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    Home » Nominees Set For Motion Picture Sound Editors’ Golden Reel Awards

    Nominees Set For Motion Picture Sound Editors’ Golden Reel Awards

    By SHOOTMonday, January 24, 2022Updated:Tuesday, May 14, 2024No Comments1713 Views
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    A scene from "Dune," which earned three MPSE Golden Reel Award nominations (photo courtesy of Warner Bros.)
    STUDIO CITY, Calif. --

    The Motion Picture Sound Editors (MPSE) unveiled the nominees for the 69th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.

    “It’s been a fantastic year for sound and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said MPSE president Mark Lanza. “We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.”

    The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 17 categories encompassing feature films, television, animation, computer entertainment, and student work. This year, the awards ceremony will be held as an international virtual event on Sunday, March 13, 2022.

    2022 MPSE FILMMAKER AWARD
    Ron Howard

    2022 MPSE CAREER ACHIEVEMENT AWARD
    Anthony “Chic” Ciccolini, III

    69th ANNUAL MPSE GOLDEN REEL AWARD NOMINEES

    Outstanding Achievement in Sound Editing – Animation Series or Short

    Jurassic World – Camp Cretaceous: “Eye of the Storm”
    Netflix
    Supervising Sound Editor: Rob McIntyre MPSE
    Sound Designer: Evan Dockter
    Sound Effects Editors: Marc Schmidt, D.J. Lynch
    Dialogue Editor: Anna Adams
    Foley Editor: Aran Tanchum
    Foley Artists: Ezra Walker, Vincent Guisetti

     

    Love, Death + Robots: “Snow in the Desert”
    Netflix
    Supervising Sound Editor: Brad North MPSE
    Sound Designer: Craig Henighan MPSE
    Foley Editors: Jeff Gross, Dawn Lunsford
    Foley Artist: Alicia Stevens
    Music Editor: Jeff Charbonneau

     

    Star Trek: Lower Decks: “Strange Energies”
    Paramount+
    Supervising Sound Editor: James Lucero
    Sound Effects Editors: James Singleton, Mak Kellerman
    Dialogue Editor: Michael LaFerla
    Foley Artist: Michael Britt

     

    Star Wars: Visions: “The Duel”
    Disney+
    Supervising Sound Editors: David W. Collins, Matthew Wood
    Sound Designer: David W. Collins
    Sound Editor: Luke Dunn Gielmuda
    Foley Artist: Jana Vance

     

    Star Wars: The Bad Batch: “Reunion”
    Disney+
    Supervising Sound Editor: Matthew Wood
    Sound Designer: David W. Collins
    Sound Editor: David W. Collins
    Foley Editor: Frank Rinella
    Foley Artist: Kimberly Patrick

     

    Star Wars: A Galaxy of Sounds: “Excitement”
    Disney+
    Supervising Sound Editor: David W. Collins
    Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE
    Sound Editor: Matthew Wood

     

    Outstanding Achievement in Sound Editing – Limited Series or Anthology

    The Book of Boba Fett                             
    Disney+
    Supervising Sound Editors: Matt Wood, Bonnie Wild
    Sound Designer: David Acord
    Sound Effects Editor: David Collins
    ADR Editors: Angela Ang, Ryan Cota
    Foley Editor: Alyssa Nevarez
    Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O’Malley

     

    Loki: “Journey Into Mystery”
    Disney+
    Supervising Sound Editors: David Acord, Matthew Wood
    Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald
    Supervising Dialogue Editor: Steve Slanec
    ADR Editor: Brad Semenoff MPSE
    Sound Designer: David Farmer MPSE
    Foley Editor: Joel Raabe
    Foley Artists: Shelley Roden MPSE, John Roesch MPSE
    Supervising Music Editor: Anele Onyekwere
    Music Editors: Nashia Wachsman, Ed Hamilton

     

    Mare of Easttown: “Illusions”
    HBO Max
    Supervising Sound Editor: Bradley North MPSE
    Dialogue Editor: Tiffany S. Griffith
    Sound Effects Editor: Jordan Wilby MPSE
    Foley Editor: Antony Zeller MPSE
    Foley Artist: Zane Bruce
    Music Editor: Stephanie Lowry

     

