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    Home » Motion Picture Sound Editors’ Golden Reel Award Nominees Include “Tár,” “Elvis,” “Bardo,” “The Batman”

    Motion Picture Sound Editors’ Golden Reel Award Nominees Include “Tár,” “Elvis,” “Bardo,” “The Batman”

    By SHOOTMonday, January 9, 2023Updated:Tuesday, May 14, 2024No Comments1640 Views
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    Cate Blanchett in a scene from "Tár" (photo courtesy of Focus Features)
    STUDIO CITY, Calif. --

    The Motion Picture Sound Editors (MPSE) revealed the nominees for the 70th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.

    Among the nominees in the feature film categories were Tár, Elvis, Bardo, Everything Everywhere All at Once and The Banshees of Inisherin.

    TV nominations included Better Call Saul, The Lord of the Rings: The Rings of Power, The Crown, Severance, Stranger Things and Andor. 

    “We are thrilled to celebrate the platinum anniversary of the MPSE Golden Reel Awards with our first live event in three years,” said MPSE president Mark Lanza. “We also take special pride in honoring the outstanding work of sound editors from around the world and across all forms of entertainment media. We look forward to a special night full of fun and surprises as we celebrate the art and craft of sound.”

    The 70th Annual Golden Reel Awards will take place on Sunday, February 26, 2023, at the Wilshire Ebell Theatre in Los Angeles. Here's a rundown of the MPSE Filmmaker and MPSE Career Achievement Award winners as well as a category-by-category breakdown of feature and TV nominations.

    2023 MPSE FILMMAKER AWARD
    Jerry Bruckheimer
     

    2023 MPSE CAREER ACHIEVEMENT AWARD
    Gwendolyn Yates Whittle MPSE
     

    Outstanding Achievement in Sound Editing – Broadcast Animation
    Jurassic World: Camp Cretaceous: “The Last Stand”
    DreamWorks Animation
    Supervising Sound Editors: Rob McIntyre, D.J. Lynch
    Sound Designer: Evan Dockter
    Sound Effects Editor: Adam Cioffi
    Dialogue Editor: Anna Adams
    Foley Editor: Aran Tanchum
    Foley Artist: Vincent Guisetti

    Love, Death & Robots: “In Vaulted Halls Entombed”
    Netflix
    Supervising Sound Editor: Brad North MPSE
    Foley Editor: Antony Zeller MPSE
    Foley Artists: Zane Bruce, Lindsay Pepper

    Tales of The Jedi: “The Sith Lord”
    Disney
    Supervising Sound Editors: David W. Collins, Matthew Wood
    Sound Effects Editors: Kevin Bolen, Michael Brinkman
    Foley Supervisor: Frank Rinella
    Foley Artists: Margie O’Malley, Andrea Gard, Sean England

    Transformers: Earthspark: “Age of Evolution”
    Nickelodeon
    Supervising Sound Editors: Brad Meyer MPSE
    Sound Effects Editor: Natalia Saavedra Brychcy MPSE
    Dialogue Editor: Christine Gamache
    Foley Editor: Carol Ma

     

    Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
    Better Call Saul: “Saul Gone”
    AMC
    Supervising Sound Editors: Nick Forshager MPSE, Kathryn Madsen MPSE
    Dialogue Editor: Jane Boegel

    The Crown: “Gunpowder”
    Netflix
    Supervising Sound Editor: Lee Walpole MPSE
    Supervising Dialogue Editor: Iain Eyre
    Supervising ADR Editing: Matt Mewett

    The Lord of the Rings: The Rings of Power: “Udûn”
    Amazon
    Supervising Sound Editors: Robby Stambler MPSE, Damian Del Borrello MPSE
    Dialogue / ADR Supervisor: Stefanie Ng
    Dialogue Editors: Ailene Roberts MPSE, Ray Beentjes
    ADR Group Editor: Gareth Van Niekirk

    Severance: “The We We Are”
    Apple TV+
    Supervising Sound Editor: Jacob Ribicoff MPSE
    ADR Editor: David Briggs
    Dialogue Editor: Gregg Swiatlowski

