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    Home » Lineup Of Jury Presidents Set For 2025 D&AD Awards; Creator Category Launched

    Lineup Of Jury Presidents Set For 2025 D&AD Awards; Creator Category Launched

    By SHOOTWednesday, November 6, 2024No Comments348 Views
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    D&AD Awards logo
    LONDON --

    The D&AD Awards competition for 2025 has set its lineup of jury presidents and launched a Creator Content category.

    The 2025 Jury presidents are a global mix of leading creative experts from international brands and agencies including TikTok, Saatchi & Saatchi, The New York Times Magazine, VML, Framestore, Common People Films, Ogilvy Health, and Publicis Groupe Germany.

    Here’s a category-by-category rundown of jury presidents for D&AD Awards 2025:

    Animation: Melody Sylvester, global managing director & EP commercials, Common People Films

    Art Direction: Saulo Rocha, chief creative officer, DAVID Madrid

    Book Design: Johanna Neurath, chair, Thames & Hudson Publishing Ltd.

    New Brand Identity: Johanna Roca, creative venture partner, Accept & Proceed

    Brand Identity Refresh: Frederico Gelli, founder & CEO, Tátil Design

    Casting: Selma Nicholls, casting director, Looks Like Me Casting

    Cinematography: Sally Campbell, co-founder & CEO, Somesuch

    Commerce: Ben Coulson, chief creative officer ANZ, Dentsu Creative

    Creator Content: Karl Haddad, head of Global Creative Lab, TikTok

    Digital Marketing: Marco Giannelli (Pernil), chief creative officer, AlmapBBDO

    Digital Design: Akae Wang, head of creative, Banana Balloon

    Direct: Stéphane Xiberras, president & chief creative officer, BETC, head of Havas Global Creative Council

    Direction: Justyna Obasi, director, Lovesong/Anorak

    Editing: Fouad Gaber, editor; Cabin Edit

    Entertainment: Debbi Vandeven, global chief creative officer, VML

    Experiential: Activation & Experience: Dennis May, chief creative officer, Publicis Groupe Germany

    Film: Pelle Sjoenell, worldwide chief creative officer, Droga5

    Gaming & Virtual Worlds: Joey David Tiempo, founder & CEO, Octopus&Whale

    Graphic Design: Pum Lefebure, chief creative officer, Design Army

    Health: Renata Maia, chief creative officer, NA, Ogilvy Health

    Illustration: Helen Parker, founder & director/co-founder, EVERYONE Agency Ltd/Something for Everyone

    Impact: Paco Conde, co-founder & executive creative director, Activista

    Integrated: Keith Cartwright, founder & chief creative officer, Cartwright

    Luxury: Boyoung Lee, EVP | brand experience & digital innovation, Shinsegae

    Magazine & Newspaper Design: Gail Bichler, cre4ative director, The New York Times Magazine

    Media: Joaquin Cubria, chief creative officer & global partner, GUT

    Music Videos: François Rousselet, director, DIVISION

    Packaging Design: Neha Tulsian, founder & executive creative director, NH1Design

    Photography: Shima Green, director & photographer, Craft WW, McCann Worldgroup

    PR: Gail Heimann, CEO, The Weber Shandwick Collective

    Press & Outdoor: Kalpesh Patankar, chief creative officer, Leo Burnett UAE

    Product Design: Kinya Tagawa, CEO, Takram

    Production Design: Charlotte Marmion, managing director & executive producer, Iconoclast

    Radio & Audio: Neo Mashigo, chief creative officer, The Up&Up Group

    Sound Design & Use of Music: Claudia Incio, music director, Agosto Music

    Spatial Design: Thomas Hundt, CEO, architect & professor, jangled nerves

    Type Design & Lettering: Vaishnavi Murthy, creative type director, Monotype

    Typography: Samar Maakaroun, partner & creative director, Pentagram

    Visual Effects: Mike McGee, chief creative officer, Framestore

    Writing for Advertising: Avish Gordhan, chief creative officer, Saatchi & Saatchi Australia

    Writing for Design: Maia Swift, freelance writer, namer & thinker.

    Creator Content
    Reflecting the dynamic nature of the industry, the 2025 Awards introduce a dedicated Creator Content category. This new category will award the strategic use of the creativity of influencers and creators to deliver success for brands.

