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    Home » Mike Hughes, Dal Almeida Return To AMV BBDO As Creative Directors

    Mike Hughes, Dal Almeida Return To AMV BBDO As Creative Directors

    By SHOOTMonday, January 31, 2022Updated:Tuesday, May 14, 2024No Comments2125 Views
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    Dal Almeida (l) and Mike Hughes
    LONDON --

    Mike Hughes and Dal Almeida have re-joined AMV BBDO as creative directors. After two-plus years at Clemenger BBDO, in Australia, as sr. art director and copywriter, respectively, they return to the U.K. and the agency where they created the much-lauded Trash Isles campaign.

    The creative duo originally started at AMV in February 2012, staying for seven years creating notable work for brands including Snickers, BT, The National Lottery, and Virgin Holidays. One of their most awarded projects was Trash Isles, launched to recognize the vast collection of plastic waste covering an area equivalent to the size of France floating in the Pacific as an independent country with its own flag, currency, stamps and passports. The work helped force world leaders to address the scale of plastic trash in our oceans, and on World Oceans Day, an application was submitted to The United Nations to recognize The Trash Isles as an official country whereby other countries were then obliged to help clean it up.  

    As well as winning the Grand Prix at Cannes Lions in 2018, the campaign won the U.K.’s first-ever Green Pencil at The One Show with Hughes and Almeida invited to speak at TED about the plight of plastic pollution.

    Their past two years at Clemenger BBDO have seen success with Cannes Lions for The VB Solar Exchange, the world’s first energy program that allows the public to exchange their solar energy for beer. They also successfully launched a new brand platform for Pure Blonde Organic Lager, recognized at numerous shows, and tutored at the AWARD School, Asia Pacific‘s leading creative course.

    Newly promoted chief creative officers at AMV BBDO, Nadja Lossgott and Nicholas Hulley shared jointly, “Mike and Dal are not only world class creative talent but also world class at being nice and fun. We are delighted to welcome them back and we can’t wait to see them spreading their magic around.”

    A joint statement from Hughes and Almeida read, “BBDO’s mantra is ‘the work, the work, the work,’ which you could argue is what creatives should base their decision on. But the reason we came back is ‘the people, the people, the people.’ AMV is full of genuine, caring, and creative folk that you want to spend time with.”

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    Category:News
    Tags:AMV BBDODal AlmeidaMike HughesNadja LossgottNicholas Hulley



    Director Zee Ntuli Joins Eleanor For U.S. Representation

    Monday, June 23, 2025

    Eleanor, the production company headed by president Sophie Gold, has added director Zee Ntuli to its roster for U.S. representation spanning commercials and branded content.

    Ntuli’s work ranges from his sultry feature Hard to Get to the critically acclaimed South African crime thriller TV series Reyka, to a portfolio of award-winning commercials. And his work in one discipline informs another. “The precision of commercial work sharpens my storytelling in longform--it teaches economy, clarity, rhythm,” related Ntuli. “And in turn, my longform work brings emotional depth and psychological complexity into my commercial projects.”

    His “Epic Worlds” for Samsung exemplifies such filmic dexterity. Ntuli’s razor-sharp gift for timing electrifies the pacing of this visual journey while his background in the feature world instills depth into each story’s world. Ntuli said, “We treated it like a mini feature--each vignette with its own mood, lighting rules, framing language. We referenced sci-fi, fantasy, Westerns... but always kept the camera human.”

    That camera--on the Samsung Galaxy S23 Ultra--captured the “Epic Worlds” short in its entirety.

    Meanwhile Ntuli’s film “Reset” for Woolworths is an epic visual poem that weaves together microscopic and celestial snapshots of live, reflecting the director’s talent for delivering profound meaning with a poetic and elevated visual language. Ntuli explained, “This piece is a visceral, surreal ode to detail--how much it matters, and how deeply it’s felt. The goal was to heighten the everyday--using scale, rhythm, and atmosphere to make detail emotional.“

    Ntuli--who prior to joining Eleanor had most recently been repped in the U.S. by... Read More

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