Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Lawyers Make Final Appeals To Jury In Landmark Social Media Addiction Trial 

    Lawyers Make Final Appeals To Jury In Landmark Social Media Addiction Trial 

    By SHOOTThursday, March 12, 2026No Comments223 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    This courtroom sketch shows Meta CEO Mark Zuckerberg testifying in a landmark trial over whether social media platforms deliberately addict and harm children, Wednesday, Feb. 18, 2026, in Los Angeles. (William T. Robles via AP)

    By Kaitlyn Huamani & Barbara Ortutay, Technology Writers

    LOS ANGELES (AP) --

    After about a month of hearing from addiction experts, therapists, platform engineers and executives, including Mark Zuckerberg, 12 jurors are listening to closing arguments before deciding whether social media companies should be liable for harms caused to children using their platforms.

    Closing statements in the trial began Thursday at the Spring Street Courthouse in Los Angeles. Lawyers representing the plaintiff, a 20-year-old woman, and those representing the two defendants, Meta and Google-owned YouTube, are making their respective cases to the jurors. TikTok and Snap were also named defendants in the lawsuit, but they each settled before the trial began.

    The case, along with two others, has been selected as a bellwether trial, meaning its outcome could impact how thousands of similar lawsuits against social media companies are likely to play out.

    The plaintiff, identified as KGM in documents or Kaley, as her lawyers have called her during the trial, says her early use of social media addicted her to the technology and exacerbated depression and suicidal thoughts.

    Mark Lanier, the attorney representing Kaley, began his closing statement by presenting the jurors with an image of a herd of gazelles surrounded by a lion. The lions never go after the strongest or boldest gazelles, he said, but rather target the ones they think are weakest.

    “I think that’s what we got in this case,” he said.

    In the first hour of his statement, Lanier pointed to several internal documents from Meta and YouTube that seemed to illustrate a clear understanding of the potentially addictive nature of their platforms.

    “I don’t naysay the opportunity to make money, but when you’re making money off of kids, you have to do it responsibly,” he said.

    Both the defendants and the plaintiff have pointed to a turbulent home life for Kaley. Her attorneys say she was preyed upon as a vulnerable user, but attorneys representing Meta and YouTube have argued Kaley turned to their platforms as a coping mechanism or a means of escaping her mental health struggles.

    Throughout the trial, Meta argued that Kaley faced significant challenges before she ever used social media. The jury’s only task, a Meta spokesperson said in a statement Thursday, is to “decide if those struggles would have existed without Instagram. Not one of her therapists identified social media as the cause.”

    As Lanier went through evidence and testimony presented during the trial, including Kaley’s medical records and testimony, he argued that the young girl wouldn’t have wanted to bring up her persistent social media use at risk of having her phone taken away. She would return to platforms despite being on the receiving end of cyberbullying on them because it was easier for her to endure the bullying than be off the platforms, he said, echoing her testimony from late February.

    A in a briefing with reporters earlier, a Meta legal spokesperson also said they didn’t believe that youth mental health struggles, both broadly and with Kaley specifically, could be solved through litigation.

    Instead of zeroing in on Kaley’s mental health history, the attorneys representing YouTube have consistently argued that it is not a social media platform and that its features are not addictive. YouTube has also frequently made the comparison of its platform to television, emphasizing that it doesn’t have the same social validation features as Instagram and other platforms.

    Lanier, who has used drawings and illustrations throughout the trial to help jurors follow along with testimony and visualize the points being made, also brought out a cupcake to visualize a point related to the juror instructions that Judge Carolyn B. Kuhl had enumerated to them earlier Thursday morning.

    Jurors must decide if Meta and YouTube’s negligence was a “substantial factor” in causing Kaley’s harm. The cupcake Lanier displayed to jurors had very little baking soda in it to cause it to rise, but it was a substantial factor in the baking process, he said.

    Since it is a civil case, only nine out of the 12 jurors have to agree on each count. They will decide the case against each platform independently, and the judge advised them to treat it “as if it were a separate lawsuit.”

    Jurors will also decide the amount of damages Kaley should be awarded in the event they find either or both of the platforms liable. Lanier advised them to think of one question as they were deciding on that amount: “What is a lost childhood worth?”

    Ortutay reported from Coloma, California.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2026-03-14)
    Category:News
    Tags:GoogleKGMMetasocial media addictionYouTube



    Earth, Wind & Fire Documentary To Open 25th Tribeca Festival

    Tuesday, April 14, 2026

    The Tribeca Festival, has unveiled its opening night selection for the 25th anniversary edition, marking the first programming reveal for this milestone year. True to its long-standing commitment to music storytelling and live experiences--and championing artists who shape culture--the Tribeca fest will open with the world premiere of the HBO Original Documentary Earth, Wind & Fire (To Be Celestial VS That’s the Weight of the World), directed by Academy Award®- and GRAMMY Award®-winning filmmaker Ahmir “Questlove” Thompson. The screening will be followed by a live performance by nine-time GRAMMY Award-winning icons Earth, Wind & Fire and three-time GRAMMY Award-winning group The Roots at the Beacon Theatre on June 3.

    “Opening night is always a magical moment! This year, as we celebrate 25 years of the Festival, it is especially meaningful,” said Jane Rosenthal, Tribeca Festival co-founder and co-chair. “Tribeca was born in the wake of 9/11 with a belief: that storytellers have the power to bring communities together. For 25 years, we’ve seen artists, filmmakers, musicians, and audiences come together in New York City in ways that are inspiring, surprising, and deeply human. We are humbled by what’s been achieved and excited for the stories yet to come.”

    Over the past two decades, Tribeca has become a home for music-driven storytelling and live performance, bringing artists and audiences together in ways that extend beyond the screen. From early community concerts in Lower Manhattan to premiere events that pair films with live performances and conversations, music has been part of the Festival’s DNA since its founding. In this milestone 25th year, that legacy comes full circle, as Earth, Wind & Fire returns... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleWriter-Director Ian Tuason Deploys Sound To Scare You In Minimalist Horror “Undertone”
    Next Article Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”
    SHOOT

    Add A Comment
    What's Hot

    Juan Devis Named President Of Film Independent

    Tuesday, April 14, 2026

    Earth, Wind & Fire Documentary To Open 25th Tribeca Festival

    Tuesday, April 14, 2026

    Anomaly Launches Paris Office Led By CEO Mehdi Benali and CCO Olivier Aumard

    Tuesday, April 14, 2026
    Shoot Screenwork

    Megan Brotherton Directs “Straight Up” Comedy Campaign For Whole Moon

    Tuesday, April 14, 2026

    Plant-based milk Whole Moon has launched “Straight Up Good,” a comedy campaign that features colorfully…

    Team One and Director Sebastian Strasser Create “The Last Real Man” For The RealReal

    Monday, April 13, 2026

    The Best Work You May Never See: Apple Opens A Plentiful Portal For App Store Launch In Japan

    Friday, April 10, 2026

    Top Spot of the Week: BBDO New York, Director Thomas Ormonde Show How Romance Stacks Up For A Pringles Snacker

    Thursday, April 9, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.