    Stranger Things: “Chapter Seven: The Massacre at Hawkins Lab”
    Netflix
    Supervising Sound Editors: William Files MPSE, Craig Henighan MPSE
    Dialogue / ADR Supervisor: Ryan Cole MPSE
    Dialogue Editors: Korey Pereira MPSE, Jill Purdy MPSE, David Butler, Polly McKinnon, Rob Chen

     

    Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
    Andor: “Reckoning”
    Disney
    Supervising Sound Editors: David Acord, Margit Pfeiffer
    Sound Effects Editor: J.R. Grubbs
    Foley Editor: Shaun Farley MPSE
    Foley Artists: John Roesch MPSE, Shelley Roden MPSE
    Sound Designer: David Acord

    Better Call Saul: “Carrot and Stick”
    AMC
    Supervising Sound Editors: Nick Forshager MPSE, Kathryn Madsen MPSE
    Sound Effects Editors: Matt Temple, Marc Glassman MPSE
    Foley Artists: Gregg Barbanell MPSE, Alex Ullrich

    Gaslit: “Year of the Rat”
    Starz
    Co-Supervising Sound Editors:  Kevin W. Buchholz, Stefani Feldman MPSE
    Sound Effects Editors: Dan Kremer MPSE, Adam Parrish King
    Foley Editors: Sam Munoz, Jordan Aldinger
    Foley Artists: Jacob McNaughton, Noel Vought

    The Lord of the Rings: The Rings of Power “Udûn”
    Amazon
    Supervising Sound Editors: Damian Del Borrello MPSE, Robby Stambler MPSE
    Sound Designer: Paula Fairfield MPSE
    Sound Editors: James Miller, Chris Terhune, Gareth Van Niekerk, Ryan A. Sullivan, Goeun Everett MPSE
    Foley Editor: Richard Wills, Jonathan Bruce, Amy Barber
    Foley Artist: Jonathan Bruce

    Stranger Things: “Chapter Seven: The Massacre at Hawkins Lab”
    Netflix
    Supervising Sound Editors: William Files MPSE, Craig Henighan MPSE
    Sound Editors: Angelo Palazzo MPSE, Ken McGill, Katie Halliday, Lee Gilmore MPSE, David Grimaldi, Chris Bonis
    Foley Artist: Steve Baine

     

    Outstanding Achievement in Sound Editing – Broadcast Short Form
    Barry: “710N”
    HBO
    Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor
    Sound Designer: Rickley W. Dumm MPSE
    Sound Editors: Deron Street, Candice Brunello, Charles Campagna
    Dialogue Editor: John Creed MPSE
    Supervising Foley Editor: Clay Weber MPSE
    Foley Editor: Darrin Mann
    Foley Artists: Alyson Dee Moore MPSE, Chris Moriana

    The Bear: “Review”
    FX
    Supervising Sound Editor: Steve “Major” Giammaria
    Sound Effects Editor: Jonathan Fuhrer
    Dialogue Editor: Evan Benjamin
    Foley Editor: Annie Taylor
    Foley Artist: Leslie Bloome

    Only Murders in the Building: “Framed”
    Hulu
    Supervising Sound Editors: Mathew Waters, Danika Wikke MPSE
    Supervising Dialogue Editor: Borja Sau
    Sound Effects Editor: Eric Offin
    Foley Editor: Arno Stephanian MPSE
    Foley Artists: Sanaa Kelley MPSE, Adam DeCoster

    She Hulk: “Ribbit and Rip It”
    Disney
    Supervising Sound Editor: Mac Smith
    Sound Designer: Steve Bissinger
    Sound Effects Editors: Tim Farrell, Goeun Everett MPSE
    Dialogue / ADR Supervisor: Vanessa Lapato
    Dialogue Editor: Ryan Cota MPSE
    Foley Supervisor: Joel Raabe
    Foley Editor: Ian Chase
    Foley Artists: Sean England, Andrea Gard
    Conforming Editor: Kim B. Christensen

    Wild Babies: “Big Families”
    Netflix
    Supervising Sound Editor: Matt Coster
    Sound Effects Editors: Matt Coster, Ben Wood
    Sound Designers: Matt Coster, Ben Wood
    Foley Editors: Matt Coster, Ben Wood