    Further evolving the awards, the branding category has been divided into two distinct categories: New Brand Identity and Brand Identity Refresh. This change addresses the significant volume of entries received in previous years (over 900+ in 2024), ensuring each submission receives the focused attention it deserves by the jury.

    Disciplines for 2025 include advertising, branding, craft, design, engagement & experience, entertainment, health, and impact. There will also be special awards for Companies of the Year and Presidents Awards.

    Dara Lynch, D&AD CEO said, “We’re excited to announce our 2025 Awards with new changes which reflect the evolving creative landscape. As we continue to embrace new technologies which drive forward the art and craft of creativity, we have introduced for the first time a new Creator Content category. We are committed to celebrating all forms of creativity and the D&AD’s awards continue to be recognised globally as the ultimate creative prize. Each year, they are entered and respected by the best creatives from around the world, and we’re proud to continue to drive this forward.”

    Karl Haddad, 2025 Jury president for the Creator Content category and head of Global Creative Lab at TikTok, commented, “We’re in the midst of a marketing shift we’ve all been waiting for. More than ever, creators are crafting unique storytelling for brands, connecting with audiences in fresh, engaging ways. I’m honored to serve as the inaugural Jury president for the brand-new Creator Content category, which recognizes this new wave of creativity.”

    D&AD also recently announced the briefs for its 2025 New Blood Awards, which champion, educate and nurture aspiring creatives from around the world as they enter the workforce, giving them the opportunity to develop their skills and bolster their portfolios by working on client briefs.

    This year’s briefs span disciplines such as UX/UI, animation, advertising, typography and PR, and have been set by brands including Depop, On, giffgaff, Xbox, Yahoo!, Google Cloud, Suntory Global Spirits, Hellmann’s, HSBC and more.

    New Blood Award entrants will also have the chance to showcase their work and have it judged by leading industry figures, alongside the chance of winning a prestigious Pencil, a place in the D&AD New Blood Academy, and being featured in the iconic D&AD Annual.

    Key D&AD Awards 2025 Dates:

    Super Early Bird 30% Off Entry Fee Deadline: December 4, 2024
    Early Bird 20% Off Entry Fee Deadline: February 5, 2025
    Final Entry Deadline: March 12, 2025
    Judging: May 18–21, 2025 (County Hall, London)
    D&AD Festival & Awards Ceremony: May 21–22, 2025 (Southbank Centre, London)

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    Category:News
    Tags:D&AD Awards



    Spike Lee’s Passions–The Knicks and Cinema–Collide At Cannes Fest

    Wednesday, May 21, 2025

    There's no sufficient way of explaining what it's like to be around Spike Lee, but his new film, "Highest 2 Lowest" comes pretty close.

    The main character, played by Denzel Washington, is a Knicks fan who won't tolerate Celtics green in his house. A framed jersey of Jalen Brunson hangs in his Brooklyn apartment. There are movie references peppered throughout, of "The French Connection," "The Defiant Ones" and "The Sweet Smell of Success." Yankee Stadium plays a pivotal setting. In one scene, Nicholas Turturro even yells directly into the camera: "Boston sucks!"

    "We're not counting on Boston for box office!" Lee says with a roaring cackle during an interview on a rooftop terrace in Cannes. "We might as well just write that off."

    Some of Lee's most deeply felt passions — filmmaking and the New York Knicks — have collided at the Cannes Film Festival. The premiere of "Highest 2 Lowest," a reimagining of Akira Kurosawa's "High to Low," came shortly before the Knicks begin their Eastern Conference finals matchup with the Indiana Pacers. Everywhere Lee has gone at the French Riviera festival, he's gone in blue and orange, including a pinstripe suit on the red carpet.

    "It's a film by a New Yorker who loves New York. But if you're not that, it doesn't detract from you enjoying it. You could be from … (Lee raises an eyebrow) … Indiana," Lee says before letting out a maniacal roar. "Wait a minute, we got to write off another market, too!"

    The Denzel fracas on the red carpet
    "Highest 2 Lowest," which A24 releases in theaters Aug. 22 before it streams on Apple TV+ on Sept. 5, was one of the most eventful premieres of Cannes. Washington was surprised with a Palme d'Or. ("That wasn't acting," Lee said. "He didn't... Read More

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