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    Home » Lawsuit Claims Hallmark Exec Said Actresses Lacey Chabert, Holly Robinson Peete Are “Aging Out”

    Lawsuit Claims Hallmark Exec Said Actresses Lacey Chabert, Holly Robinson Peete Are “Aging Out”

    By SHOOTSunday, October 27, 2024No Comments1038 Views
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    Lacey Chabert poses for a portrait to promote the Hallmark television series "Celebrations with Lacey Chabert" during the Summer Television Critics Association Press Tour on Thursday, July 11, 2024, at The Langham Huntington Hotel in Pasadena, Calif. (Willy Sanjuan/Invision/AP, File)

    By Claire Savage

    LOS ANGELES (AP) --

    Hallmark Media executive vice president of programming Lisa Hamilton Daly instructed a former employee not to cast “old people” for Hallmark roles, saying that “our leading ladies are aging out,” according to a lawsuit filed against the network this month and obtained by The Associated Press.

    Penny Perry, a 79-year old casting director who filed the lawsuit Oct. 9 in Los Angeles Superior Court, alleges that she was wrongfully fired from the network known for its feel-good movies because of her age, and despite stellar performance reviews. “Hallmark’s happy endings are stories made for TV only,” the complaint says. “In Ms. Perry’s case, there was no happy ending, and no feel-good episode to wrap up her career with Hallmark. Instead, her finale episode was marred by ageist and ableist harassment, and a callous termination which robbed her of her illustrious career, her pride, and her well-being.”

    In a statement, Hallmark denied the allegations, adding: “Hallmark continues to consistently cast and maintain positive, productive relationships with talented actors representing a broad spectrum of diversity, including actors who span many age groups and cross generations.”

    According to the lawsuit, Hamilton Daly told Perry that they needed to “replace” the “old talent” including 42-year-old actress Lacey Chabert, who has starred in dozens of Hallmark movies, many of them Christmas-themed, and portrayed Gretchen Wieners in Mean Girls (2004), saying Chabert is “getting older and we have to find someone like her to replace her as she gets older.”

    The lawsuit adds that Hamilton Daly said of 60-year-old actress and “Our Christmas Journey” star Holly Robinson Peete: “No one wants her because she’s too expensive and getting too old. She can’t play leading roles anymore.”

    Hallmark countered: “Lacey and Holly have a home at Hallmark. We do not generally comment on pending litigation. And while we deny these outrageous allegations, we are not going to discuss an employment relationship in the media,” a company representative told AP in an emailed statement.

    Chabert stars in a new Hallmark movie, The Christmas Quest, slated for release Dec. 1, and hosts the reality series “Celebrations with Lacey Chabert,” according to Hallmark’s website. Representatives for Chabert and Robinson Peete did not immediately respond to request for comment.

    Perry herself endured ageist and ableist harassment at the company, and Hamilton Daly — who apparently repeatedly made reference to age as a negative attribute that did not fit the network’s image — “told Ms. Perry she was too ‘long in the tooth” to keep her job at Hallmark,” the lawsuit says. It also alleges that senior vice president of programming and development Randy Pope ridiculed Perry for her relapsing-remitting multiple sclerosis by mocking her when she mispronounced words or names — a symptom of the condition.

    “Unfortunately, Hallmark treated a venerable Hollywood veteran this way and we hope this action will lead to change in Hollywood and all work environments,” said a statement from Perry’s attorneys Lisa Sherman and Josh Schein.

    The allegations arrive amid a period of turmoil for Hollywood, punctuated by historic labor strikes, the pandemic, and the streaming revolution.

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    Category:News
    Tags:HallmarkL Lacey ChabertHolly Robinson PeeteLisa Hamilton DalyPenny Perry



    Ewan McGregor and Danny Boyle Reflect On The Life-Changing Film “Trainspotting”

    Saturday, June 6, 2026
    This image released by Sony Pictures Classics shows Ewan McGregor in a scene from "Trainspotting." (Liam Longman/Sony Pictures Classics via AP)

    Ewan McGregor, for a fleeting moment after "Trainspotting" came out, felt like a rock star. It wasn't his first significant project; it wasn't even his first film with director Danny Boyle. And he was, in his words, fairly arrogant and cocksure at the time. But that kinetic film about four heroin addicts in late-1980s Scotland was and, 30 years later, remains defining — in his career, in the culture and in his understanding of what true artistic satisfaction can feel like. "It's very much in that early part of my career, and of course, even today, probably the most important piece of work that I was involved in, just because it had such a massive effect on my life. Not only because of what it did, but because of how it felt to make," McGregor told The Associated Press in a recent interview. "It set the bar unknowingly high because it's been quite hard to match ever since." Both McGregor and Boyle are a little wistful about the time, and what they made, as the film marks its 30th anniversary re-release. A 4K digital restoration started in theaters nationwide on Friday (6/5). Though "Trainspotting" was very much of its moment with its Britpop soundtrack, its Thatcher-era grit, its darkly comedic tone and shrewd blend of giddy highs and tragic lows, it's also one that has stood the unforgiving test of time. "You get kids coming up to you who are 17 who said they'd just seen it," Boyle said. "I could be their grandfather … yet it still spoke to them." Putting Hollywood on hold Boyle was a hot commodity after "Shallow Grave," a 1994 black comedy about flatmates in Edinburgh starring McGregor, and Hollywood was calling. Literally. A peak-famous Sharon Stone cold-called him and asked if he'd want to come make a film with her. But he had... Read More

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