     

    Outstanding Achievement in Sound Editing – Feature Animation
    DC League of Super-Pets
    Warner Bros. Animation
    Supervising Sound Editors: Bill R. Dean MPSE, Ando Johnson
    Sound Designer: Erick Ocampo
    Sound Effects Editors: Chris Battaglia MPSE, Kip Smedley
    Supervising Dialogue Editor: Stephanie Brown
    Dialogue Editor: Chase Keehn
    Supervising Foley Editor: Jessie Pariseau
    Foley Editor: Bruce Tanis MPSE
    Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana

    Guillermo del Toro’s Pinocchio
    Netflix
    Supervising Sound Editor: Scott Martin Gershin MPSE
    Sound Effects Editors: Masanobu “Tomi” Tomita, Andrew Vernon MPSE, Dan Gamache MPSE
    Dialogue Editor: Dan Gamache MPSE
    Foley Artists: Dan O’Connell, John Cucci MPSE

    Lightyear
    Disney Animation
    Supervising Sound Editor: Coya Elliott
    Sound Designer: Ren Klyce
    Sound Effects Editors: Kimberly Patrick, Jonathon Stevens, Benjamin A. Burtt
    Dialogue Editor: Cheryl Nardi
    Foley Editors: James Spencer, Dee Selby
    Foley Artists: Shelley Roden MPSE, John Roesch MPSE

    Puss in Boots
    DreamWorks Animation
    Supervising Sound Editors: Jason W. Jennings, Julian Slater MPSE
    Sound Designer: Tim Walston MPSE
    Sound Effects Editor: Ken McGill
    Dialogue Editor: Mia Stewart MPSE
    Supervising Foley Editor: Paul Pirola

     

    Outstanding Achievement in Sound Editing – Feature Documentary
    Good Night Oppy
    Amazon
    Supervising Sound Editor: Mark Mangini MPSE          
    Supervising Dialogue Editor: Dave Bach
    Sound Designers: Tim Walston MPSE, Dave Whitehead MPSE, Mark Mangini MPSE

    Louis Armstrong’s Black and Blues
    Apple TV+
    Supervising Sound Editor: Leslie Shatz
    Sound Designer: Leslie Shatz
    Supervising Dialogue Editor: Jon Flores

    Moonage Daydream
    Apple TV+
    Supervising Sound Editor: Nina Hartstone
    Sound Designers: Samir Foco, James Shirley
    Sound Editor: Louise Burton MPSE

    The Territory
    National Geographic
    Supervising Sound Editors: Rune Klausen, Peter Albrechtsen MPSE
    Sound Designers: Rune Klausen, Peter Albrechtsen MPSE
    Sound Effects Editors: Mikkel Nielsen, Tim Nielsen
    Dialogue Editors: Sebastian Vaskio, Guilherme Tortolo Magrin
    Foley Editor: Pietu Korhonen
    Foley Artist: Heikki Kossi, MPSE

     

    Outstanding Achievement in Sound Editing – Foreign Language Feature
    All Quiet on the Western Front
    Netflix
    Supervising Sound Editor: Frank Kruse
    Sound Designer: Markus Stemler
    Supervising Dialogue Editor: Alexander Buck
    Supervising ADR Editors: Benjamin Hörbe, Alexander Buck
    ADR Editors: Thomas Kalbér, Moritz Hoffmeister
    Foley Editor: Kuen Il Song
    Foley Artists: Carsten Richter, Daniel Weis

    Argentina, 1985
    Amazon
    Supervising Sound Editor: Santiago Fumagalli
    Sound Effects Editors: Juan Ignacio Giobio, Nahuel De Camillis
    Dialogue Editor: Ignacio Seligra
    Foley Editor: Nicolás Mannara
    Foley Artist: Diego Marcone
    Music Editor: Stephen M. Davis

