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    Home » Kevin Jennings Elected AFCI Chairman

    Kevin Jennings Elected AFCI Chairman

    By SHOOTWednesday, February 3, 2016Updated:Tuesday, May 14, 2024No Comments4213 Views
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    Kevin Jennings, chairman of the AFCI

    New date and venue set for film commissioners annual Locations Tradeshow

    LOS ANGELES --

    The Association of Film Commissioners International (AFCI) elected a new chairman and four officers to its board of directors at its annual board meeting hosted by AFCI Member, Film LA.

    Kevin Jennings, executive manager of Film Otago Southland (New Zealand), was elected AFCI chairman.

    Jennings’ leadership of the Otago Southland film office has allowed the region to enjoy a boost in economic development amassing a track record of big-budget feature film productions–serving as the backdrop to The Hobbit trilogy, X-Men Origins: Wolverine, 10,000 BC, The Lord of the Rings, The Lion the Witch and the Wardrobe, Prince Caspian, Vertical Limit, and Sundance Channel’s Top of the Lake.

    Statistics New Zealand reports that film production brings $20 million annually into the local economy.

    Joining Jennings in new officer appointments on AFCI’s board of directors include: first vice-chairman Nick Maniatis, director of the New Mexico Film Office; second vice-chairman Sigmund Elias Holm, Western Norway film commissioner; treasurer Walea Contantinau, film commissioner for the Honolulu Film Office; and Pam Haynes, director of West Virginia Film Office, who assumes the role of AFCI secretary.

    The appointed officers join other board members: Silvia Echeverri, Colombian Film Commission; Denny Staggs, Montana Film Office; Marijana Stoisits, Vienna Film Commission; Karen Carberry Warhola, Maine Film Office; and Jeanne Corcoran, Sarasota Film and Entertainment Office in the leadership of the AFCI.

    “It’s an honor to be in a position of servant leadership with AFCI and to continue serving the ever changing needs of the TV and film industry on-location internationally as we have for the past 40 years,” said chairman Jennings. “As the leading resource on the planet for location shooting, our members represent the best of the best in trained and knowledgeable film commission professionals around the world.”

    Chairman Jennings also announced the new date and venue for AFCI’s annual Locations & Global Finance Show scheduled for Thursday, April 21–Saturday, April 23, 2016 at the Marriott Burbank (Los Angeles).

    “Our Locations Show event has been around for more than 30 years and it’s an opportunity for our members to exhibit their locations, promote their infrastructure and the billions of dollars incentives that are available to the TV and film production industry,” said Jennings.

    For 2016, AFCI is further enhancing the tradeshow with the inclusion of its Global Finance Conference.

    With the addition of the global film finance conference, AFCI will present international industry leaders to meet with media producers and financiers interested in investing in foreign markets. The conference will complement AFCI members’ offerings with national film funds and private capital from both the financial and media production community.

    The Locations & Global Finance Show is the industry’s only show pairing locations and film finance.

    AFCI will release additional information regarding the tradeshow conference’s presenters, speakers and topics in the coming weeks.

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    Category:News
    Tags:AFCI



    A “Masters” Class In Branding and Fashion

    Saturday, April 11, 2026

    If the world of high fashion has Fashion Week in Milan, with sleek models dressed in avant-garde looks strutting down the runways, then the golf world has the Masters, where players bound down verdant green fairways in azalea-inspired polos, exotic bird prints, the yellows of jasmine and the pinks of the dogwoods.

    Over the last few years, golf apparel companies have begun treating the first full week of April as their moment to shine, unveiling lineups of Masters-inspired drops they hope can capture the attention of those focused on the season's first major.

    The surf-style company Johnnie-O, for example, dips into the Deep South with its classic, understated Azalea Collection. Rhobak likewise offers an Azalea Collection, though with bold flower patterns designed to invoke the feel of being on the grounds of Augusta National. Malbon Golf, meanwhile, offers a "Birds of Georgia" set featuring images of those typically found about the course.

    Yet none of them carry the iconic Masters logo. Or reference Amen Corner. Or use the words "Green Jacket."

    All of those are trademarked by the club — three of nearly 100 trademarks on file — and force outside apparel companies to creatively build their connections to both the tournament and Augusta National without infringing on their intellectual property.

    "Makers of products for mass market dream of becoming a supplier to Walmart. Likewise, high-end brands salivate at the idea of winning a mandate from the Masters," said John Sabino, author of "The Augusta Principles: Timeless Business Lessons from the World's Premier Golf Club." "Apparel companies want to tap into the Masters' high-quality association and leverage the club's exalted brand."

    Yet tapping into that association is... Read More

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