topping Debut At $34.8 Million

    Sunday, February 15, 2026

    Emerald Fennell's bold reimagining of "Wuthering Heights" brought crowds of women to movie theaters this weekend. The Warner Bros. release topped the box office charts and nabbed the title for the year's biggest opening with $34.8 million in ticket sales in its first three days in North American theaters, according to studio estimates Sunday. According to PostTrak polling, an estimated 76% of those ticket buyers were women. By the end of Monday's Presidents Day holiday, the total could rise to $40 million from its 3,682 locations.

    The romantic drama starring Margot Robbie and Jacob Elordi as the star-crossed Catherine and Heathcliff, won out over the weekend's other newcomers, including the animated "GOAT" and the heist thriller "Crime 101." Its biggest day was Saturday's Valentine's Day holiday, where it earned $14 million. "Wuthering Heights" is also performing even better internationally, where it's expecting to rake in an additional $42 million from 76 territories.

    The Warner Bros./MRC production cost a reported $80 million to produce, not accounting for the millions spent on marketing and promotion. If the four-day totals match the estimates, that makes for a strong $82 million global debut. And the film still has several big openings on the horizon, in Japan and Vietnam on Feb. 27, and in China on March 13.

    The success comes while the future of Warner Bros. hangs in the balance, as Paramount continues to sweeten its hostile takeover bid in hopes of winning out over Netflix. "Wuthering Heights" is the studio's ninth No. 1 opening in a row.

    Fennell's version of "Wuthering Heights," which takes many liberties with Emily Brontë's novel, largely divided critics. It's currently sitting at a mixed 63% on Rotten Tomatoes. While that... Read More

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