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    Home » Norn Jordan joins We Are Royale as creative director

    Norn Jordan joins We Are Royale as creative director

    By SHOOTFriday, December 2, 2022Updated:Tuesday, May 14, 2024No Comments1163 Views
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    LOS ANGELES & SEATTLE --

    Creative production company We Are Royale (WAR) has hired Norn Jordan as creative director.  

    Jordan has turned out work for clients across television, streaming, and video games. She comes to WAR from her most recent position as creative director at MOCEAN, where she oversaw AV and graphics for a wide range of clients, and notably produced a series of eight character-focused spots celebrating the 25th Anniversary of Pokémon. In addition, Jordan worked closely with AAA video game studio Bungie, makers of the Destiny series and a long-time valued client with whom she has enjoyed a nearly decade-long partnership.
     
    With an early interest in art and film, particularly the works of Akira Kurosawa, Studio Ghibli, and Hayao Miyazaki, Jordan studied at the Art Center College of Design. There, her fascination with motion graphics led her to an early role at Blur Studio, with a long and prolific tenure that saw her develop lasting client relationships with Fox, Nickelodeon, and several game studios, notably the aforementioned Bungie. 
     
    Quickly rising to the position of creative director at Blur, Jordan eventually moved on to Hollywood-based studio yU+co. There, she produced opening title sequences for the Disney+ series The Mandalorian, as well as the recent remake of The Addams Family. One particularly standout project saw Jordan conceiving and directing eight distinct title sequences for each episode of the acclaimed FX limited series Fosse/Verdon. 
     
    “Each episode had its own unique title sequence, foreshadowing the events of that week,” recalled Jordan. “We got to create all the logos with actual physical materials and shot them all on 16mm. Lin-Manuel Miranda, who was a producer on the show, even tweeted about the titles, which was a cool moment.”
     
    “Norn is a rare breed,” said Brien Holman, WAR co-founder and chief creative officer. “She has an insane eye for the creative and can direct the team towards the same vision like nobody’s business. But with that comes a compassion I don’t see in everyone. She actively looks out for the team and wants every person to find their place in the work to succeed as best they can. The diversity of her work also aligns with everything WAR values. With Norn’s help, we’ll continue to push the boundaries of not only the creative brief but also what we’re capable of as a creative team.”

    Looking forward to We Are Royale, Jordan is enthusiastic about the work, particularly the opportunity for her to mentor more women coming up in the field. “I like being a female creative director, and I really wish that there were more of us in the industry,” Jordan notes. “I’ve been fortunate to learn a lot from other women in my career, and I really want to build on that at WAR.”
     
    Another cause that Jordan remains committed to is advocating for more diversity in the video game industry, particularly when it comes to female characters. 
     
    Currently, Jordan is hard at work with several client projects, including an American Music Awards show package for ABC, a series of branding videos for Discord, and developing new Destiny 2 key art for Bungie. 

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    Tags:Brien HolmanNorn JordanWe Are Royale



    TBWA\Media Arts Lab Promotes Colin Snow and Rhodney Viray To Group Creative Directors

    Tuesday, November 11, 2025

    TBWA\Media Arts Lab (MAL), Apple’s bespoke global creative agency, has promoted Colin Snow and Rhodney Viray to group creative directors in its Los Angeles office. They will continue to report to Brent Anderson, global chief creative officer. Snow and Viray have been creative partners at MAL for over a decade. Their work includes the Emmy-winning 2024 holiday campaign “Fuzzy Feelings”, which blended live action and stop-motion animation to deliver a heartfelt message about empathy; “The Invincibles”, which used the iPhone’s LiDAR Scanner technology to create custom prosthetic limbs for pets; and the Apple TV campaign “Call Me with Timothée Chalamet.” Snow and Viray’s portfolio also includes the highly-awarded Ted Lasso’s “Public Displays of Encouragement,” which brought the beloved coach’s positivity to life during the 2022 FIFA World Cup through personalized, handwritten letters displayed on billboards in each player’s hometown. More recently, Snow and Viray have been instrumental in creating first-of-its-kind content for Apple Vision Pro, working in close collaboration with Apple Marcom to introduce Apple Immersive Video including “Submerged” the first scripted film directed by Academy Award-winning filmmaker Edward Berger. “Colin and Rhodney constantly set the standard for modern, genuinely-impactful, Apple-level work that people actually seek out, watch, talk about and share,” said Anderson. “That’s not at all an easy to do in a unforgivingly fragmented media landscape . They understand culture, they understand craft, and most importantly, they understand what’s needed to hold an audience’s attention.” “Working with Colin has been a dream partnership. His unmatched creative drive continuously pushes... Read More

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