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    Home » Mel Sullivan Named CEO Of Framestore

    Mel Sullivan Named CEO Of Framestore

    By SHOOTThursday, May 12, 2022Updated:Tuesday, May 14, 2024No Comments1862 Views
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    Sir William Sargent (l) and Mel Sullivan
    LONDON --

    Mel Sullivan has been named chief executive officer of Framestore, with founding member and CEO of 26 years Sir William Sargent stepping down to focus on the wider Framestore Company 3 Group.

    Sullivan has been with Framestore since 1998, most recently serving as the company’s chief operating officer. The new role will see Sullivan increase her focus on the company’s strategic direction, with new group CFO Claire Price taking on the day-to-day financial responsibilities for both Framestore and Company 3 as of July 1.

    Sullivan began her career in finance and corporate brokerage, which helped hone her business acumen and gain a deep understanding of investor relations and the corporate landscape–two skills that would prove invaluable for a career within a very different industry. Since joining Framestore she has played a pivotal role in growing the company from its London roots and a staff of 150 to a global company with eight offices across four continents and a headcount of some 3,000 artists, producers and technologists. She has a deep understanding of Framestore’s business, its people and its unique creative culture, and balances her day-to-day operational knowledge with a keen strategic focus. 

    “From day one I always felt like Framestore had a rare, lightning-in-a-bottle quality as a company,” said Sullivan. “I think it stems from a unique mixture of creativity, collaboration and boldness of vision–it sets our work apart and it sets our people apart, and it’s something we’ve been keen to hold onto throughout the integration of studios in Montreal, Vancouver and Melbourne, the growth of our Mumbai studio and the strides we’re making in fields like real-time, machine learning and virtual production. I’ve been constantly amazed by the people here and what they do, and it’s my absolute pleasure to be playing an even bigger part in Framestore’s story as we move forward. I’m grateful to William for his ongoing support, and to an incredible management team whose diligence and expertise have helped so much on this ongoing journey.” 

    “Framestore has grown and evolved in startling ways since we started the company with five people and a big idea,” said Sargent. “From ad spots and pop promos for David Bowie and Madonna we’ve moved into blockbuster franchises, tentpole episodic productions and landmark theme park installations. In less than five years the company has doubled in size and expanded into three new territories, so it definitely feels like Mel is taking the reins at another pivotal stage of the company’s evolutionary growth. I have absolutely no doubt that under her stewardship we will see the company continue its ambitious trajectory.”

    Sullivan will be supported in her new role by Fiona Walkinshaw, who takes on the role of CEO, Film & Episodic, and Charles Howell, who will serve as Framestore’s president, Global Advertising and Content.

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    Category:News
    Tags:Claire PriceFiona WalkinshawFramestoreMel SullivanSir William Sargent



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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