    The Underground Railroad: Chapter 9: “Indiana Winter”
    Amazon Prime
    Supervising Sound Editor: Onnalee Blank MPSE
    Sound Designers: Jay Jennings, Harry Cohen MPSE
    Sound Effects Editor: Luke Gibleon
    Dialogue Editors: Chris Kahwaty MPSE, Katy Wood
    ADR Editor: Bryan Parker MPSE
    Foley Editors: Pietu Korhonen, Lars Halvorsen
    Foley Artist: Heikki Kossi MPSE
    Music Editor: John Finklea
     

    Wandavision: “The Series Finale”
    Disney+
    Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato
    Sound Designer: Steve Orlando
    Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould
    Supervising Music Editor: Anele Onyekwere
    ADR Editors: James Spencer, Chris Gridley
    Foley Editor: Luke Dunn Gielmuda
    Music Editors: Fernand Bos MPSE, Tom Kramer
    Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE

     

    The White Lotus
    HBO Max
    Supervising Sound Editor: Kathryn Madsen MPSE
    Supervising Dialogue Editor: Paul Hammond
    Sound Effects Editor: Mark Allen MPSE
    Foley Artist: Stefan Fraticelli
    Music Editor: Mikael Sandgren

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Animation

    Arcane – League of Legends: “When These Walls Come Tumbling Down”
    Netflix
    Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
    Supervising Music Editor: Alexander Temple
    Supervising ADR Editor: Shannon Beaumont
    Foley Editor: Alexander Ephraim MPSE
    Foley Artists: Dan O’ Connell, John Cucci MPSE
    Music Editor: Alex Seaver

     

    Lego Star Wars: “Terrifying Tales”
    Disney+
    Supervising Sound Editors: David W. Collins, Matthew Wood
    Sound Designer: David W. Collins
    Sound Editors: Justin Doyle, Bonnie Wild
    Foley Editor: Frank Rinella
    Foley Artists: Kimberly Patrick, Andrea Gard

     

    Maya and the Three: “Chapter 9: The Sun and the Moon”
    Netflix
    Supervising Sound Editor: Scott Martin Gershin MPSE
    Sound Designers: Chris Richardson, Andrew Vernon MPSE
    Sound Designer: Scott Martin Gershin MPSE
    Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita
    Foley Artist: Dan O’Connell
    Music Editor: Andres Locsey

     

    What if…Doctor Strange Lost His Heart Instead of His Hands?
    Disney+
    Supervising Sound Editor: Mac Smith
    Sound Effects Editors: Bill Rudolph, Alyssa Nevarez
    Dialogue Editor: Cheryl Nardi
    Supervising Music Editor: Anele Onyekwere
    Music Editor: Tom Kramer
    Foley Artists: John Roesch MPSE, Shelley Roden MPSE

     

    White Snake 2: “The Tribulation of the Green Snake”
    Netflix
    Supervising Sound Editor: Gary Chen
    Sound Designer: Gary Chen
    Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi
    ADR Editors: Listen Zhang, Liu Huizhe
    Foley Editors: Liu Huizhe, Cui Lin
    Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

    1971: The Year That Music Changed Everything: “Episode 1”
    Apple TV+
    Supervising Sound Editors: Andy Shelley, Stephen Griffiths
    Sound Effects Editors: Tae Hak Kim, Justin Dolby
    Dialogue Editor: Claire Ellis
    Foley Editors: Adam Oakley, Paolo Pavesi
    Music Editors: Dan Johnson, Nas Parkash
    Foley Artists: Zoe Freed, Rebecca Heathcote

     

    The Beatles Get Back: “Part 3”
    Disney+
    Supervising Sound Editors: Brent Burge, Martin Kwok
    Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham
    Dialogue Editor: Emile De La Rey
    Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson
    Foley Editor: Michael Donaldson
    Foley Artist: Simon Riley

     

    Bob Ross: Happy Accidents, Betrayal & Greed
    Netflix
    Supervising Sound Editor: Trevor Gates
    Dialogue Editors: Ryan Briley, Taylor Jackson
    Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey
    Foley Editor: Alex Jongbloed
    Foley Artist: Tara Blume
    Music Editor: Liam Rice

     

    Exterminate All the Brutes
    HBO / HBO Max
    Sound Editors: Séverin Favriau, Emeline Aldeguer
    Dialogue Editor: Daniel Irribaren
    Foley Artist: Vincent Maloumian

     