    Bardo, False Chronicle of a Handful of Truths
    Netflix
    Supervising Sound Editors: Martín Hernández, Nicolas Becker
    Sound Designer: Ken Yasumoto
    Sound Effects Editors: Alejandro Quevedo, Jaime Sainz, Carolina Santana
    Dialogue Editors: Valeria López Mancheva, Raynier Hinojosa, Omar Blanco
    ADR Editors: Alitzel Diaz, Daniel Douglass MPSE
    Foley Editors: Oscar Victoria, Pietu Korhonen, Alan Romero
    Foley Artists: Heikki Kossi MPSE, Alan Romero

    EO
    Janus Films
    Supervising Sound Editor: Radoslaw Ochnio MPSE
    Sound Designer: Radoslaw Ochnio MPSE
    Sound Editor: Marta Weronika Weronska
    Foley Editor: Suraj Bardia MPSE

    The Quiet Girl
    Break Out Pictures
    Supervising Sound Editor: Steve Fanagan MPSE         
    Sound Designer: Steve Fanagan MPSE
    Sound Effects Editor: Steve Fanagan MPSE
    Dialogue Editor: Louise Burton MPSE
    ADR Editor: Louise Burton MPSE
    Foley Editor: Steve Fanagan MPSE
    Foley Artist: Caoimhe Doyle

    Triangle of Sadness
    Imperative Entertainment
    Sound Editors: Andreas Franck MPSE, Bent Holm MPSE, Gustav Landbecker, Johannes Dekko, Claes Lundberg, Benny Persson, Daniel Lindvik, Alexander Wunsch, Erik Watland
    Sound Designers: Andreas Franck MPSE, Bent Holm MPSE
    Foley Artists: Claes Lunderberg, Ulf Olausson

     

    Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
    The Banshees of Inisherin
    Searchlight Pictures
    Supervising Sound Editor: Joakim Sundström
    Supervising ADR Editing: Simon Chase
    Supervising Foley Editor: Rebecca Glover
    Foley Artist: Julien Naudin

    The Batman
    Warner Bros. Pictures
    Supervising Sound Editors: Douglas Murray MPSE, William Files MPSE
    Dialogue Editor: Jacob Riehle
    ADR Editors: Bobbi Banks MPSE, David V. Butler

    Elvis
    Warner Bros. Pictures
    Supervising Sound Editor: Wayne Pashley MPSE
    Supervising Dialogue Editor: Derryn Pasquill
    ADR Supervisor: Libby Villa
    Dialogue Editors: Nick Breslin, Marisa Marsionis, Lauren Ligovich

    Empire of Light
    Searchlight Pictures
    Supervising Sound Editors: Oliver Tarney MPSE, Rachael Tate MPSE

    Everything Everywhere All At Once
    A24
    Supervising Sound Editor: Brent Kiser MPSE

    Top Gun: Maverick
    Paramount
    Supervising Sound Editors: Bjørn Ole Schroeder, James Mather, Al Nelson
    Dialogue Editor: Chris Gridley
    Dialogue Editors: Simon Chase, Matthew Hartman, Michael Maroussas, Gwendolyn Yates Whittle MPSE
    ADR Editor: Gwendolyn Yates Whittle MPSE

     

    Outstanding Achievement in Sound Editing – Feature Effects / Foley
    Avatar: The Way of Water
    20th Century Studios
    Supervising Sound Editor: Christopher Boyes
    Supervising Effects Editor: Brent Burge
    Sound Designers: David Chrastka, Dave Whitehead MPSE, Christopher Boyes
    Sound Effects Editors: Hayden Collow, Matt Stutter MPSE
    Foley Editors: Craig Tomlinson, Dee Selby
    Foley Artists: Dan O’Connell, John Cucci MPSE

    The Batman
    Warner Bros. Pictures
    Supervising Sound Editors: Will Files MPSE, Douglas Murray MPSE
    Sound Designers: Chris Terhune, Lee Gilmore MPSE, Craig Henighan MPSE
    Sound Effects Editor: Diego Perez MPSE, Phil Barrie

    Everything Everywhere All at Once
    A24
    Supervising Sound Editor: Brent Kiser MPSE

