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    Home » MPSE Presents Golden Reel Awards Spanning Features, TV

    MPSE Presents Golden Reel Awards Spanning Features, TV

    By SHOOTThursday, February 20, 2014Updated:Tuesday, May 14, 2024No Comments2831 Views
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    Presenter George Lucas at the Golden Reel Awards.
    LOS ANGELES --

    The Motion Picture Sound Editors presented the 61st MPSE Golden Reel Awards at a black-tie ceremony held at the Bonaventure Hotel in Los Angeles on Sunday (2/16). Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 24 categories encompassing feature films, long-form and short-form television, animation, documentaries and other media.

    Star Wars creator George Lucas presented the annual MPSE Career Achievement Award to Randy Thom, director of sound design at Skywalker Sound. The evening also featured a Special Tribute to sound pioneer Ray Dolby, introduced by MPSE Career Achievement winner Walter Murch.

    MPSE president Frank Morrone gave the opening address. Supervising sound editor Glenn T. Morgan and casting director Jeremy Gordon presented the Verna Fields Award for Sound Editing in Student Films and the Ethel Crutcher Scholarship Award to students from England’s National Film and Television School. 

    2014 Golden Reel Award Winners

    CAREER ACHIEVEMENT AWARD
    Randy Thom

    TV/Feature Animation & Documentary

    BEST SOUND & MUSIC EDITING: TELEVISION ANIMATION
    FAIRLY ODD PARENTS “DUMBBELL CURVE” (NICKELODEON )
    Directed by:    Randy Myers, Michelle Bryan
    Produced by:   Butch Hartman, George Goodchild
    Supervising Sound Editor:   Heather Olsen, MPSE
    Sound Designer: Heather Olsen, MPSE
    Supervising Foley Editor:  Roy Braverman
    Supervising Dialogue Editor:  Robbi Smith, MPSE
    Foley Artist: John Lampinen

    BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM
    NORTH AMERICA: NO PLACE TO HIDE (DISCOVERY CHANNEL)
    Produced by:   Keith Scholey, Christine Weber
    Supervising Sound Editors:  Kate Hopkins, Tim Owens
    Sound Effects Editor: Stephen Griffiths
    Assistant Dialogue Editor:  Owen Peters
    Music Editor: Michael Baber

    BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM
    DEADLIEST CATCH: THE FINAL BATTLE: "THE FINAL BATTLE" (DISCOVERY)
    Directed by: Jared Cook
    Produced by:  John Gray
    Supervising Sound Editor:  Bob Bronow, CAS
    Sound Designer:  Bob Bronow, CAS
    Sound Effects Editors:  Kevin Skaggs, Selina Zakaria
    Dialogue/ADR Editor: Jason Tuttle
    Dialogue Editors: Kevin Skaggs, Edward Rodriguez
    Music Editor:  Doug Kern

    BEST SOUND & MUSIC EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM
    EPIC  (20TH CENTURY FOX )
    Directed by:    Chris Wedge
    Produced by:   Lori Forte, Jerry Davis
    Supervising Sound Editors:  Gwendolyn Yates Whittle, MPSE, Randy Thom
    Sound Designers:  Randy Thom, Jeremy Bowker
    Supervising Foley Editor: Luke Dunn Gielmuda
    Supervising Dialogue Editor: Brad Semenoff
    Foley Artists: Denise Thorpe, Jana Vance
    Foley Editors:  Benny Burtt, Jim Likowski
    Dialogue Editor:  Michael Silvers
    Sound Effects Editors:  Leff Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
    Music Editors: Lisa Jaime, Bill Abbott

    BEST SOUND & MUSIC EDITING: DOCUMENTARIES – FEATURE FILM
    DIRTY WARS (IFC)
    Directed by:    Richard Rowley
    Produced by:   Anthony Arnove, Brenda Conklin
    Supervising Sound Editor:  Christopher Barnett
    Sound Designers:  Christopher Barnett, Brandon Proctor
     

    Student Filmmaker

    VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS & PRESENTATION OF SCHOLARSHIP AWARD
    ROBOMAX (NATIONAL FILM AND TELEVISION SCHOOL)
    Supervising Sound Editor: Tingli Lim
    Sound Designer:  Tingli Lim
    Foley Artist: Ricky Butt
    Music Editors: Sarah Warne, Tingli Lim