    Formula 1: Drive to Survive: “Down to the Wire”
    Netflix
    Supervising Sound Editors: Steve Speed, Nick Fry
    Sound Effects Editor: Hugh Dwan
    Sound Designer: James Evans
    Dialogue Editor: Hugh Dwan

     

    Life in Colour with David Attenborough: “Seeing in Color”
    Netflix
    Supervising Sound Editor: Wayne Pashley MPSE
    Sound Effects Editor: Paul Fisher
    Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton
    Music Editor: James Dorman

     

    McCartney 3, 2, 1
    Hulu
    Supervising Sound Editor: Jonathan Greber
    Sound Editor: Leff Lefferts
    Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder
    Music Editor: Kim Foscato

     

    Welcome to Earth
    Disney+
    Supervising Sound Editor: Jay Price
    Sound Effects Editor: Jay Price
    Dialogue Editor: Tom Foster
    Foley Editor: Stuart Bagshaw
    Music Editor: Ben Smithers

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Feature

    Fear of Rain
    Hulu
    Supervising Sound Editor: David Barber MPSE
    Foley Editor: David Kitchens MPSE
    Sound Effects Editor: Ben Zarai
    Sound Designer: David Barbee, MPSE
    Foley Artist: Gonzalo “Bino” Espinoza
    ADR Editor: Michael Kreple

     

    Fear Street: “Part Two – 1978”
    Netflix                                                                         
    Supervising Sound Editor: Trevor Gates
    Supervising Dialogue Editor: Jason Dotts
    Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey
    Dialogue Editors: Kristen Hirlinger, Harrison Meyle
    Foley Artist: Sandra Fox
    Music Editor: Brett “Snacky” Pierce MPSE

     

    The Ice Road
    Netflix
    Supervising Sound Editor: Trip Brock MPSE
    Sound Designer: Charles Maynes MPSE
    Supervising ADR Editor: Jacob Ortiz MPSE
    Dialogue Editor: Jackie Johnson
    Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis
    Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE
    Music Editor: Nicholas Fitzgerald

     

    Infinite
    Paramount+
    Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE
    Sound Designer: Hamilton Sterling
    Sound Effects Editor: Will Digby MPSE
    Dialogue Editors: Micah Loken MPSE, Sang Kim
    Foley Editor: Eryne Prine MPSE
    Music Editor: Mark “Vordo” Wlodarkiewicz
    Foley Artists: Dan O’Connell, John Cucci MPSE

     

    Oslo
    HBO Max
    Supervising Sound Editor: Lewis Goldstein
    Supervising ADR Editor: Gina Alfano MPSE
    Sound Designer: Peter John Still
    Sound Effects Editors: Alex Soto, Alfred DeGrand
    Dialogue Editor: Thomas Ryan
    Foley Editor: Wen Tseng
    Foley Artists: Leslie Bloome, Joanna Fang

     

    Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama

    Hacks: “There Is No Line”
    HBO Max
    Supervising Sound Editor: Brett Hinton
    Sound Effects Editor: Marc Glassman MPSE
    Dialogue Editor: Ryne Gierke
    Foley Editor: Samuel Munoz
    Foley Artist: Noel Vought
    Music Editor: Jason Tregoe Newman

     

    The Kominsky Method: “The Round Toes, of the High Shoes”
    Netflix
    Supervising Sound Editor: Lou Thomas
    Sound Effects Editors: Mark Messick, TJ Jacques
    Foley Editor: Clay Weber MPSE
    Foley Artist: Sanaa Kelley

     

    Mythic Quest: “Everlight”
    Apple TV+
    Supervising Sound Editor: Matthew E. Taylor
    Sound Designer: Pete Nichols
    Sound Effects Editor: Matthew Wilson
    Dialogue Editor: Sean Heissinger
    Foley Editor: David Jobe
    Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas
    Music Editor: Joe Deveau

     

    Only Murders in the Building: “The Boy From 6B”
    Hulu
    Supervising Sound Editor: Mathew Waters
    Dialogue Editor: Danika Wikke MPSE
    Sound Effects Editor: Meredith Stacy
    Music Editor: Micha Liberman

     

    Schmigadoon: “Suddenly”
    Apple TV+
    Supervising Sound Editor: Cormac Funge
    Sound Effects Editor: Peter Nichols
    Dialogue Editor: John Green

     

