The One Club for Creativity and The 3% Movement have opened the call for entries for Next Creative Leaders 2022, a free competition recognizing women and non-binary creatives on the rise.
Now in its eighth year, Next Creative Leaders is a free portfolio competition that identifies, celebrates, and gives a global platform to talented women and non-binary creatives who are making their mark on the world with both their work and a unique point of view on creative leadership that’s changing the industry for the better.
Eligible participants are those who are stepping into leadership roles, including copywriters, art directors, designers, ACDs, newly-promoted creative and design directors with less than one year in the role, and creative teams who are doing game-changing work.
Along with naming 10 global winners based upon the highest scores, the competition also recognizes regional winners in Asia Pacific, Europe, Latin America, Middle East/Africa, and North America.
Entries highlighting a candidate’s creativity, leadership, and unique point of view must be submitted by the August 26, 2022 deadline. To make Next Creative Leaders as open and accessible as possible, there is no fee to enter.
Entrants are judged on four-to-six pieces of creative work and information about how they–and their work–are pushing the industry forward and making a positive contribution in terms of diversity, mentoring, and advocacy.
Entries will be reviewed by a jury of top creatives and diversity advocates, including past Next Creative Leaders winners, which will be announced shortly. Winners will be announced in Fall 2022.
Each NCL winner receives a one-year complimentary individual membership with The One Club, with opportunities to participate in future One Club awards juries, and complimentary tickets to a One Club professional development conference ($1,000+ value), panels, and mentorship events.
Winners also each get their work showcased on The One Club website, promotion on both The 3% Movement and The One Club social channels, and potential opportunities to speak on the annual Next Creative Leaders panel. The 10 global winners also get a dedicated profile article about them on The One Club website.
“The One Club created its own inclusion and diversity department nearly 15 years ago, and has steadily increased programming around gender equity in the workplace,” said Kevin Swanepoel, CEO, The One Club. “Next Creative Leaders is an important part of our programming because it identifies, elevates and gives voice to those who are making a real difference by opening the door and inspiring the next generation of creatives who follow in their footsteps.”
Branding for Next Creative Leaders 2022 was designed by the team of NCL 2021 winners Cara Mia Cecchini and Mia Rafowitz.
The 3% Movement started as a passion project in 2012 to spotlight a huge business opportunity in advertising–the lack of female creative leadership and its impact on connecting with an overwhelmingly female marketplace. The 3% Movement is now moving beyond awareness to activation. The team offers consulting services with agencies and brands to support more diverse leadership, and a 3% Certified program that awards those demonstrating true leadership around gender diversity.
Tilda Swinton Explores Assisted Suicide In Pedro Almodóvar’s 1st English-Language Feature
Although "The Room Next Door" is Pedro Almodóvar's first English-language feature, Tilda Swinton notes that he's never written in a language that anyone else truly speaks.
"He writes in Pedro language, and here he is making another film in another version of Pedro language, which just happens to sound a little bit like English," Swinton said.
Set in New York, Swinton stars as Martha, a terminally ill woman who chooses to end her life on her own terms. After reconnecting with her friend Ingrid, played by Julianne Moore, Martha persuades her to stay and keep her company before she goes through with her decision.
Beyond the film's narrative, Swinton said she believes individuals should have a say in their own living and dying. She acknowledges that she has personally witnessed a friend's compassionate departure.
"In my own life I had the great good fortune to be asked by someone in Martha's position to be his Ingrid (Julianne Moore)," Swinton said.
She said that experience shaped her attitude about life and death: "Not only my capacity to be witness to other people in that situation, but my own living and my own dying."
Swinton spoke about "The Room Next Door," Almodóvar and he idea of letting people die on their own terms. Remarks have been edited for clarity and brevity.
Q: Tackling that role, what was the challenge to get into the character?
SWINTON: I felt really blessed by the opportunity. So many of us have been in the situation Julianne Moore's character finds herself in, being asked to be the witness of someone who is dying. Whether that wanting to orchestrate their own dismount or not, to be in that position to be a witness is something that I've been... Read More