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    Home » Olivier Agostini joins Stept Studios as head of creative

    Olivier Agostini joins Stept Studios as head of creative

    By SHOOTTuesday, May 10, 2022Updated:Tuesday, May 14, 2024No Comments1851 Views
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    LOS ANGELES --

    Stept Studios has brought Olivier Agostini aboard as head of creative. He will lead Stept’s creative division–home to a growing team of creative directors, copywriters and art directors–which has recently completed projects for clients including Nike, Juneshine and Chipotle.

    A writer, director, and creative director, Agostini most recently served as ROSEWOOD Creative’s executive creative director where he led global campaigns for brands like Apple, Beats By Dre, Netflix and Robinhood. He has directed brand funded films for Lululemon, led TikTok campaigns for ECOS, and was behind an award-winning campaign for Greenpeace International.
     
    Prior to ROSEWOOD, Agostini held roles at 72andSunny, SapientNitro, and BuzzFeed; where he worked on global creative for Google, Coors Light, and Bank of America. He has been selected for the Young Directors Award (Cannes Lions), earned inclusion into the 2013 SHOOT New Directors Showcase, and his campaign for Vitamin Water was a Webby honoree.

    Agostini said he was drawn to Stept founder and director Nick Martini as well as the company’s “passion for developing content that creates such strong emotional connections, something that audiences are actively seeking out right now. They’re one of the most forward-thinking companies and truly understand the value of smart, thoughtful storytelling.”

    “Olivier’s experience and his perspective on creativity fits so well within the Stept ethos,” said Martini. “We are not a traditional production company, and we are excited to have Olivier continue to expand on our innovative approach to creative, entertainment, and brand solutions. We like to think outside of the box, and his experience is a perfect match for the company.

    Creative and production studio Stept maintains operations in Los Angeles and Jackson Hole, Wyoming.

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    Tags:Nick MartiniOlivier AgostiniStept Studios



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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