    We Are Lady Parts: “Sparta”
    Peacock                                                   
    Supervising Sound Editor: Jay Price
    Sound Editor: Tom Foster
    Dialogue Editor: Dario Swade
    Foley Editor: Sam Walsh

     

    What We Do in the Shadows: “The Escape”
    FX
    Supervising Sound Editor: Steffan Falesitch
    Sound Effects Editor: David Barbee MPSE
    Dialogue Editor: Chris Kahwaty MPSE
    Foley Editors: John Guentner, Sam Lewis
    Foley Artist: Ellen Heuer
    Music Editor: Steve Griffen

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR

    For All Mankind: “And Here’s to You”
    Apple TV+                
    Supervising Sound Editor: Vince Balunas MPSE
    Dialogue Editor: Vince Balunas MPSE
    ADR Editor: Vince Balunas MPSE

     

    The Handmaid’s Tale: “Vows”
    Hulu
    Supervising Sound Editor: David McCallum MPSE
    Dialogue Editor: Krystin Hunter

     

    The Morning Show: “My Least Favorite Year”
    Apple TV+
    Supervising Sound Editor: Mark Relyea MPSE
    Supervising ADR Editor: Julie Altus
    Dialogue Editor: Robert Guastini MPSE
    Supervising Dialogue Editor: Pernell Salinas

     

    The Nevers: “Pilot”
    HBO Max
    Supervising Sound Editor: Tim Kimmel MPSE
    Supervising ADR Editor: Tim Hands
    Supervising Dialogue Editor: John Matter MPSE

     

    Squid Game: “VIPS”
    Netflix                                         
    Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi
    Supervising ADR Editor: Byung-In Kim
    Supervising Dialogue Editor: Eun-Ji Ye

     

    Star Trek Discovery: “Kobayashi Maru”           
    Paramount+
    Supervising Sound Editor: Matthew E. Taylor
    Supervising Dialogue Editors: Sean Heissinger, Cormac Funge
    ADR Editor: Cormac Funge

     

    Succession: “Secession”
    HBO Max
    Supervising Sound Editor: Nicholas Renbeck MPSE
    Dialogue Editor: Michael Feuser
    ADR Editor: Angela Organ

     

    Ted Lasso: “Rainbow”
    Apple TV+
    Supervising Sound Editor: Brent Findley MPSE CAS
    Dialogue Editor: Bernard Weiser MPSE
    Crowd Editor: Kip Smedley

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley

    Foundation: “The Emperor’s Peace”      
    Apple TV+
    Sound Designer: Tyler Whitham MPSE
    Sound Effects Editors: Paul Germann, Dave Rose
    Foley Artist: Steve Baine

     

    The Handmaid’s Tale: “Chicago”
    Hulu                          
    Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE
    Sound Effects Editor: Brennan Mercer
    Foley Editor: David Caporale
    Foley Artist: Sandra Fox

     

    Lost in Space: “Trust”
    Netflix
    Supervising Sound Editor: Branden Spencer MPSE
    Sound Designer: Benjamin Cook MPSE
    Sound Effects Editors: Shaughnessy Hare, Brendan Croxon
    Foley Artist: Paul Pirola

     

    Squid Game: “VIPS”
    Netflix                                         
    Supervising Sound Editor: Hye-Young Kang
    Sound Designer: Ye-Jin Jo
    Sound Effects Editor: Hye-Jin Yang
    Foley Editor: Taek-Hyun Hong
    Foley Artist: Chung-Gyu Lee

     

    Star Trek Discovery: “Kobayashi Maru”
    Paramount+
    Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro
    Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE
    Sound Effects Editor: Andrew Twite
    Foley Editor: Clay Weber MPSE
    Foley Artists: Alyson Moore, Chris Moriana

     

    Ted Lasso: “Beard’s Night Out”
    Apple TV+
    Supervising Sound Editor: Brent Findley MPSE CAS
    Sound Effects Editors: Kip Smedley, Mark Cleary
    Foley Editors: Jordan McClain, Arno Stephanian MPSE
    Foley Artists: Sanaa Kelley, Matt Salib

     

    The Witcher: “A Grain of Truth”
    Netflix
    Supervising Sound Editor: Matthew Collinge
    Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne
    Foley Editors: Adam Oakley, Rob Weatherall
    Foley Artists: Zoe Freed, Rebecca Heathcote