    Jurassic World: Dominion
    Universal Pictures
    Supervising Sound Editors: Al Nelson, Gwendolyn Yates Whittle MPSE
    Sound Designers: Pete Horner, Gary Rydstrom MPSE
    Sound Effects Editors: Stuart McCowan, Benjamin A. Burtt, Scott Guitteau, Qianbaihui Yang MPSE
    Supervising Foley Editor: Luke Dunn Gielmuda    
    Foley Editor: Coya Elliott              
    Foley Artists: Jana Vance, Ronni Brown

    NOPE
    Universal Pictures
    Supervising Sound Editor: Johnnie Burn MPSE
    Sound Effects Editors: Simon Carroll, Brendan Feeney, Max Behrens, Ben Gulvin, Jeff Smith, Beresford Cookman
    Foley Editors: Natalia Lubowiecka MPSE, Ewa Mazurkiewicz
    Foley Artist: Jacek Wisniewski

    Top Gun: Maverick
    Paramount
    Supervising Sound Editors: Al Nelson, James Mather, Bjørn Ole Schroeder
    Sound Designers: Christopher Boyes, Jed Loughran
    Sound Effects Editors: Benjamin A. Burtt, Scott Guitteau, Rowan Watson, Qianbaihui Yang MPSE
    Supervising Foley Editor: Luke Dunn Gielmuda
    Foley Editors: Dmitri Makarov, David Mackie
    Foley Artists: Jana Vance, Ronni Brown, John Roesch MPSE, Shelley Roden MPSE

     

    Outstanding Achievement in Sound Editing – Non-theatrical Animation
    The Ice Age Adventures of Buck Wild
    Disney
    Supervising Sound Editor: Leff Lefferts
    Sound Effects Editors: Shaun Farley MPSE, Chris Manning
    Dialogue Editor: E. Larry Oatfield
    Foley Artists: John Roesch MPSE, Ronni Brown, Sean England

    Jurassic World: Camp Cretaceous: “Hidden Adventure”
    Netflix
    Supervising Sound Editors: Rob McIntyre, D.J. Lynch
    Sound Designer: Evan Dockter   
    Sound Effects Editors: Adam Cioffi, Ian Nyeste, Cat Gensler, Roger Pallan
    Dialogue Editor: Anna Adams     
    Foley Editor: Aran Tanchum        

    Lego Star Wars Summer Vacation
    Disney
    Supervising Sound Editors: David W. Collins, Matthew Wood
    Sound Designer: David W. Collins
    Sound Effects Editors: Kevin Bolen, Bill Rudolph
    Foley Supervisor: Frank Rinella
    Foley Editor: Eryne Prine
    Foley Artist: Margie O’Malley

    Rise of the Teenage Mutant Ninja Turtles: The Movie
    Nickelodeon
    Supervising Sound Editor: Jeff Shiffman MPSE
    Sound Effects Editors: Jessey Drake MPSE, Brad Meyer MPSE
    Dialogue Editor: Xinyue Yu MPSE
    Foley Editor: Carol Ma

     

    Outstanding Achievement in Sound Editing – Non-theatrical Documentary
    Formula 1: Drive to Survive: “Gloves Are Off”
    Netflix
    Supervising Sound Editors: Steve Speed, Nick Fry
    Sound Designer: James Evans
    Sound Editor: Hugh Dwan

    George Carlin’s American Dream
    HBO Max
    Supervising Sound Editor: Bobby Mackston
    Dialogue Editor: Miriam Cole
    Sound Effects Editor: Matt Temple, Joseph Beshenkovsky

    Lucy and Desi
    Amazon
    Supervising Sound Editors: Anthony Vanchure, Daniel Pagan MPSE
    Sound Effects Editor: Mike James Gallagher

    Selena Gomez: My Mind and Me
    Apple TV+
    Supervising Sound Editor: Anthony Vanchure
    Sound Designer: Mike James Gallagher
    Sound Effects Editors: Matt Olivo MPSE, Jeff Pitts
    Foley Artists: Luke Kelley, Sanaa Kelley MPSE

    Tony Hawk – Until The Wheels Fall Off
    HBO Max
    Supervising Sound Editor: John M Chalfant
    Sound Effects Editor: Chris Goodes MPSE
    Dialogue Editor: Andrew Rice

