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    Home » “King Richard,” “tick, tick…Boom!” Take Top Feature Honors At ACE Eddie Awards

    “King Richard,” “tick, tick…Boom!” Take Top Feature Honors At ACE Eddie Awards

    By SHOOTSunday, March 6, 2022Updated:Tuesday, May 14, 2024No Comments2976 Views
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    Demi Singleton as Serena Williams (l-r), Will Smith as Richard Williams and Saniyya Sidney as Venus Williams in a scene from "King Richard" (photo by Chiabella James/courtesy of Warner Bros. Pictures)

    "Succession," "Hacks," "Mare of Easttown," "Kevin Can F**k Himself" among television winners

    LOS ANGELES --

    For her work on King Richard, Pamela Martin, ACE won the American Cinema Editors (ACE) Eddie Award for best edited dramatic feature film. Taking the comedy feature honor were Myron Kerstein, ACE and Andrew Weisblum, ACE for tick, tick…Boom!  These and other awards spanning both features and television were presented during the 72nd annual Eddie Awards ceremony in Los Angeles on Saturday (3/5).

    Jeremy Milton, ACE won best editor of an animated feature for Encanto. Topping the outstanding theatrical feature documentary category was Joshua L. Pearson for Summer of Soul…Or When the Revolution Could Not Be Televised. Earning the same distinction for a nontheatrial documentary was Jabez Olssen for “Episode 3” of The Beatles: Get Back.

    Among the other marquee TV winners were: Kevin Eluto, ACE whose work on the “All the Bells Say” episode of Succession won for best edited drama series; Susan Vaill, ACE for best edited single-camera comedy series for the “1.69 Million” episode of Hacks; Daniel Schalk, ACE and Joseph Fulton for best edited multi-camera comedy series on the strength of the “Live Free or Die” episode of Kevin Can F**k Himself; and Amy E. Duddleston, ACE who toppped the limited series catgory for the “Illusions” installment of Mare of Easttown.

    Beyond the winners in competitive categories, Michelle Satter accepted the prestigious ACE Golden Eddie Award–recognizing an artist or company for distinguished achievement in film–on behalf of The Sundance Institute; two-time Oscar® winner and 2021 ACE Eddie nominee Chloe Zhao presented the honor.  Film editors Lillian E. Benson, ACE and Richard Chew, ACE received Career Achievement Awards for their outstanding contributions to film editing with long time collaborators Debbie Allen presenting to Benson, and Emilio Estevez presenting to Chew.

    Here’s a full rundowwn of winners for the 72nd Annual ACE Eddie Awards:  
     
    BEST EDITED FEATURE FILM (DRAMATIC):
    King Richard
    Pamela Martin, ACE
     
    BEST EDITED FEATURE FILM (COMEDY):
    tick, tick…BOOM!
    Myron Kerstein, ACE, Andrew Weisblum, ACE
     
    BEST EDITED ANIMATED FEATURE FILM:
    Encanto
    Jeremy Milton, ACE
     
    BEST EDITED DOCUMENTARY (FEATURE):
    Summer of Soul……Or, When the Revolution Could Not Be Televised
    Joshua L. Pearson
     
    BEST EDITED DOCUMENTARY (NON-THEATRICAL):
    The Beatles: Get Back “Episode 3”
    Jabez Olssen
     
    BEST EDITED MULTI-CAMERA COMEDY SERIES:
    Kevin Can F**k Himself “Live Free or Die”
    Daniel Schalk, ACE and  Joseph Fulton
     
    BEST EDITED SINGLE-CAMERA COMEDY SERIES:
    Hacks “1.69 Million” 
    Susan Vaill, ACE
     
    BEST EDITED DRAMA SERIES: 
    Succession “All the Bells Say”
    Ken Eluto, ACE
     
    BEST EDITED MOTION PICTURE (NON-THEATRICAL):
    Oslo 
    Jay Rabinowitz, ACE
     
    BEST EDITED LIMITED SERIES:
    Mare of Easttown “Illusions”
    Amy E. Duddleston, ACE
     
    BEST EDITED NON-SCRIPTED SERIES:
    Formula 1: Drive to Survive “Man on Fire”
    Dan Ablett, Kevin Austin, Otto Burnham, Shane McCormack, Graham Taylor
     
    BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL:
    Bo Burnham: Inside
    Bo Burnham
     
    BEST EDITED ANIMATION (NON-THEATRICAL):
    Bob’s Burgers “ Vampire Disco Death Dance”
    Jeremy Reuben
     
    ANNE V. COATES AWARD FOR STUDENT EDITING:
    Guanqing Lin – American Film Institute

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    Category:News
    Tags:ACE Eddie AwardsKing RichardSuccessionticktick...Boom!



    Director Milo Blake Signs With PRETTYBIRD For U.K. Representation

    Tuesday, August 11, 2026

    PRETTYBIRD has added director Milo Blake to its U.K. roster. He continues to be handled by Furlined for commercial representation in the U.S.

    Blake is a British filmmaker, based in London, whose style and fascination with stories have been shaped by the cultural resonance of the city and the people within it. His eye for a set piece developed early, as whole worlds and universes built from his toys regularly took over the rooms of his childhood home. Inspired by the eclectic films in his parents’ DVD collection, that curiosity soon found a more permanent medium in filmmaking, sowing the seeds of a lifelong passion for film.

    Coming up, he made his name in the U.K.’s alternative music scene through collaborations with artists such as Obongjayar, Rachel Chinouriri, Lava La Rue, Big Piig, Louis Culture and Lord Apex. His music video work has been screened and gained recognition at SXSW Festival, Oscar-qualifying film festivals like New Orleans and Rhode Island as well as the UKMVAs. His video for Oscar Jerome in 2025 won him a Vimeo Staff Pick. His hybrid feature concert film, All the Way From the Sun, documented Loyle Carner’s epic inaugural show at the Royal Albert Hall for his acclaimed album, “Hugo.”

    In 2025, Blake’s film The Empty Seat for the Paralympics won a Clio for Social Good, Gold in the YDA commercial category, Best New Director at the Young Arrows, and received Silver and Bronze awards at Ciclope. Recent films include History is Calling for Puy du Fou España and Our House is Not a Home for the homelessness charity Shelter, which garnered a Wood Pencil at D&AD and a Silver at the British Arrows in 2026. Prior to joining PRETTYBIRD, Blake was repped in the U.K. ad market by... Read More

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