     

    Wu Tang: An American Saga: “Protect Ya Neck”
    Hulu
    Supervising Sound Editor: Thomas E. de Gorter MPSE
    Sound Designer: Michael O’Conner
    Foley Editors: Geordy Sincavage, Alex Jongbloed
    Foley Artists: Tara Blume, Monique Reymond

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Music

    Cobra Kai: “The Rise”
    Netflix
    Music Editor: Andres Locsey

     

    See: Rock-a-Bye
    Apple TV+
    Music Editor: Dan Farkas

     

    Squid Game: “Red Light, Green Light”
    Netflix
    Music Editor: Jae-il Jung

     

    Star Trek Discovery: “Kobayashi Maru”
    Paramount+
    Supervising Music Editor: Moira Marquis
    Scoring Editor: Matea Prljevic

     

    Ted Lasso: “Rainbow”
    Apple TV+
    Supervising Music Editor: Richard David Brown
    Music Editor: Sharyn Gersh MPSE

     

    The Witcher: “A Grain of Truth”
    Netflix
    Music Editor: Arabella Winter MPSE

     

    Wu Tang: An American Saga: “Protect Ya Neck”
    Hulu
    Music Editor: Sebastian Zuleta

     

    Outstanding Achievement in Sound Editing – Feature Animation

    Encanto
    Walt Disney Animation Studios
    Supervising Sound Editor: Shannon Mills
    Supervising Dialogue Editor: Brad Semenoff MPSE
    Sound Designer: Nia Hansen
    Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE
    Dialogue Editor: Richard Quinn
    Foley Editor: Alyssa Nevarez
    Foley Artists: John Roesch MPSE, Shelley Roden MPSE
    Supervising Music Editor: Earl Ghaffari
    Music Editors: Angie Rubin, Kendall Demarest MPSE

     

    Luca
    Pixar Animation Studios
    Supervising Sound Editors: Chris Scarabosio, André Fenley
    Supervising Dialogue Editor: Rich Quinn
    Supervising Foley Editor: Ronni Brown
    Sound Effects Editors: Justin Doyle, Pascal Garneau
    Foley Editor: E. Larry Oatfield
    Foley Artists: Jana Vance, Ronni Brown
    Music Editor: Lodge Worster      

     

    The Mitchells vs. the Machines
    Sony Pictures Animation
    Supervising Sound Editor: Geoffrey G. Rubay
    Supervising ADR Editor: James Morioka
    Sound Designer: John Pospisil
    Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE
    ADR Editor: Curt Schulkey
    Foley Artist: Gregg Barbanell MPSE
    Foley Artist: Rick Owens MPSE
    Music Editors: Dominick Certo MPSE, Barbara McDermott

     

    Raya and the Last Dragon
    Walt Disney Animation Studios
    Supervising Sound Editor: Shannon Mills
    Supervising Dialogue Editor: Brad Semenoff MPSE
    Sound Designer: Nia Hansen
    Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker
    Foley Editors: Chris Frazier, Steve Orlando
    Foley Artists: John Roesch MPSE, Shelley Roden MPSE
    Supervising Music Editor: Jim Weidman
    Music Editor: David Olson

     

    Sing 2
    Illumination / Universal Pictures
    Supervising Sound Editor: Dennis Leonard
    Supervising Dialogue Editor: Jonathan Greber
    Supervising ADR Editor: Daniel Laurie
    Sound Designer: Josh Gold
    Sound Effects Editors: Lucas Miller, Benjamin A. Burtt
    Foley Editors: Shaun Farley MPSE, Jonathon Stevens
    Music Editors: Michael Connell, Charles Inouye         

     

    Outstanding Achievement in Sound Editing – Feature Documentary

    Billie Eilish: The World’s a Little Blurry
    Apple TV+
    Supervising Sound Editor: Richard Yawn MPSE
    Music Editor: Michael Brake MPSE
    Dialogue Editor: Rob Getty MPSE
    Sound Effects Editor: Steven Avila MPSE
    Foley Editor: Shawn Kennelly
    Foley Artists: Melissa Kennelly, Vince Nicastro

     

    Flee
    NEON
    Supervising Sound Editor: Edward Björner
    Dialogue Editor: Jens Johansson
    Sound Designer: Fredrik Jonsäter
    Foley Artists: Rune Van Deurs, Bengt Öberg

