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    Home » Lightstorm deploys Blackmagic for “Avatar” sequels

    Lightstorm deploys Blackmagic for “Avatar” sequels

    By SHOOTThursday, June 11, 2020Updated:Tuesday, May 14, 2024No Comments1919 Views
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    --

    Lightstorm Entertainment used an extensive array of Blackmagic products, including the Teranex AV, Smart VideoHub 40×40 12G, ATEM 4 M/E Broadcast Studio 4K and more for their recent work during production for the Avatar sequels.

    With the release of Avatar in 2009, the company once again proved that there were no limits in filmmaking. But just as the story of the Na’vi will evolve in the sequels, so will the technology behind the films. A key element is the ability to evaluate content as it’s being shot, rather than waiting until postproduction. “We evaluate live camera feeds in a manner as close to the theatrical experience as possible, so we can make real time decisions on set,” said Geoff Burdick, SVP of production services & technology for Lightstorm. “This saves time during shooting, benefits Weta Digital, our visual effects vendor, and helps streamline our postproduction and mastering process.”

    This necessitated viewing live feeds from multiple 3D camera systems, simultaneously. “In the past, we viewed live and playback material in 3D HD at 24fps,” said Burdick. “Now, we acquire at 4K 3D, and feed through our pipeline at various resolutions and frame rates.” These include 3D 48fps in 2K and 4K, 3D 24fps in 2K and 4K, and 3D 24fps in HD.

    Blackmagic Design provided a unique and comprehensive product set that allowed for numerous solutions throughout the pipeline. The key to the workflow was creating seamless viewing and playback, despite the massive amount of data necessary.  Having the ability to review multiple resolutions and frame rates in real time allowed the team to remain in step with issues that may have gone unnoticed before, only to be found later in post. “

    One of Blackmagic’s simplest products became a production workhorse. The Teranex family allowed for a hybrid HD 24fps/4K 48fps workflow on set. 

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    Tags:AvatarBlackmagic DesignGeoff BurdickJames CameronLightstorm Entertainment



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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