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    Home » NUGEN Audio’s Halo Upmix streamlines 5.1 surround delivery at U.K.’s Fonic

    NUGEN Audio’s Halo Upmix streamlines 5.1 surround delivery at U.K.’s Fonic

    By SHOOTWednesday, October 12, 2016Updated:Tuesday, May 14, 2024No Comments1676 Views
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    LEEDS, UK --

    NUGEN Audio announced that Fonic, a full-service audio postproduction facility based in Shoreditch, East London, has chosen the company’s Halo Upmix plug-in to provide upmixing for a range of television and cinema productions. Available in Avid AAX, VST, and AU formats, Halo Upmix automates the creation of a stereo-to-5.1/7.1 downmix-compatible upmix with unique center channel management and spatial density controls.

    “Increasingly, we’re required to deliver broadcast projects in 5.1 surround audio, but most music composers still produce audio tracks in stereo. In order to keep to tight delivery schedules, we need to be able to create surround mixes quickly and easily without degrading the sound quality,” said JM Finch, dubbing mixer, Fonic. “Compared to other tools we’ve worked with, Halo Upmix is truly unique in its ability to produce both a high-quality and great-sounding 5.1 upmix and a downmix that sounds almost identical to the original stereo source. Plus, the tool’s highly intuitive user interface and extensive manual controls make upmixing fast and easy.”

    Recently, Fonic has used Halo Upmix for two high-profile projects — “Thomas and Friends: The Great Race,” a 60-minute animated film released in May; and “To Build a Fire,” a film based on a book by Jack London. The common thread on both of these projects was the outstanding musical track, originally mastered in stereo. With Halo Upmix, Fonic was able to produce a 5.1 upmix of the music that was almost 100 percent true to the sound of the original mix. 

    In addition to Halo Upmix, Fonic uses NUGEN Audio’s VisLM-H2 plug-in for loudness metering and monitoring, ISL 2 for reliable true-peak limiting, and LM-Correct 2 to make quick fixes for easy loudness compliance. Together with Halo Upmix, those NUGEN Audio plug-ins are instrumental in Fonic’s audio workflows — not just for TV projects, many of which are now subject to international loudness regulations, but also for online and film productions. In addition, Fonic is exploring the use of NUGEN Audio’s new 9.1 extension for Halo Upmix, which will expand its capabilities to 9.1 upmixing with overhead positioning.

    “Our partnership with NUGEN Audio is very important to our operation,” Finch said. “The ironclad quality and reliability of their solutions is something we can count on; in fact, to this day, we have not had to call on the NUGEN Audio support team. That says a lot about the build of the plug-ins and the rigorous testing that goes into each one.”

    “Fonic has been offering some of London’s finest audio postproduction services since 2004, with a culture of providing ‘creative sound by people who care.’ That’s an ethos that we share at NUGEN Audio; therefore we feel especially privileged that Fonic Post has chosen our loudness and upmix solutions,” said Jon Schorah, founder and creative director, NUGEN Audio.

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    Tags:FonicNUGEN Audio



    After Delay Over Legal Issues, Oscar-Nominated Documentary “Black Box Diaries” Finally Premieres In Japan

    Friday, December 12, 2025

    "Black Box Diaries," a documentary in which Japanese journalist Shiori Ito investigates her own sexual assault case and the barriers she faced in pursuing justice, has been screened widely abroad since its 2024 festival debut and earned an Oscar nomination early this year.

    It finally premiered in Japan on Friday, a long-delayed domestic release that began with a single-theater run.

    In Japan, sexual assault victims are often stigmatized and silenced. But the barrier to the film's release at home was largely the result of a legal dispute over her use of some interviews and footage of witnesses and involved parties without their consent.

    The 102-minute film was screened to a full house on Friday at the T. Joy Prince Shinagawa, a large cinema complex in downtown Tokyo.

    Ito expressed relief that she could finally share her story with an audience in her home country.

    "Until last night, I was afraid if the film is going to come out or not," she told The Associated Press after the screening. "The reason I made this film is because I want to talk about this issue openly in Japan. It's been like my little love letter to Japan, so I'm just so happy that this day came finally."

    Ito, who went public with what she says happened to her in 2015, has become the face of Japan's slow moving #MeToo movement. She is the first Japanese director to be nominated for an Oscar in the category of documentary feature film. The film is based on a 2017 book she wrote, "Black Box."

    What happened in 2015
    As an intern in 2015, Ito was seeking a position at private TBS Television and met one of its senior journalists, Noriyuki Yamaguchi, who became her alleged assailant. She has said in her book and film that she became dizzy... Read More

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