     

    The Rescue
    Disney+
    Supervising Sound Editor: Deborah Wallach
    Sound Effects Editor: Roland Vajs
    Foley Artist: Nuno Bentro
    Music Editor: Ben Smithers

     

    Summer of Soul (or, when the Revolution Could Not Be Televised)
    Searchlight Pictures
    Supervising Sound Editor: Joshua L. Pearson
    Supervising Music Editor: Jimmy Douglass

     

    VAL
    Amazon Prime
    Supervising Sound Editor: John Bolen
    Dialogue Editor: John Bolen
    Sound Effects Editor: John Bolen
    Foley Editor: John Bolen

     

    The Velvet Underground
    Apple TV+
    Supervising Sound Editor: Leslie Shatz
    Music Editor: Jahn Sood

     

    Outstanding Achievement in Sound Editing – Foreign Language Feature

    Cliff Walkers
    Viki
    Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE
    ADR Editor: Li Xinghui
    Foley Artist: Han Junsheng
    Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison

     

    The Hand of God
    Netflix
    Supervising Sound Editor: Silvia Moraes

     

    A Hero
    Amazon Prime
    Supervising Sound Editor: Mohammadreza Delpak
    Dialogue Editor: Mohammadreza Delpak
    Sound Effects Editor: Mohammadreza Delpak

     

    Titane
    Amazon Prime
    Sound Editor: Séverin Favriau
    Foley Artist: Céline Bernard

     

    A Writer’s Oddyssey
    Netflix
    Supervising Sound Editor: Xiao Sha Liu
    Supervising ADR Editor: Xiao Sha Liu
    Sound Designer: Gang Wang
    Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang
    Dialogue Editor: Zi Jin
    Foley Editor: Pei Ya Zhang
    Foley Artists: Zi Wei Wang, Yin Miao
    Music Editor: Fei Yu

     

    Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

    Dune
    Warner Bros.
    Dialogue Editor: David Bach

     

    Last Night in Soho
    Universal Pictures
    Supervising Sound Editors: Dan Morgan, Julian Slater MPSE
    Supervising ADR Editor: Dan Morgan

     

    The Matrix Resurrections
    Warner Bros.
    Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE
    Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann

     

    Nightmare Alley
    Searchlight Pictures
    Supervising Sound Editor: Jill Purdy MPSE
    Supervising Dialogue Editor: Jill Purdy MPSE
    Supervising ADR Editor: Jill Purdy MPSE
    Dialogue Editor: Nelson Ferreira MPSE

     

    No Time to Die
    Universal Pictures
    Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas
    Dialogue Editors: Rachael Tate MPSE, Adele Fletcher
    Supervising Sound Editor: Oliver Tarney MPSE

     

    The Power of the Dog
    Netflix
    Supervising Dialogue & ADR Editor: Leah Katz

     

    A Quiet Place Part II
    Paramount Pictures
    Supervising Sound Editor: Ethan Van der Ryn
    Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent
    Dialogue Editor: Matt Cavanaugh MPSE

     

    The Tragedy of Macbeth
    Apple TV+
    Supervising Sound Editor: Skip Lievsay
    Supervising Dialogue Editor: Michael Feuser

    Outstanding Achievement in Sound Editing – Feature Effects / Foley

    Belfast
    Focus Features
    Sound Designer: James Mather
    Sound Editor: Tomas Blazukas
    Foley Editor: Arthur Grayley
    Foley Artists: Sue Harding, Oliver Ferris

     

    Dune
    Warner Bros.
    Supervising Sound Editors: Theo Green, Mark Mangini MPSE
    Sound Designer: Dave Whitehead
    Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura
    Foley Editor: Christopher Bonis
    Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

     

    The Matrix Resurrections
    Warner Bros.
    Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack
    Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner
    Foley Editors: Frank Kruse, Kuen Il Song
    Foley Artist: Daniel Weiss

     

    Nightmare Alley
    Searchlight Pictures
    Supervising Sound Editor: Nathan Robitaille MPSE
    Sound Effects Editor: Dashen Naidoo
    Foley Editor: Chelsea Body
    Foley Artists: Goro Koyama, Andy Malcolm

     

