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    Home » “One Battle After Another” Tops London Critics’ Circle Film Awards With 9 Nominations

    “One Battle After Another” Tops London Critics’ Circle Film Awards With 9 Nominations

    By SHOOTMonday, December 15, 2025No Comments109 Views
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    Leonardo DiCaprio as Bob Ferguson in a scene from "One Battle After Another" (photo courtesy of Warner Bros. Pictures)

    "Hamnet" scores 8 nods, followed by "Sinners" with 7, "Marty Supreme" with 6, and "Sorry, Baby" with 5

    LONDON --

    Paul Thomas Anderson’s One Battle After Another has scored nine nominations to top the tally for the 46th annual London Critics’ Circle Film Awards. Next with eight nods was Chloé Zhao’s Hamnet. Both films were nominated for Film of the Year.

    They are joined in that marquee category by: Ryan Coogler’s Sinners with seven nominations; Josh Safdie’s Marty Supreme with six nominations; Sorry, Baby with five nods (four of them for first-time writer-director star Eva Victor); Oliver Laxe’s Sirat, Joachim Trier’s Sentimental Value and Kelly Reichardt’s The Mastermind with four nominations apiece; Zach Cregger’s Weapons with three nominations, and Clint Bentley’s Train Dreams with a pair of nods.

    Harry Lighton’s Pillion was nominated for three awards, including British/Irish Film of the Year, where it will compete alongside Hamnet, Tom Basden and Tim Key’s The Ballad of Wallis Island, Yorgos Lanthimos’ Bugonia, and Kirk Jones’ I Swear.

    Jane Crowther, London Critics’ Circle film section chair, said, “At a time when AI and homogeny seems to be the shorthand answer to everything, it’s encouraging to see the films that our members voted for are teeming with human life, creativity and unique perspectives. Boasting bold, vital stories, real experiences and artistry, these movies and their creative teams are evidence that not everything can be made by an algorithm. The LFCC is delighted to be inviting such a diverse group of artists to our awards in February to celebrate their achievements.”

    ​​The winners will be announced at The May Fair in London on February 1, 2026 during a ceremony hosted by acclaimed critic Mark Kermode.

    The London Film Critics’ Circle is one of the oldest and most distinguished critical bodies in the U.K., and is part of the wider Critics’ Circle, which was established in 1913. The awards are voted on by 207 members of the Film section, who represent print, digital, broadcast and social outlets. Films are eligible if they are released in U.K. cinemas or on premiere streaming services between mid-February 2024 and mid-February 2025. The awards have been presented annually since 1980. The film section is chaired by Jane Crowther, editor of Hollywood Authentic.

    Here’s a full rundown of nominations:

     

    FILM OF THE YEAR

    Hamnet

    Marty Supreme

    The Mastermind

    One Battle After Another

    Sentimental Value

    Sinners

    Sirāt

    Sorry, Baby

    Train Dreams

    Weapons

     

     

    FOREIGN LANGUAGE FILM OF THE YEAR

    It Was Just an Accident

    No Other Choice

    The Secret Agent

    Sentimental Value

    Sirāt

     

     

    DOCUMENTARY OF THE YEAR

    Cover-Up

    One to One: John & Yoko

    Orwell: 2+2=5

    The Perfect Neighbor

    Riefenstahl

     

     

    ANIMATED FEATURE OF THE YEAR

    Arco

    Elio

    KPop Demon Hunters

    Little Amélie or the Character of Rain

    Zootropolis 2

     

     

    BRITISH/IRISH FILM OF THE YEAR

    The Ballad of Wallis Island

    Bugonia

    Hamnet

    I Swear

    Pillion

     

     

    DIRECTOR OF THE YEAR

    Paul Thomas Anderson – One Battle After Another

    Ryan Coogler – Sinners

    Óliver Laxe – Sirāt

    Josh Safdie – Marty Supreme

    Chloé Zhao – Hamnet

     

     