    Computer/Direct to Video/Foreign Feature

    BEST SOUND & MUSIC EDITING: COMPUTER EPISODIC ENTERTAINMENTMORTAL KOMBAT: LEGACY SERIES  II – EP.4 (Warner Premiere)
    Directed by:    Kevin TancharoeN
    Produced by:   Kevin Tancharoen
    Supervising Sound Editor:   Michael Babcock
    Sound Designers:  Michael Babcock, Tim GedemerSupervising
    Foley Editor: Jeff Sawyer
    Foley Artist:  Gregg Barbanell
    Sound Effects Editors:  Ian Herzon, Bryan Jerden

    BEST SOUND & MUSIC EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
    STARCRAFT 2: HEART OF THE SWARM CINEMATIC (BLIZZARD ENTERTAINMENT, INC.)
    Directed by:   Jeff Chamberlain, Nicholas S. Carpenter
    Produced by:   Caroline Hernandez, MPSE, Phillip Hillenbrand
    Supervising Sound Editor: Paul Menichini, MPSE
    Sound Designers:  Paul Menichini, MPSE, David Farmer, Stuart Provine
    Supervising Foley Editor:  Darrin Mann
    Supervising ADR Editor:  Andrea Toyias
    Foley Artist: Gregg Barbanell, MPSE
    Sound Effects Editor:  Caroline Hernandez, MPSE
    Sound Editors:  Thomas C. Brewer, MPSE, John Kurlander
    Dialogue/ADR Editors:  Alexander Ephraim, Clinton D. Jones
    Music Editor:  Neal Acree

    BEST SOUND & MUSIC EDITING: DIRECT TO VIDEO – ANIMATION
    BATMAN: THE DARK KNIGHT RETURNS PT. 2 (WARNER BROS. ANIMATION)
    Directed by:    Jay Oliva
    Produced by:   Bruce Timm, Sam Register
    Supervising Sound Editor: Robert Hargreaves, MPSE
    Sound Designer:  Robert Hargreaves, MPSE
    Supervising Dialogue Editor:  Mark Keatts
    Foley Artist:  Gary Marullo
    Sound Effects Editor:  George Brooks
    Dialogue Editors:  Kelly Foley-Downs, Mike Garcia
    Foley Editor:  John Hegedes

    BEST SOUND & MUSIC EDITING: DIRECT TO VIDEO – LIVE ACTION
    MARVEL ONE-SHOT: AGENT CARTER  (WALT DISNEY STUDIO)
    Directed by:    Louis D' Esposito
    Produced by:   Kevin Feige, Brad Baruh, Brad Winderbaum, Victoria Alonso, Mitch Bell
    Supervising Sound Editor:  Andrew DeCristofaro, MPSE
    Sound Designers:  Ann Scibelli, MPSE, Michael Payne, MPSE
    Supervising Dialogue Editor:  Laura Harris-Atkinson
    Foley Artists: Gary A. Hecker, Gary Marullo

    BEST SOUND & MUSIC EDITING: SPECIAL VENUE
    TO THE ARTIC 3D (Warner Brothers Studios)
    Directed by:    Greg MacGillivray
    Produced by:   Shaun MacGillivray, Christopher N. Palmer
    Supervising Sound Editor:  Andrew De Cristofaro, MPSE
    Sound Designers:  Stephen P. Robinson, MPSE, Peter Staubli, MPSE
    Sound Effects Editors:  Edmond Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
    Supervising Dialogue/ADR Editor: Tim Kimmel
    Dialogue Editor: Steve Judson
    Supervising Foley Editor:  Kerry Carmean-Williams
    Foley Artists: Gary A. Hecker, Gary Marullo
    Music Editor:   Steve Wood

    BEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
    THE GRANDMASTER  (THE WEINSTEIN COMPANY)
    Directed by: Wong Kar Wai
    Produced by: Wong Kar Wai, Jacky Pang Yee Wah
    Supervising Sound Editors:  Robert Mackenzie, Traithep Wongpaiboon
    Sound Designers:  Nopawat Likitwong, Steve Burgess
    Supervising Foley Editor: John Simpson
    Supervising Dialogue & ADR Editor:   Gary Chen
    Foley Artists:  Sam Rogers, Chumnan Chuponkrang
    Sound Effects Editors:  James Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt Chungsanga

    BEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
    THE PAST (SONY PICTURES CLASSICS)
    Directed by:    Asghar Farhadi
    Produced by:   Alexandre Mallet-Guy
    Supervising Sound Editor:   Thomas Desjonqueres
    Supervising ADR Editor:   Frédérique Liebaut
    Foley Artists:  François Lepeuple