    No Time to Die
    Universal Pictures
    Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
    Sound Designers: Bryan Bowen, Eilam Hoffman
    Sound Effects Editor: Dawn Gough
    Foley Editor: Hugo Adams
    Foley Artists: Sue Harding, Andrea King

     

    A Quiet Place Part II
    Paramount
    Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE
    Sound Designers: Malte Bieler, Brandon Jones
    Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE
    Foley Editor: Jonathan Klein
    Foley Artists: Steve Baine, Peter Persaud

     

    Spider-Man: No Way Home
    Sony Pictures
    Supervising Sound Editor: Steven Ticknor MPSE
    Sound Designer: Anthony Lamberti

     

    Outstanding Achievement in Sound Editing – Feature Music

    Dune
    Warner Bros.
    Supervising Music Editors: Clint Bennett, Ryan Rubin
    Music Editor: Peter Myles

     

    Ghostbusters: Afterlife
    Sony Pictures
    Supervising Music Editor: Curt Sobel

     

    In the Heights
    Warner Bros.
    Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday

     

    The Matrix Resurrections
    Warner Bros.
    Supervising Music Editor: Gabriel Isaac Mounsey
    Music Editors: Hans Hafner, Jonathan Levi Shanes

     

    Nightmare Alley
    Searchlight Pictures
    Music Editors: Clint Bennett, Kevin Banks MPSE
    Scoring Editor: Cecile Tournesac

     

    A Quiet Place Part II
    Paramount
    Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt

     

    tick tick…BOOM!
    Netflix
    Music Editors: Nancy Allen MPSE, John Davis, Bri Holland

     

    West Side Story
    20th Century Studios
    Music Editors: Joe E. Rand, Ramiro Belgardt
    Scoring Editor: David Channing

     

    Outstanding Achievement in Sound Editing – Game Audio

    The Ascent
    Neon Giant
    Audio Director   : Samuel Justice
    Audio Leads: Stefan Rutherford, Joe Thom
    Supervising Sound Editor: Csaba Wagner
    Sound Designers: Lee Banyard, Michael Benzie, Jordan Lee Colins, Luke Hatton, Joe Hudson, Jason W. Jennings, Michael Leaning, Barney Oram, Jack Raeburn, Stephano Sanchinelli, Chris Sweetman, John Tennant
    Sound Editors: Graham Donnelly, Eilam Hoffman

     

    Call of Duty: Vanguard
    Infinity Ward
    Audio Director: David Swenson MPSE
    Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer
    Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin
    Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long
    Supervising Music Editors: Ted Kocher, Anthony Caruso
    Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D’Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad WigginSound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE
    Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price
    Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh
    Foley Artist: Foley Walkers

     

    Halo Infinite
    Xbox Game Studios
    Audio Director: Sotaro Tojima
    Audio Leads: Kyle Fraser, Jomo Kangethe, Robbie Elias, Chase Thompson
    Supervising Sound Editors: Samuel Justice, Csaba Wagner
    Supervising Dialogue Editors: Josh Bandy, Emma Emrich
    Supervising Music Editor: Joel Yarger
    Sound Designers: Noa Lothian, Daniel Raimo, Pax Helgesen, Nick D’Amato, Gary Spinrad MPSE, Michael Leaning, Stefan Rutherford, Mitchell Osias, Bryan O. Watkins, Andrew Lackey, Laura Taylor, David Farmer MPSE, Adam Boyd MPSE, Graham Donnelly, John Loranger MPSE, Barney Oram, Frank Petreikis, Austin Shannon, Chris Sweetman, Matthew Wesdock, Robert Blake, Paul Hackner MPSE
    Sound Effects Editors: Zeke Fenelon, Stephen Brown, Adam Croft, Joshua Du Chene, Thornton Prime VI, Kochun Hu, Ben Kersten, Spencer Riedel
    Foley Artists: John Roesch MPSE, Alyson Dee Moore, Christopher Moriana, Bogdan Zavarzin
    Dialogue Editors: Monet Gardiner, Garret Montgomery MPSE, Daniel P. Francis MPSE, Peret Von Sturmer
    Music Editors: Colin Andrew Grant, Cameron Konner

     