    SCREENWRITER OF THE YEAR

    Paul Thomas Anderson – One Battle After Another

    Ryan Coogler – Sinners

    Josh Safdie & Ronald Bronstein – Marty Supreme

    Eva Victor – Sorry, Baby

    Chloé Zhao & Maggie O’Farrell – Hamnet

     

     

    ACTOR OF THE YEAR

    Timothée Chalamet – Marty Supreme

    Leonardo DiCaprio – One Battle After Another

    Ethan Hawke – Blue Moon

    Wagner Moura – The Secret Agent

    Josh O’Connor – The Mastermind

     

     

    ACTRESS OF THE YEAR

    Jessie Buckley – Hamnet

    Rose Byrne – If I Had Legs I’d Kick You

    Jennifer Lawrence – Die My Love

    Renate Reinsve – Sentimental Value

    Eva Victor – Sorry, Baby

     

     

    SUPPORTING ACTOR OF THE YEAR

    Benicio del Toro – One Battle After Another

    Jacob Elordi – Frankenstein

    Delroy Lindo – Sinners

    Sean Penn – One Battle After Another

    Alexander Skarsgård – Pillion

     

     

    SUPPORTING ACTRESS OF THE YEAR

    Odessa A’zion – Marty Supreme

    Inga Ibsdotter Lilleaas – Sentimental Value

    Amy Madigan – Weapons

    Wunmi Mosaku – Sinners

    Teyana Taylor – One Battle After Another

     

     

    BREAKTHROUGH PERFORMER OF THE YEAR 

    Robert Aramayo – I Swear/Palestine 36

    Miles Caton – Sinners

    Frank Dillane – Urchin/Harvest

    Chase Infiniti – One Battle After Another

    Eva Victor – Sorry, Baby

     

     

    BREAKTHROUGH BRITISH/IRISH FILMMAKER OF THE YEAR

    Tom Basden & Tim Key – The Ballad of Wallis Island

    Laura Carreira – On Falling

    Akinola Davies Jr. – My Father’s Shadow

    Harris Dickinson – Urchin

    Harry Lighton – Pillion

     

     

    BRITISH/IRISH PERFORMER OF THE YEAR

    Naomi Ackie – Sorry, Baby/Mickey 17/The Thursday Murder Club

    Robert Aramayo – I Swear/Palestine 36

    Jessie Buckley – Hamnet

    David Jonsson – Wasteman/The Long Walk

    Josh O’Connor – The Mastermind/The History of Sound/Wake Up Dead Man: A Knives Out Mystery

     

     

    YOUNG BRITISH/IRISH PERFORMER OF THE YEAR

    Scott Ellis Watson – I Swear

    Ebada Hassan – Brides
    Jacobi Jupe – Hamnet

    Noah Jupe – Hamnet/The Carpenter’s Son

    Alfie Williams – 28 Years Later

     

     

    TECHNICAL ACHIEVEMENT AWARD

    Die My Love – Editing, Toni Froschhammer

    The Ice Tower – Production Design, Julia Irribarria

    Marty Supreme – Casting, Jennifer Venditti

    The Mastermind – Music, Rob Mazurek

    One Battle After Another – Editing, Andy Jurgensen

    Sinners – Music, Ludwig Göransson

    Sirāt – Sound design, Laia Casanovas

    Sound of Falling – Costume Design, Sabrina Krämer

    Train Dreams – Cinematography, Adolpho Veloso

    Weapons – Makeup and Hairstyling, Leo Satkovich, Melizah Wheat and Jason Collins

     

     

    BRITISH/IRISH SHORT FILM OF THE YEAR

    Two Black Boys In Paradise – Directed by Baz Sells

    Leaving Ikorodu in 1999 – Directed by Rashida Seriki

    I Saw The Face Of God In The Jet Wash – Directed by Mark Jenkin

    Neil Armstrong and the Langholmites – Directed by Duncan Cowles

    Milk – Directed by Naomi Waring

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    Category:News
    Tags:HamnetLondon Critics' Circle Film AwardsOne Battle After AnotherSinners



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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