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    Home » Lawrence Jones joins Framestore’s New York studio

    Lawrence Jones joins Framestore’s New York studio

    By SHOOTFriday, August 6, 2021Updated:Tuesday, May 14, 2024No Comments4827 Views
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    NEW YORK --

    Oscar-winning creative studio Framestore has appointed Lawrence Jones as creative director, realtime supervisor in a move to expand the creative leadership team across immersive and VFX departments in New York.

    Reporting to New York’s managing director Charles Howell and head of immersive, US Christine Cattano, Jones will work closely with clients, as well as Framestore’s roster of directors and artist teams to impart his expertise in realtime and virtual production workflows, with a distinct focus in game engine technology. 

    Jones brings over 20 years of experience in VFX, motion and design across entertainment, sports and interactive industries to Framestore, as well as one-of-a-kind expertise developing realtime technology and virtual production techniques for uses in broadcast production and live events. He has been the recipient of a host of awards including an Emmy for Outstanding Live Event Graphic Design for ESPN’s X Games in 2014, as well as a Lumiere Award for Best Use of AR on a Live Broadcast for Madonna and Maluna’s hologram performance at the Billboard Music Awards in 2019.

    “We’re continuing to invest in our realtime and virtual production capabilities,” said Howell. “Lawrence’s unique skills will further enable Framestore to create impactful and compelling experiences for audiences across the globe.”

    Prior to joining Framestore, Jones spent time at Psyop and BUCK as virtual production supervisor, where he designed shots, directed technical visualization, provided realtime supervision, and onsite virtual production supervision for a range of advertising projects. At Sequin AR, he assumed the role of executive creative director where he pushed for unique applications of virtual production and realtime VFX, while also leading the creative and development of mixed reality and AR for live broadcast projects for Madonna and NBC.

    At The Future Group as executive creative director, Jones led the creative and development of numerous award-winning virtual production final-pixel live experiences, and before that spent over 11 years at ESPN, most recently as creative director, VFX supervisor.

    “For me, Framestore has always represented a studio that delivers the most beautiful images, both in VFX and immersive mediums,” said Jones. “I am thrilled to bring my creative and technical experience working in realtime VFX and virtual production to this most talented team to help expand their capabilities and create the next frontier of realtime visual experiences.” 

    Jones graduated from Nova Southeastern University with a Bachelor of Science, Marketing, followed by Rhode Island School of Design where he studied Computer Design and Animation. He is currently the Virtual Production Director for TEDxCambridge.

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    Tags:Charles HowellChristine CattanoFramestoreLawrence Jones



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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