    Ratchet & Clank: A Rift Apart
    Insomniac Games
    Audio Leads: Daniel Birczynski, Dwight Okahara, Jamie McMenamy
    Audio Director   : Paul Mudra
    Supervising Sound Editors: Jeremie Voillot, Emile Mika
    Supervising Dialogue Editors: Patrick Michalak
    Supervising Music Editor: Scott Hanau
    Sound Designers: David Yingling, Blake Johnson, Jeff Dombkowski, Brooke Yap, Daniele Carli MPSE, Tyler Cornett, Tyler Hoffman, Christian Kjeldsen, Jeff Darby, Zack Bogucki, Aaron Sanchez, Kei Matsuo MPSE, David
    Goll, Adam Lidbetter, Alex Previty, Erik Buensuceso, Casey Slocum, Rob Castro, Gregory McCoach, Andres Herrera, Maria Rascon, Nathaniel Bonisteel, Noburo Masuda, Keiichi Kitahara
    Dialogue Editors: Keith Asack, Michelangelo Muscariello, Evan Hodick, Matthew Strasser, Jaime Marcelo, Ryan Schaad, Tim Schumann
    Music Editors: Andrew Buresh, Anthony Caruso, Ernest Johnson, James Zolyak, Justin Lieberman, Nicholas Mastroianni, Rob Goodson, Scott Bergstrom, Tao-Ping Chen, Ted Kocher, Tyler Crowder

     

    Star Wars: Tales from the Galaxy’s Edge – Last Call
    Oculus Quest
    Supervising Sound Editors: Michael Brinkman, Paul Stoughton, Kevin Bolen
    Sound Designers: Bill Rudolph, Jonathan Do, Andy Martin
    Dialogue Editors: Ryan Cota, Chris Gridley
    Music Editor: Clark Rhee

     

    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

    Build Me Up
    The National Film and Television School
    Supervising Sound Editor: Wong Hui Grace

     

    Cocon
    Netherlands Film Academy
    Supervising Sound Editor: Freija Hogenboom
    Foley Artists: Camiel Povel, Annika Epker

     

    Do Not Feed the Pigeons
    The National Film and Television School
    Supervising Sound Editor: Joe De-Vine
    Sound Designer: Joe De-Vine

     

    The Many Faces of Ava
    The National Film and Television School
    Supervising Sound Editor: Dominika Latusek

     

    Night of the Living Dread
    The National Film and Television School
    Supervising Sound Editor: Miles Sullivan

     

    Other Half
    The National Film and Television School
    Supervising Sound Editor: Zoltán Kadnár

     

    Pressure
    The National Film and Television School
    Supervising Sound Editor: Antek Rutczynski
    Sound Designer: Antek Rutczynski

     

    Échale Ganas, The Villa’s Tacos
    Chapman University
    Supervising Sound Editor: Mingxin Qiguan
    Sound Designer: Mingxin Qiguan

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    Category:News
    Tags:Motion Picture Sound EditorsMPSE Golden Reel Awards



    Autumn Bailey Entertainment and Braveheart Entertainment Form A Production Partnership With Assembly Studios

    Wednesday, December 10, 2025

    Independent film companies Autumn Bailey Entertainment (ABE) and Ty Walker’s Braveheart Entertainment are entering into a major production partnership with one of Atlanta’s most advanced and expansive film campuses, Assembly Studios, managed by Universal Production Services.

    The collaboration marks a significant milestone in Georgia’s rapidly evolving film landscape--uniting two leading creative producers known for acclaimed projects such as On a Wing and a Prayer and The First Noelle: The Maynard Jackson Documentary with
    Assembly’s cutting-edge infrastructure to scale independent film and television production across the state.

    Together, the companies aim to build a sustainable model for high-quality, character- driven storytelling that blends artistry, efficiency, and innovation.

    “Both of our companies have always focused on stories that feel real,” said Autumn Bailey-Ford, founder of Autumn Bailey Entertainment. “Independent filmmaking is about truth, emotion, and community—building stories that matter and giving them space to thrive. Partnering with Assembly Studios, owned by Gray Media, and Universal Production Services means creating a foundation where those voices can be nurtured, amplified, and seen on a global stage. Together, we’re not just expanding production capacity--we’re investing in the creative soul of Georgia and the next generation of visionary filmmakers.”

    Ty Walker, founder of Braveheart Entertainment, said, “Braveheart was founded on a commitment to bold, elevated storytelling--work that challenges convention while remaining deeply human at its core. Assembly Studios offers not only the infrastructure but the creative synergy to expand that vision on a larger scale, without ever... Read More

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