Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Netflix Previews “Ma Rainey’s Black Bottom,” Including Chadwick Boseman’s Final Performance

    Netflix Previews “Ma Rainey’s Black Bottom,” Including Chadwick Boseman’s Final Performance

    By SHOOTMonday, October 19, 2020Updated:Tuesday, May 14, 2024No Comments2466 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    • Image 0
    • Image 1
    This image released by Netflix shows Viola Davis as Ma Rainey, left, director George C. Wolfe, center, and Chadwick Boseman as Levee during the filming of "Ma Rainey's Black Bottom." Netflix on Monday previewed Wolfe’s August Wilson adaptation showcasing Boseman’s final performance opposite Davis. (David Lee/Netflix via AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    Netflix on Monday previewed George C. Wolfe's August Wilson adaptation "Ma Rainey's Black Bottom," showcasing Chadwick Boseman's final performance opposite Viola Davis' powerhouse blues singer.

    The film, shot last year, was already one of the year's most anticipated, coming as the next chapter in Denzel Washington's ongoing project to turn Wilson's plays into films, following 2016's Oscar-winning "Fences." But since the unexpected death in August of 43-year-old Boseman from colon cancer, "Ma Rainey's Black Bottom" has taken on a elegiac aura. Boseman's performance has been said to be among the finest of his career, and the scenes previewed Monday only reinforced that notion.

    Set in Chicago 1927, Davis stars as Ma Rainey, a fiery singer known as the "Mother of the Blues." Boseman plays Levee, an ambitious trumpeter aiming to launch himself with his own updated versions of Ma Rainey's songs.

    "Levee got to be Levee!" exclaims Boseman, as Levee, in a passionate monologue. "And he don't need nobody messing with him about the white man, 'cause you don't know nothing about me. You don't know Levee. You don't know nothing about what blood I got! What kind of heart I got beating here!"

    The event Monday, presented by video conference, included a band, in masks, performing music from the film scored by Branford Marsalis. Netflix, which will debut it Dec. 18 on the streaming service, is expected to push "Ma Rainey's Black Bottom" for Academy Awards consideration, particularly Davis and Boseman. (Wilson, himself, was the last person to receive a posthumous Oscar nomination in 2016, 11 year after his death, for the "Fences" script.)

    Wolfe said Boseman "put his entire being into the part." Davis described Boseman as unusually egoless. At the time of filming, Boseman was coming off the massive success of "Avengers: Endgame" and "Black Panther." 

    "Not to compete with Chadwick's mother but Chadwick is my baby," said Davis, who played Boseman's mother in the James Brown biopic "Get on Up." "Chadwick was just an artist. That's just who he was."

    "He loved it. He demanded it. He demanded it in every single way," added Davis, who like most wasn't aware of Boseman's illness during the shoot. "For someone so young it was incredible to watch that level of not mistaking your presence for the event."

    Davis, who won an Oscar for her performance in "Fences" and a Tony for the play's 2010 Broadway revival, plays Ma Rainey as a commanding, hip-swinging diva she said she modeled after her aunt. 

    "Ma Rainey's Black Bottom" was the first play Wilson wrote in 1984, and the only one of this 10-part Century Cycle not set in Pittsburgh. Washington has said he wants to adapt the other eight plays in a deal that moved to Netflix after first being at HBO.

    "August lets us talk as people of color. Other people look at it and say, 'Why do they go on and on?' My whole thing is: Why not?" said Davis. "We have a lot to say, and there's been a muzzle placed on us or so long."

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2020-10-21)
    Category:News
    Tags:August WilsonChadwick BosemanMa Rainey's Black BottomNetflixViola Davis



    Review: Director Noah Baumbach’s “Jay Kelly,” Starring George Clooney

    Tuesday, November 18, 2025
    This image released by Netflix shows George Clooney, left, and Adam Sandler in a scene from "Jay Kelly." (Peter Mountain/Netflix via AP)

    During his glittering career, George Clooney has played a casino thief, a Batman,a chain-gang convict, an assassin and a high-flying layoff artist. This fall, he's stretching even more, playing an utterly charming and gorgeous movie star. Kidding! Reality and fiction beautifully weave in and out in "Jay Kelly," director Noah Baumbach's love letter to Hollywood that, in other hands, could so easily have become just a love letter to Clooney. The script by Baumbach and Emily Mortimer finds Clooney — sorry, Jay Kelly — in a sort of midlife funk. He's 60, a universally beloved, deeply earnest movie hunk who has worked his way to the top and found, well, artifice. "My life doesn't really feel real," he says at one point, an actor trained in pretending going meta playing an actor trained in pretending. In another scene he muses: "All my memories are movies." A chance meeting with an old acting partner — a brilliant Billy Crudup, whose character was betrayed by Kelly years ago — reveals some unpleasant truths. "Is there a person in there? Maybe you don't actually exist," he asks the star, sending Kelly on a journey of self-discovery that just so happens to lead to one of Clooney's favorite places, Italy. Kelly's careful facade — the stories he tells about himself — soon gets chipped away. On his way up the hills of Hollywood, he apparently left some personal carnage behind. "Jay Kelly" is about those who sacrificed to get him there. Adam Sandler and Laura Dern play Kelly's long-suffering manager and publicist, respectively, while his resentful adult daughters are portrayed by Grace Edwards and Riley Keough. Kelly, we learn, put career first and that meant walking away from things like his daughters' school recitals and making his staff miss... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleRon Brodie Lands His 1st Directorial Representation, Joins 1stAveMachine
    Next Article Channing Dungey Named Chair of Warner Bros. Television Group
    SHOOT

    Add A Comment
    What's Hot

    Meta Prevails In Historic FTC Antitrust Case, Won’t Have To Break Off WhatsApp, Instagram

    Tuesday, November 18, 2025

    Review: Director Noah Baumbach’s “Jay Kelly,” Starring George Clooney

    Tuesday, November 18, 2025

    Filmmaker Rob Chiu Joins Golden LA For U.S. Commercial Representation

    Tuesday, November 18, 2025
    Shoot Screenwork

    PETA, Grey London, Director David Shane Expose The Carnage Behind The Christmas Cheer

    Tuesday, November 18, 2025

    PETA, in partnership with ad agency Grey London, is exposing the carnage behind the Christmas…

    W+K Portland, Directors Daniel Wolfe and Jess Kohl Team On Tongue-In-Cheek Not YETI Campaign Spot

    Monday, November 17, 2025

    The Best Work You May Never See: Steve Rogers Directs A Christmas Tale of Togetherness For Telstra

    Friday, November 14, 2025

    Top Spot of the Week: Disney, Director Taika Waititi, adam&eveDDB Team On “Best Christmas Ever”

    Thursday, November 13, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.