    Trainwreck: Woodstock ‘99: “Kerosene, Match. Boom!”
    Netflix
    Supervising Sound Editor: Nas Parkash
    Sound Effects Editors: Will Chapman, Tristan Powell
    Dialogue Editor: Claire Ellis

     

    Outstanding Achievement in Sound Editing – Non-theatrical Feature
    Pinocchio
    Disney
    Supervising Sound Editors: Bjørn O. Schroeder, Leff Lefferts
    Sound Designer: Randy Thom MPSE
    Sound Effects Editors: Malcolm Fife, Pascal Garneau, Teresa Eckton MPSE, Goeun Everett MPSE
    Dialogue Editor: James Spencer
    Supervising Foley Editor: Christopher Manning
    Foley Editors: Chris Frazier, Dee Shelby
    Foley Artists: John Roesch MPSE, Shelley Roden MPSE

    PREY
    Hulu
    Supervising Sound Editors: Chris Terhune, Will Files MPSE
    Sound Designer: James Miller
    Sound Effects Editors: Christopher Bonis, Diego Perez MPSE, Lee Gilmore MPSE
    Supervising Dialogue Editor: Jessie Anne Spence MPSE
    Dialogue Editors: David Bach, Korey Pereira MPSE
    Supervising Foley Editor: Annie Taylor
    Foley Editors: Nick Seaman, Roni Pillischer
    Foley Artists: Leslie Bloome, Shaun Brennan

    Weird: The Al Yankovic Story
    Roku
    Supervising Sound Editor: Anthony Vanchure
    Sound Designer: Mike James Gallagher
    Foley Artists: Sanaa Kelley MPSE, Iris Dutour, Luke Kelley

    Women of the Movement
    ABC
    Supervising Sound Editor: Bobbi Banks MPSE
    Sound Effects Editor: Nancy MacCleod
    Dialogue Editor: Fred Stahly
    Foley Artist: Sanaa Kelly MPSE

     

    Outstanding Achievement in Music Editing – Broadcast Long Form
    The L Word: Generation Q: “Questions for the Universe”
    Showtime
    Supervising Music Editor: Sharyn Gersh MPSE

    The Lord of the Rings: The Rings of Power: “Alloyed”
    Amazon
    Music Editors: Jason Smith, Michael Baber

    Severance: “The We We Are”
    Apple TV+
    Music Editors: Missy Cohen MPSE, Sam Zeines
    Scoring Editor: Felipe Pacheco

    Stranger Things: “Chapter Nine: The Piggyback”
    Netflix
    Music Editors: Lena Glikson, David Klotz

    Wednesday: “A Murder of Woes”
    Netflix
    Music Editor: Michael T. Ryan MPSE

    The White Lotus S2: “Bull Elephants”
    HBO
    Supervising Music Editor: Mikael Sandgren

     

     

    Outstanding Achievement in Music Editing – Broadcast Short Form
    Love, Death & Robots: “Night of the Mini Dead”
    Netflix
    Music Editor: Jeff Charbonneau

    Pitch Perfect: Bumper in Berlin: “Torschlusspanik”
    NBC Universal
    Music Editor: Andres Locsey

    Russian Doll: “Matryoshka”
    NBC Universal
    Music Editor: Georgie Ramsland

    She-Hulk: Attorney at Law: “Is This Not Real Magic?”
    Disney / Marvel
    Supervising Music Editor: Anele Onyekwere
    Music Editors: Mary Parker, Leah Dennis, Zak Millman

     

     

    Outstanding Achievement in Music Editing – Documentary
    Louis Armstrong’s Black and Blues
    Apple TV+
    Music Editors: Louie Schultz MPSE, Jordan Wiggins, Alex Carr-Engler

    Moonage Daydream
    NEON
    Supervising Music Editor: John Warhurst
    Music Editor: Brett Morgan

    My Life as a Rolling Stone: Mick Jagger
    Epix
    Supervising Music Editors: Ben Newth, Nick Ashe

    The Way Down: “Revelations”
    HBO Max
    Supervising Music Editor: Richard David Brown MPSE

     

     

