The Visual Effects Society (VES) has elected its 2019 Board of Directors officers. The officers, who comprise the VES Board Executive Committee, include Mike Chambers, who was re-elected as Board chair. The new leadership team includes the first elected Board officer from outside North America, reflecting the diverse membership of the international Society.
“We are fortunate to have such esteemed leadership represented on the Executive Committee,” said Eric Roth, VES executive director. “Collectively, these talented professionals bring passion, diverse experience and enormous commitment to our organization. We look forward to Mike Chambers’ continued leadership in taking the organization and our global membership to new heights.”
The 2019 Officers of the VES Board of Directors are:
- Chair: Mike Chambers
- 1st Vice Chair: Jeffrey A. Okun, VES
- 2nd Vice Chair: Lisa Cooke
- Treasurer: Brooke Lyndon-Stanford
- Secretary: Rita Cahill
Mike Chambers, Chair
Chambers is a freelance visual effects producer and independent VFX consultant, specializing in large-scale feature film productions. He has worked with numerous A-list producers and directors on dozens of VFX-heavy films, and his consulting service clients include most major studios and several VFX facilities.
Chambers is currently in postproduction on Greyhound, from Playtone and writer-producer Tom Hanks. Other recent credits include Dunkirk, Alice Through The Looking Glass, Transcendence and The Dark Knight Rises. Chambers has contributed to the visual effects efforts on many Academy and BAFTA award-winning films, and he has personally won three VES Awards for Best Visual Effects, on Dunkirk, Inception, and The Day After Tomorrow. He was also nominated for his work on I Am Legend.
Chambers is beginning his fifth term as chair of the VES. He has been a member for over 20 years, serving multiple terms on the Board of Directors, and he has previously served on the Executive Committee as both vice chair and secretary. He is also a member of The Academy of Motion Picture Arts & Sciences (AMPAS), and the Producers Guild of America (PGA).
Jeffrey A.Okun, VES, 1st Vice Chair
Okun is currently working on Cosmos: Possible Worlds for National Geographic and Fox TV. He is known for creating “organic” and invisible effects, as well as spectacular “tent-pole” visual effects that blend seamlessly into the storytelling aspect of the project, and has won the VES Award for Outstanding Supporting Visual Effects for his work on The Last Samurai. Okun has also delivered wide-ranging effects in award winning films such as Alpha, Blood Diamond, Stargate, Sphere, Red Planet, Deep Blue Sea, Lolita and The Last Starfighter. Additionally, he oversaw the rush 3D conversion of Clash of the Titans.
Okun was recently named a Fellow of the VES, as well as the recipient of the Founder’s Award. He also created and co-edited the “VES Handbook of Visual Effects,” an award-winning reference book covering all aspects of creating visual effects, techniques and practices. As VES Board chair for seven years, Okun fostered a global community and focused attention on bringing business and creative education to artists, facilities and studios. Under Okun’s leadership the VES was a key player in the creation of a worldwide software anti-pirating alliance with the U.S. government to insure that all facilities have a fair and level playing field from which to bid.
Okun created the visual effects tracking and bidding software that is in wide use within the industry today, as well as the revolutionary visual effects techniques dubbed the “PeriWinkle Effect” (an underwater blue screen technique) and the “Pencil Effect” (which accurately predicts the final visual effects count and budget).
Okun is a member of the Visual Effects Branch of the Academy of Motion Picture Arts & Sciences, British Academy of Film and Television Arts (BAFTA), the Academy of Television Arts and Science, and an associate member of the American Society of Cinematographers (ASC).
Lisa Cooke, 2nd Vice Chair
Cooke has spent over 20 years in the film industry as a VFX and animation producer, creative consultant, story analyst, and screenwriter. In production and creative development, she has worked for such clients as Warner Bros, Lucasfilm, Fox, Nickelodeon Films, Liberty Films, Reardon Studios, Kerner Productions, Berkeley Repertory Theatre, Golden Leaf Films, ABC, CBS and Universal, and in the FX and animation industry for companies such as Pixar Animation Studios, Glasgow-based Digital Animations Group, Pinnacle Studios and Tippett Studio.
As sr. Producer at MOVA, Cooke produced motion capture for feature film and games, supervised HD production and post production for film and video and helped introduce MOVA’s Contour reality capture technology to the film industry. She has also taught story structure at the SF Academy of Art and Ex’pression College of Digital Arts. Cooke is currently founder and executive producer at Green Ray Media, a studio that specializes in scientific visualization and medical animation.
Cooke attended California College of Arts before graduating from University of California, Berkeley, and is a long standing member of the SAG-AFTRA Guild, and currently a member of the Visual Effects Society Bay Area Section Board of Managers.
Brooke Lyndon-Stanford, Treasurer
Lyndon-Stanford founded Atomic Arts, his VFX company in 1994. Atomic has grown with the technology over the past 25 years, and he now leads a large international team with offices in London, Mumbai and Los Angeles. He is most often found executive producing and VFX supervising on many studio movies and series. Recent notable credits span Disney (Dumbo), Warner Bros (Rampage), Fox (Red Sparrow), Netflix (Altered Carbon), and HBO (Game of Thrones) as well as a host of independent film and TV productions.
Lyndon-Stanford is the founder and owner of Omeira Studio Partners, created to finance and produce quality films and high-end scripted television. Their first movie is Paul Schrader’s First Reformed, starring Ethan Hawke and Amanda Seyfried, of which Lyndon-Stanford is an executive producer.
Lyndon-Stanford has been on the global VES Board of Directors for the past five years. He was also chair of the London Section of the VES from 2014-17. He is the first member of the VES Executive Committee from outside North America.
Rita Cahill, Secretary
Cahill is an international business and marketing/PR consultant for a number of U.S., Canadian, Asian and EU companies for animation and visual effects feature films. Current and former clients include VFX and animation companies Digital Domain, Look FX, Method Studios, Milk VFX, The Mill, The Orphanage, Rainmaker Animation, Rajtaru Studios, The Senate, Shade VFX, Shanghai Cartoon, Shanghai SFS Digital, Trixter Film, Vertigo Digital and Xing Xing Digital, along with industry related organizations Animation Mentor, Jiaflix Enterprises and Wuxi Studios. She is also a partner in MakeBelieve Entertainment, a film development company and serves as executive producer on a number of international projects.
Previously, Cahill was the VP marketing for Cinesite where she oversaw the marketing of four divisions of the pioneering digital studio’s services. During her tenure, Cinesite completed work on over 200 feature films including the first DI in history, O Brother, Where Art Thou? Prior to Cinesite, Cahill co-founded the Mill Valley Film Festival/California Film Institute and remains on the Institute’s Emeritus Board of Directors. Cahill was also the founding consultant on the formation and establishment of the Singapore International Film Festival.
This will be Cahill’s fourth term as VES secretary. Previously, Cahill served as chair or co-chair of the VES Summit for eight years.
