Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » “Mission Impossible – Fallout” Falls Into Top Box Office Slot

    “Mission Impossible – Fallout” Falls Into Top Box Office Slot

    By SHOOTSunday, July 29, 2018Updated:Tuesday, May 14, 2024No Comments4426 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    • Image
    This image released by Paramount Pictures shows Rebecca Ferguson, left, and Tom Cruise in a scene from "Mission: Impossible - Fallout." (Chiabella James/Paramount Pictures and Skydance via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    After six movies, 22 years, countless bruises and a broken ankle, Tom Cruise's death-defying "Mission: Impossible" stunts continue to pay off at the box office.

    "Mission: Impossible — Fallout" easily took the No. 1 spot on the domestic charts this weekend. Paramount Pictures estimates that it earned $61.5 million from 4,386 North American theaters.

    Not accounting for inflation, it's a best for the long-running franchise, which has grossed $2.8 billion worldwide, and one of Cruise's biggest too (just shy of "War of the Worlds'" $64.9 million debut in 2005). Internationally, the film earned $92 million from 36 markets which is also a franchise best.

    Directed by Christopher McQuarrie, "Fallout" has scored some of the best reviews in the series and has been in the news cycle for almost a year. Talk about the film started early, in August of 2017, when Cruise broke his ankle performing a stunt in London with video to prove it.

    "Paramount was strategically perfect in their marketing and publicity game," said comScore senior media analyst Paul Dergarabedian. "They showed how important a star's presence is in marketing the movie early on. Tom Cruise broke his ankle and they made that into a positive for the movie — it fed the Tom Cruise 'Mission: Impossible' mystique."

    Second place went to "Mamma Mia! Here We Go Again," which fell 57 percent in its second weekend in theaters, to earn $15 million. It was a much steeper decline than the first film, which dropped only 36 percent between its first and second weekends.

    Denzel Washington's "The Equalizer 2" slid to third with $14 million in weekend two, and "Hotel Transylvania 3: Summer Vacation" took fourth with $12.3 million.

    The animated "Teen Titans Go! To the Movies," a feature spinoff of the Cartoon Network television show about Robin and some of the lesser-known DC superheroes, was the only major film to open against "Fallout." The Warner Bros. release earned $10.5 million and landed in fifth place.

    The film earned positive reviews from critics and younger audiences, but also faced a fair amount of animated competition from both "Hotel Transylvania 3" and "Incredibles 2," which is still going strong in its seventh weekend and headed toward the $1 billion mark. As of Sunday the Disney/Pixar sequel had earned an estimated $996.5 million globally.

    But although $10.5 million might seem on the lower side, "Teen Titans" also cost only $10 million to produce.

    "Family movies like this will play for a lot of weeks," said Warner Bros.' domestic distribution president Jeff Goldstein. "The whole objective of this movie was to work with our cousins in other Warner units for brand identification."

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1. "Mission: Impossible — Fallout," $61.5 million ($92 million international).
    2. "Mamma Mia! Here We Go Again," $15 million ($26.6 million international).
    3. "The Equalizer 2," $14 million ($1.9 million international).
    4. "Hotel Transylvania 3: Summer Vacation," $12.3 million ($31 million international).
    5. "Teen Titans Go! To the Movies," $10.5 million ($1 million international).
    6. "Ant-Man and The Wasp," $8.4 million ($11.5 million international).
    7. "Incredibles 2," $7.2 million ($20 million international).
    8. "Jurassic World: Fallen Kingdom," $6.8 million ($10.9 million international).
    9. "Skyscraper," $5.4 million ($17.7 million international).
    10. "The First Purge," $2.2 million ($4.5 million international).

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

    1. "Hello Mr. Billionaire," $129.5 million.
    2. "Mission: Impossible — Fallout," $92 million.
    3. "Detective Dee: The Four Heavenly Kings," $42.9 million.
    4. "Hotel Transylvania 3: Summer Vacation," $31 million.
    5. "Mamma Mia! Here We Go Again," $26.6 million.
    6. "Incredibles 2," $20 million.
    7. "Skyscraper," $17.7 million.
    8. "Ant-Man and The Wasp," $11.5 million.
    9. "Jurassic World: Fallen Kingdom," $10.9 million.
    10. "Illang: The Wolf Brigade," $5.2 million.

    Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

     

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2018-07-31)
    Category:News
    Tags:box officeChristopher McQuarrieMission Impossible-FalloutTom Cruise



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleYouTube Originals Lineup Includes Will Smith, Kirsten Dunst, Jordan Peele
    Next Article Camp Kuleshov Competition Extends Eligibility To All AICP and AMP Members
    SHOOT

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.