    Outstanding Achievement in Music Editing – Feature Motion Picture
    ELVIS
    Warner Bros.
    Supervising Music Editor: Jamieson Shaw MPSE
    Music Editor: Evan McHugh
    Scoring Editor: Chris Barrett

    Everything Everywhere All at Once
    A24
    Music Editors: Dean Menta, Luke Wilder, Katherine Gordon Miller

    Guillermo del Toro’s Pinocchio
    Netflix
    Music Editors: Lewis Morison, Eric Caudieux
    Scoring Editor: Chris Barret

    Tár
    Focus Features
    Supervising Music Editor: Gerard McCann MPSE

    Whitney Houston: I Wanna Dance with Somebody
    TriStar Pictures
    Supervising Music Editor: John Warhurst
    Supervising Sound Editor: Nina Hartstone
    Music Editors: James Shirley, Victor Chaga

     

    Outstanding Achievement in Sound Editing – Game Dialogue / ADR
    Call of Duty: Modern Warfare II
    Infinity Ward
    Audio Director: Stephen Miller
    Audio Dialogue Lead: David Natale
    Supervising Sound Editors: Charles Deenen, Nick Martin
    Sr. Lead Audio Designer: Dave Rowe MPSE
    Sr. Lead Technical Audio Designer: Tim Stasica
    Expert Audio Designer: Chris Egert
    Dialogue Editors: Darrell Tung, Mark Camperell CAS MPSE, Kerri Shak, Alex Knickerbocker, Ryan Ongaro, Amanda McDonnell, Charlie Gondak, Robert Weiss, Lenny Bedford, Joseph Mott, Josh Taylor, Michael Jukes, Josh Polhill, Cassie White, Myon Sample
    Expert Dialogue Designer: Michael Spina
    Sound Editors: Landen Belardes, Alexander Ephraim MPSE

    God of War Ragnarök
    Sony
    Audio Director: Frank Favre
    Supervising Dialogue Editor: Jodie Kupsco
    Dialogue Designers: Heather Plunkard, Kevin McClelland, Tyler Held, Bianca Salinas, Dedrick Sarzaba, Jaime Marcelo, Ana Paola Velasquez Barrera, Andrea Contino, Briana Villarreal, Damian O’Sullivan, Monet Gardiner, Seira McCarthy, Shannon Deane, Katelyn Limber
    Dialogue Editors: Kyle Richards, Declan Knapp, Caanan Nathaniel, Dale Curtis, Edward Towers, Paul James, Brad Rees, Helen Miles, James Doyle, James Battley

    Horizon Forbidden West
    Sony
    Dialogue Director: Jochen Willemsen
    Dialogue Designer: Erik Schuring
    Dialogue Editors: Juan Manuel Delfin, Vincent van Rooijen, Nick van Noort, Sander Houtman, Nick Gratwick

    Immortality
    Half Mermaid
    Audio Directors: Kevin Senzaki MPSE, Priscilla Snow
    Dialogue Editor: Diana Cha

     

     

    Outstanding Achievement in Music Editing – Game Music
    Call of Duty: Modern Warfare II
    Infinity Ward
    Audio Lead: Stephen Miller
    Music Director: JD Mayer
    Sr. Lead Audio Designer: Dave Rowe MPSE
    Sr. Lead Technical Audio Designer: Tim Stasica
    Expert Audio Designer: Chris Egert
    Music Editors: Sam Marshall, Raheem Frederick, Nicole Yazmin

    God of War Ragnarök
    Sony
    Audio Directors: Peter Scaturro, Keith Leary
    Supervising Music Editor: Sonia Coronado
    Music Editors: Yuen Man Chung Kelvin, Glen Andrew Brown, Rob Goodson, Bill Hemstapat, Adam Kallibjian, Collin Lewis, Kory McMaster, Monty Mudd, Kye Sebastian Voce

    Horizon Forbidden West
    Sony
    Audio Director: Bastian Seelbach
    Music Supervisor: Lucas van Tol
    Music Integration: Bastiaan van Bentum