    Television Short Form

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC
    GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
    Directed by:    David Nutter
    Produced by:  David Benioff, D.B. Weiss
    Supervising Music Editor:       David Klotz

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL
    PEG + CAT: THE BEETHOVEN PROBLEM (PBS)
    Directed by:    Jennifer Oxley, Billy Aronson, Cory Bobiak
    Produced by:   Alia Nakashima, Jaclynn (Demas) Gennawey
    Supervising Music Editor:  Steven Rebollido
    Music Editors:  J. Walter Hawkes, Daniel Mennella

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR
    GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
    Directed by:    David Nutter
    Produced by:   David Benioff, D.B. Weiss
    Supervising Sound Editor:  Tim Kimmel
    Supervising Dialogue Editor:  Jed Dodge
    Supervising ADR Editor: Tim Hands
    ADR Editors:  Ruth Adelman, Martin Mahon

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY
    BREAKING BAD:FELINA (AMC)
    Directed by:  Vince Gilligan
    Produced by:   Diane Mercer, Bryan Cranston
    Supervising Sound Editor:   Nick Forshager|
    Foley Artists:   Gregg Barbanell, Dominique Tabach Decaudain
    Sound Effects Editors:  Mark Cookson, Cormac FungeFoley Editors:  Timothy Boggs, Jeff Cranford

    Television Long Form

    BEST SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL
    HISTORY OF THE EAGLES: PART ONE (SHOWTIME)
    Directed by:  Alison Ellwood
    Produced by:   Alex Gibney, Blair Foster
    Music Editor:  Annette Kudrak

    BEST SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR
    THE BRIDGE: “PILOT” (SHINE AMERICA)
    Directed by:    Gerardo Naranjo
    Produced by:   Meredith Stiehm, Elwood Reid
    Supervising Sound Editor:  Mike Marchain
    Supervising Dialogue/ADR Editor: Mike Marchain
    Dialogue Editors:   Paul Longstaffe, Charles Kolander, Robert Guastini, MPSE

    BEST SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY     
    SONS OF ANARCHY: SALVAGE (FX NETWORK)
    Directed by:    Adam Arkin
    Produced by:   Kurt Sutter, Craig Yahata
    Supervising Sound Editor:  Erich Gann
    Sound Designers:   Robert Costanza, Mike Dickeson
    Supervising Foley Editor:  Bill Bel
    Foley Artists:  Tim Chilton, Jill Sanders
    Assistant Sound Editor:  Kevin Meltcher

    Feature Film

    BEST SOUND EDITING IN FEATURE FILM – MUSIC
    THE GREAT GATSBY (WARNER BROS.)
    Directed by:    Baz Luhrman
    Produced by:   Catherine Knapman, Baz Luhrmann, Catherine Martin
    Supervising Music Editors:   Jason Ruder, Tim Ryan
    Music Editor:   Craig Beckett

    BEST SOUND EDITING IN FEATURE FILM – MUSIC, MUSICAL FEATURE
    FROZEN (BUENA VISTA)
    Directed by:    Chris Buck, Jennifer Lee
    Produced by:   Peter Del Vecho
    Music Editors:  Earl Ghaffari, Fernand Bos, MPSE

    BEST SOUND EDITING IN FEATURE FILM – DIALOGUE AND ADR
    CAPTAIN PHILLIPS (COLUMBIA PICTURES)
    Directed by: Paul Greengrass
    Produced by:  Scott Rudin, Michael De Luca
    Supervising Sound Editor:  Oliver Tarney, MPSE
    Supervising Dialogue Editor:  Bjørn Schroeder
    Supervising ADR Editor:  Simon Chase
    Dialogue Editor:  Rob Killick

    BEST SOUND EDITING IN FEATURE FILM – SOUND EFFECTS AND FOLEY
    GRAVITY (WARNER BROS.)
    Directed by:  Alfonso Cuarón
    Produced by:   Alfonso Cuarón, David Heyman
    Supervising Sound Editor:   Glenn Freemantle
    Sound Designer: Glenn Freemantle
    Foley Artist:   Nicolas Becker
    Sound Design Editors:   Niv Adiri, Ben Barker, Eilam Hoffman
    Sound Effects Editor:  Danny Freemantle
    Foley Editor:  Hugo Adams

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    What To Stream: “”Mother Mary,” “Outer Banks” and Steven Soderbergh’s “The Christophers”

    Monday, August 17, 2026

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