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    Home » Marvel Series, Miniseries Represent Largest Filming Commitment In NY History

    Marvel Series, Miniseries Represent Largest Filming Commitment In NY History

    By SHOOTWednesday, February 26, 2014Updated:Tuesday, May 14, 2024No Comments2159 Views
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    Governor Andrew M. Cuomo

    Disney, Marvel, Netflix to team on nearly 60 one-hour episodes, which are expected to generate at least 3,000 jobs

    ALBANY, NY --

    The Big Apple has landed its biggest filming catch. Governor Andrew M. Cuomo, The Walt Disney Company, Marvel and Netflix Inc. today announced that Marvel’s landmark live-action television series, which will bring Marvel’s “flawed heroes of Hell’s Kitchen” characters to Internet TV network Netflix, will principally film in New York State. Produced by Marvel Television, in association with ABC Television Studios, this groundbreaking series is Marvel’s most ambitious foray yet into live-action television storytelling and represents the largest film or television production project commitment in New York State history.

    Filming is set to begin this summer and will create at least 3,000 jobs in New York State including up to 400 full time jobs. The project will include nearly 60 one-hour episodes focused on the four Defenders characters: Daredevil, Jessica Jones, Luke Cage and Iron Fist.

    “Since 2008 Disney has directly contributed almost half a billion dollars to New York’s economy through television and film production, along with approximately 9,000 jobs for New Yorkers,” said Robert A. Iger, chairman and CEO, The Walt Disney Company. “The Governor’s policies make this great state a more affordable and attractive location, opening the door for even greater economic investment and job creation for New Yorkers. Our Marvel series for Netflix will inject millions directly into the local economy and create hundreds of new jobs.”

    Last November, Disney and Netflix announced an unprecedented deal for Marvel TV to bring multiple original series of live-action adventures of four of Marvel’s most popular characters exclusively to the world’s leading Internet TV Network beginning in 2015. This pioneering agreement calls for Marvel to develop four serialized programs totaling 52 one-hour episodes culminating in a four to eight episode mini-series programming event. Led by a series focused on “Daredevil,” followed by “Jessica Jones,” “Iron Fist” and “Luke Cage,” the epic will unfold over multiple years of original programming, taking viewers deep into the gritty world of heroes and villains of Hell’s Kitchen, New York. Netflix has committed to a minimum of four, thirteen episodes series and a mini-series event in which the Marvel characters from the first four series team up as “The Defenders,” much like “The Avengers.”

    This new original TV deal follows last year’s landmark movie distribution deal through which, beginning with 2016 theatrically released feature films, Netflix will be the exclusive U.S. subscription television service for first-run, live-action and animated movies from the Walt Disney Studios, including titles from Disney, Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Disneynature and Lucasfilm.

    When Governor Cuomo took office in 2011, he made the attraction of the film and television production and postproduction industries, and jobs and the economic impact they bring with them, a key part of his overall strategy to grow New York State’s economy. Since that time, he has signed into law several important changes to both programs to make New York more competitive in this global marketplace, and the results have been significant. Both programs enjoyed record-breaking years in 2013, bringing billions of dollars in new spending and thousands of jobs into the Empire State. The stability provided by multiyear funding has particularly encouraged the development of television series production work, like the new Marvel series, as well as long term investments in infrastructure, all of which creates thousands of jobs directly and indirectly related to the actual productions themselves.

    During calendar year 2013, applications for 183 film productions were submitted that included 124 films, 33 television programs and 26 pilots. These projects will: Generate a direct spend of $2.11 billion in New York State; collect a projected $477 million in credits; and hire an estimated 128,165 actors and crew for the 183 projects submitted.

    John Ford, president, International Alliance of Theatrical and Stage Employees (IATSE) Local 52 said, “The men and women of the IATSE look forward to participating in this ground breaking endeavor. Thanks to the vision of Governor Cuomo and the legislature, the long term funding of the production incentives gives employers the comfort they need to invest in these new avenues of entertainment, which will provide thousands of new jobs with good wages and benefits.”

    Thomas J. O’Donnell, president, Teamsters Local 817 said, “Theatrical Teamsters Local 817 is thrilled that Marvel’s newest television series will be filmed in New York. This long-term commitment is an incredible accomplishment that will bring not just jobs, but also stability to our members work and family lives.”

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    Category:News
    Tags:DisneyGovernor CuomoMarvelNetflix



    Review: Writer-Director James L. Brooks’ “Ella McCay”

    Wednesday, December 10, 2025

    "I can't trust my brain right now," says our hero, Ella, deep into James L. Brooks' bafflingly disjointed, uneven, unfunny and illogical "Ella McCay." And finally, nearly two hours into a perplexing muddle of a storyline, we have some clarity of thought. No, dear, we want to tell Ella, played by the lovely Emma Mackey, who is truly the only reason to watch any of this. No, your brain is fine (and by the way, what a depressing line to put in the mouth of your most intelligent character — a hard-working woman in politics). It's your script you can't trust, Ella! Run away from it. Now. It's hard to understand how "Ella McCay," the first original feature from writer-director Brooks in 15 years, goes so utterly haywire. Is this really the same mind that wrote the memorable "Broadcast News"? "Terms of Endearment"? "As Good As It Gets"? We get a bit of a hint in the studio's press notes, which mention that Brooks began his script "without a specific storyline in mind." Hmm. Perhaps that (unintentionally) explains this tangle of half-baked characters and subplots — each more head-scratching than the next, but also boring — and an ending that's unbelievable, by which we mean not believable. What's even less believable is that smart supporting actors like Jamie Lee Curtis, Ayo Edebiri, Woody Harrelson and Rebecca Hall didn't walk out in protest of a lack of coherence. (Well, actually, Hall is gone in a matter of minutes.) The main action takes place over three days in 2008, in an unnamed state. An aggressively folksy Julie Kavner as narrator tells us Ella is a great person, and super-bright, and at 34, one of the youngest people to serve as lieutenant governor. She's also a moral compass — both in the dog-eat-dog world of politics, where she just wants... Read More

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