By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --With no new wide releases, Hollywood basically took the Labor Day weekend off and put an end to what's expected to be the lowest earning summer movie going season since 2006 — the last time the industry saw a sub-$4 billion summer.
Things weren't as apocalyptic as analysts suggested going into the weekend, which had the potential to be the worst since 1992, but that's hardly cause for celebration. While official numbers for the four-day weekend won't be available until Tuesday, studio estimates and projections expect that in total this Labor Day weekend will be the lowest earning since 1998.
"There's no sugar coating the fact that this was a very slow labor day weekend," said Paul Dergarabedian, the senior media analyst for comScore. "This was a fitting end to a rough summer."
Some did make it out to the multiplexes over the holiday weekend, though. According to studio estimates on Sunday, the R-rated actioner "The Hitman's Bodyguard" topped the charts for a third weekend with $10.3 million. The Samuel L. Jackson and Ryan Reynolds pic has earned a total of $54.9 million from North American theaters.
In second place was the horror spinoff "Annabelle: Creation," from Warner Bros., which added $7.3 million, bumping its domestic total to $89 million.
The Weinstein Company took spots three and four, with the crime drama "Wind River" in third with $5.9 million, and the animated family film "Leap!" in fourth with $4.9 million.
However the company's new opener, the long-delayed period romance "Tulip Fever," wilted on release. Playing in 765 locations, the R-rated drama starring Alicia Vikander and Dane DeHaan, earned only $1.2 million.
Steven Soderbergh's "Logan Lucky" rounded out the top five with $4.4 million.
Audiences did have a few unconventional options to choose from this weekend, including a 40th anniversary re-release of Steven Spielberg's sci-fi classic "Close Encounters of the Third Kind" and an IMAX-only run of the pilot episode of Marvel's "Inhumans." Neither made a significant splash, though.
"Close Encounters of the Third Kind" earned $1.8 million from 901 locations, while "Inhumans" took in $1.5 million from 393 North American IMAX screens in advance of its Sept. 29 premiere on ABC.
Still, Dergarbedian notes that both smartly took advantage of a quiet weekend and added money to the bottom line.
And as Hollywood looks to forget the dismal summer of 2017, which will likely cap out with just over $3.8 billion, there is a bright spot on the horizon in the form of a red balloon and a homicidal clown as "It" prepares to break records when it hits theaters next weekend.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Tuesday.
1. "The Hitman's Bodyguard," $10.3 million ($14.2 million international).
2. "Annabelle: Creation," $7.3 million ($15.6 million international).
3. "Wind River," $5.9 million ($850,000 international).
4. "Leap!" $4.9 million.
5. "Logan Lucky," $4.4 million ($1.3 million international).
6. "Dunkirk," $4.1 million ($36.5 million international).
7. "Spider-Man: Homecoming," $3.7 million ($1.6 million international).
8. "The Emoji Movie," $2.5 million ($6.8 million international).
9. "Despicable Me 3," $2.4 million ($9.9 million international).
10. "Girls Trip," $2.3 million ($1.9 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Dunkirk," $36.5 million.
2. "Annabelle: Creation," $15.6 million.
3. "The Hitman's Bodyguard," $14.2 million.
4. "Valerian and the City of a Thousand Planets," $11.3 million.
5. "Despicable Me 3," $9.9 million.
6. "Silver Soul (Gintama)," $9.5 million.
7. "American Made," $9.1 million.
8. "Wolf Warrior 2," $8.7 million.
9. "Cars 3," $8.6 million.
10. "The Emoji Movie," $6.8 million.
Lawsuit Alleges That TikTok Was Aware Of Risks Its Platform Posed To Kids and Teens
TikTok was aware that its design features are detrimental to its young users and that publicly touted tools aimed at limiting kids' time on the site were largely ineffective, according to internal documents and communications exposed in a lawsuit filed by the state of Kentucky.
The details are among redacted portions of Kentucky's lawsuit that contains the internal communications and documents unearthed during a more than two year investigation into the company by various states across the country.
Kentucky's lawsuit was filed this week, alongside separate complaints brought forth by attorneys general in a dozen states as well as the District of Columbia. TikTok is also facing another lawsuit from the Department of Justice and is itself suing the Justice Department over a federal law that could ban it in the U.S. by mid-January.
The redacted information — which was inadvertently revealed by Kentucky's attorney general's office and first reported by Kentucky Public Radio — touches on a range of topics, most importantly the extent to which TikTok knew how much time young users were spending on the platform and how sincere it was when rolling out tools aimed at curbing excessive use.
Beyond TikTok use among minors, the complaint alleges the short-form video sharing app has prioritized "beautiful people" on its platform and has noted internally that some of the content-moderation metrics it has publicized are "largely misleading."
The unredacted complaint, which was seen by The Associated Press, was sealed by a Kentucky state judge on Wednesday after state officials filed an emergency motion to seal it.
When reached for comment, TikTok spokesperson Alex Haurek said: "It is highly irresponsible of the Associated Press to... Read More