    Immortality
    Half Mermaid
    Audio Director: Priscilla Snow
    Supervising Music Editor: Nainita Desai
    Music Editor: Priscilla Snow
    Sound & Music Implementer:  Priscilla Snow
    Scoring Editor: Nainita Desai
    Audio Programmers: Connor Carson, Dylan Nelkin, Lizi Attwood

    Outstanding Achievement in Sound Editing – Game Effects / Foley
    Call of Duty: Modern Warfare II
    Infinity Ward
    Audio Directors: Stephen Miller, Ian Mika, Jonathan Gosselin
    Audio Lead: David Natale
    Supervising Sound Editors: Adam Boyd MPSE, Bryan O. Watkins, Charles Deenen, Nick Martin
    Sr. Lead Audio Designers: Dave Rowe MPSE, Jeremiah Sypult
    Sr. Lead Technical Audio Designer: Tim Stasica
    Principal Sound Designer: Stuart Provine
    Principal Audio Designer: Nicolas Tremblay
    Expert Audio Designer: Chris Egert
    Studio Audio Designer: Darren Blondin
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    Senior Audio Artists: Jeremy Rogers MPSE, Michael Kent, Alex Previty, Beau Anthony Jimenez, Bryan Higa, Justin E. Bell, Nick Tomassetti, Stephen Schappler, Aaron Sanchez, Ash Read, Dennis Bestafka, Derrick Espino, Jeshua Whitaker, Lewis Everest, Noburo Masuda, Tsubasa Ito, Samuel Justice, Csaba Wagner, Ben Minto, Chris Sweetman
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    Technical Sound Designers: Sean LaValle, Cameron Sonju, Daniel Ramos, Enoch Choi, Gavin Booth, Roy Lancaster, Charles Dworetz, Bradley Gurwin, Mallorie Lesher, Dave St. Jean, Klaudia Schaffer, Aaron Cendan, Ashton Faydenko, Jessie Chang, Skylar Chen
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    Foley Editors: Blake Collins, Jeff Gross, Alex Robson
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    Senior Audio Artists: Anton Woldhek, Pinar Temiz, Lewis James, Arjen Schut, Ramon Kerstens, Casey Slocum, Dennis Bestafka, Safar Bake, Jon Rook, Justin E. Bell, Aaron Sanchez, Eilam Hoffman, George Vlad, Ash Read
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    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
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    Brutal
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    Supervising Sound Editor: Zoé Beekes
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    Sound Effects Editor: Teun Beumer
     

    Whiteboy
    National Film & Television School
    Supervising Sound Editor: Oliver Mapp

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    Category:News
    Tags:Golden Reel AwardsMotion Picture Sound EditorsMPSE



    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    The murder trial of Duane "Keffe D" Davis in the 1996 killing of Tupac Shakur is headed to closing arguments after the defense rested Thursday following testimony from three former Las Vegas police officers.

    Jurors are scheduled to return Monday for closing arguments before beginning deliberations in the only prosecution brought in the killing of the hip-hop icon. The presentation of evidence ended after nine days of testimony.

    Davis, 63, did not take the stand.

    Shakur was riding in a BMW on Sept. 7, 1996, when a white Cadillac pulled up next to it at a red light near the Las Vegas Strip and gunfire erupted. Shakur was shot multiple times and died six days later. The driver of the BMW, Marion "Suge" Knight, survived.

    Years later, Davis would say he procured the gun and his nephew, who has since died, fired the shots. Prosecutors say Davis orchestrated the killing, and he faces life in prison if convicted of murder with a deadly weapon with the intent to promote, further or assist a criminal gang. He has pleaded not guilty.

    Defense attorney Michael Sanft has argued that Davis fabricated or embellished his accounts of the killing for money and notoriety and that investigators failed to independently corroborate his claims.

    Retired Las Vegas homicide detective Dan Long, the defense's final witness, testified that he tried unsuccessfully to verify several details Davis provided during a 2009 police interview.

    Davis told Long that his nephew, Orlando "Baby Lane" Anderson, had gone to a Las Vegas hospital after being beaten by Shakur and others in a casino brawl hours before the rapper was fatally shot. Long said he was unable to find hospital records confirming Anderson was treated there.

    Long also tried... Read More

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