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    Home » “Kraven the Hunter” Disappoints At Box Office; “Moana 2” Remains At The Top

    “Kraven the Hunter” Disappoints At Box Office; “Moana 2” Remains At The Top

    By SHOOTSunday, December 15, 2024No Comments353 Views
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    This image released by Sony Pictures shows Aaron Taylor Johnson in Columbia Pictures and Marvel's "Kraven the Hunter." (Jay Maidment/Sony Pictures via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend.

    The movie starring Aaron Taylor-Johnson earned only $11 million, according to studio estimates Sunday, making it one of the worst openings for a Marvel-adjacent property. Its box office take was even less than the film “Madame Web.”

    The weekend’s other major studio release was Warner Bros.’ animated “The Lord of the Rings: The War of the Rohirrim,” which made $4.6 million. Made for about $30 million, the movie is set 183 years before the events of “The Lord of the Rings” films and was fast-tracked to ensure New Line did not lose the rights to Tolkien’s novels. Peter Jackson, Fran Walsh and Philippa Boyens have been working on future live-action films for the franchise.

    Meanwhile, the top of the charts again belonged to “Moana 2” and “Wicked.”

    “Moana” added $26.6 million to its domestic total in its third weekend and $57.2 million internationally, bringing its global tally to $717 million. It’s now the fourth highest grossing film of the year, surpassing “Dune: Part Two.”

    “Wicked,” which is in its fourth weekend, brought in another $22.5 million to take second place. The Universal musical has made over $359 million domestically and over $500 million worldwide.

    “Gladiator II” also made $7.8 million, bringing its domestic total to $145.9 million in four weeks.

    “Kraven the Hunter” is the latest misfire from Sony in its attempt to mine the Spider-Man universe for spin-off franchises without the lucrative web slinger himself. “Kraven” joins “Madame Web” and “Morbius” in franchise additions that fell flat with both audiences and critics. The one exception on this rollercoaster journey has been the “Venom” trilogy, which has made over $1.8 billion worldwide.

    The R-rated “Kraven the Hunter” was directed by J.C. Chandor and faced a number of delays, partly due to the Hollywood strikes. It was shot nearly three years ago and originally slated to hit theaters in January 2023. The film cost a reported $110 million to produce and was co-financed by TSG. Internationally, it made $15 million, but its potential for longevity appears limited: It currently carries a 15% “fresh” rating on Rotten Tomatoes and got a C grade on CinemaScore from opening weekend audiences.

    “It’s not always a guarantee that you’ll be able to connect with audiences when you have a spinoff character,” said Paul Dergarabedian, the senior media analyst for Comscore. “General audiences seem to want to know exactly what they’re getting.”

    Several awards contenders opened in limited release over the weekend, including Paramount’s “September 5” about ABC’s coverage of the Munich Olympics hostage crisis. Amazon MGM and Orion’s “Nickel Boys,” based on Colson Whitehead’s Pulitzer-winner about an abusive reform school in Florida, opened in two theaters in New York. It averaged $30,422 per screen and will be expanding to Los Angeles before going nationwide in the coming weeks.

    Some big hitters are on the way in the home stretch of the 2024 box office. “Mufasa” and “Sonic the Hedgehog 3” will hit in the coming weeks along with a bevy of arthouse and adult releases like “Babygirl,” “Nosferatu” and “A Complete Unknown.”

    The box office has seen a dramatic recovery since June, when it was down nearly 28% from the previous year. The deficit now stands at 4.8%.

    Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “Moana 2,” $26.6 million.
    2. “Wicked,” $22.5 million.
    3. “Kraven the Hunter,” $11 million.
    4. “Gladiator II,” $7.8 million.
    5. “Red One,” $4.6 million.
    6. “Lord of the Rings: The War of the Rohirrim,” $4.5 million.
    7. “Interstellar” (rerelease), $3.3 million.
    8. “Pushpa: The Rule — Part 2,” $1.6 million.
    9. “The Best Christmas Pageant Ever,” $1.4 million.
    10. “Queer,” $790,954.

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    Category:News
    Tags:box officeKraven the HunterMoana 2



    “Three Words” From Publicis Conseil For AXA Wins Best of Show At 2026 One Show

    Friday, May 15, 2026

    Publicis Conseil Paris capped off a strong performance at The One Show 2026, winning Best of Show for “Three Words” on behalf of AXA. The work, created with Prodigious Paris and Publicis Consultants Paris, was also awarded Best of Discipline in Health & Wellness, a Sustainable Development Goals (SDG) Pencil, four Golds, one Silver, and one Merit. Another top winner this year was Ogilvy Singapore, working with Ogilvy South Africa Cape Town, Ogilvy UK London and Ogilvy New York, for “Vaseline Verified” on behalf of Vaseline. The work picked up Best of Discipline wins in Creator Content, Direct Marketing, and Public Relations, the inaugural Best Use of TikTok award, the Creative Marketer Pencil, nine Golds, two Silver, and one Merit. Three agencies had two 2026 One Show Best of Discipline wins each. Grey México México City, working with Oriental Films México México City, was awarded Best of Discipline wins in Film & Video and Music & Sound Craft for “The Shooting” on behalf of La Unión newspaper and Articulo 19. Serviceplan Germany Munich was presented with Best of Discipline awards in Creative Use of Data for “Breastmilk Money” on behalf of Herconomy, and in Experiential & Immersive for Grindr’s “I Wool Survive.” Best of Discipline wins in both Integrated/Omnichannel and Social Media went to adam&eve\TBWA London, working with SMUGGLER, for “Expedition Impossible” on behalf of Columbia Sportswear. Top honorees in the 2026 One Show, based upon cumulative scores for all awards won across all disciplines, are as follows. Agency of the Year: VML New York Independent Agency of the Year: Rethink Toronto Brand-Side Agency of the Year: Apple Marcom Cupertino Design Firm of the Year:... Read More

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