Digital Vision, supplier of color grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries, has been acquired by its management team consisting of Kelvin Bolah, Greg Holland and Claes Westerlund. The acquisition from Swedish company Image Systems will preserve the heritage of the 26-year-old company and provide significant funding for future investment in R&D.
Bolah will become CEO, while Holland takes the role of worldwide VP of sales, and Claes Westerlund becomes worldwide VP of operations. As part of the acquisition the entire Digital Vision team will remain with the new company, as will all of the company’s offices in London, Los Angeles, Melbourne, New York and Sweden.
Bolah said, “Digital Vision’s staff, customers and partners were of the utmost importance in this acquisition and our main reason for the management buy-out. Having worked with them for many years and seeing their passion, expertise and the amazing projects they produce, we knew we had to keep the Digital Vision brand alive. With the investment that the company now has we will be able to accelerate the R&D and engineering to deliver our award-winning products in a timely fashion to a global customer base.”
Digital Vision’s current product range includes:
–The Golden Eye 4 archive scanner which incorporates many new features and enhancements including universal optics – a single lens, motor driven, multi-axis optical system for precision image sizing, position and focus. Users can scan at HD to 4K any film size from 8mm to 70mm without changing the optics, gate or sensor.
–The Bifrost Archive Bridge, a unique scalable solution, suitable for archives of any size, comprising various workflow components that can be utilised either as a complete end-to-end solution or integrated into existing infrastructures depending on individual requirements.
–The Nucoda colour grading suite, which combines a creative colour toolset, Precision and Tangent panel support and access to the DVO suite of enhancement tools, allowing users to easily create complex looks and visual styles.
–Phoenix, the world’s premier film restoration software, designed to produce great results fast with less manual intervention. Phoenix features award-winning DVO restoration tools.
–And Thor hardware designed for real time 4K image processing.
Tilda Swinton Explores Assisted Suicide In Pedro Almodóvar’s 1st English-Language Feature
Although "The Room Next Door" is Pedro Almodóvar's first English-language feature, Tilda Swinton notes that he's never written in a language that anyone else truly speaks.
"He writes in Pedro language, and here he is making another film in another version of Pedro language, which just happens to sound a little bit like English," Swinton said.
Set in New York, Swinton stars as Martha, a terminally ill woman who chooses to end her life on her own terms. After reconnecting with her friend Ingrid, played by Julianne Moore, Martha persuades her to stay and keep her company before she goes through with her decision.
Beyond the film's narrative, Swinton said she believes individuals should have a say in their own living and dying. She acknowledges that she has personally witnessed a friend's compassionate departure.
"In my own life I had the great good fortune to be asked by someone in Martha's position to be his Ingrid (Julianne Moore)," Swinton said.
She said that experience shaped her attitude about life and death: "Not only my capacity to be witness to other people in that situation, but my own living and my own dying."
Swinton spoke about "The Room Next Door," Almodóvar and he idea of letting people die on their own terms. Remarks have been edited for clarity and brevity.
Q: Tackling that role, what was the challenge to get into the character?
SWINTON: I felt really blessed by the opportunity. So many of us have been in the situation Julianne Moore's character finds herself in, being asked to be the witness of someone who is dying. Whether that wanting to orchestrate their own dismount or not, to be in that position to be a witness is something that I've been... Read More