Due to overwhelming response from creatives and corporate sponsors, The One Club for Creativity has announced West Coast expansion of ONE School, the free 16-week portfolio program for Black creatives started with Oriel Davis-Lyons. The club has partnered with L.A.-based executive creative director Ez Blaine to run the program there.
Since its launch on July 20, ONE School has quickly quadrupled the annual number of students it will accommodate with a total of 60 seats now available, 15 each for fall and spring sessions across both coasts.
Lecturers and mentors are currently being recruited for ONE School West, with classes expected to start September 22. ONE School East classes begin September 8. Creatives interested in being students in either program can apply here.
Blaine is ECD at ChowNow in Los Angeles, which powers branded online ordering systems for independent restaurants. Originally from London, he has previously held creative positions at Apple, R/GA Los Angeles, AKQA San Francisco, TBWAChiatDay Los Angeles and Wieden+Kennedy London.
“Creative talent on the West Coast is inherently multi-hyphenated: they might be gamer-DJs or musician-writers,” said Blaine. “They’ve tried and done a lot, so I expect the ideas and work developed by students here will be bursting with incredible creative collisions.”
He added ONE School will help students transform their creative thinking into actual deliverables. “Without incredible execution, ideas are just noise. Our lecturers and tutors will show how to bring those ideas to life for brands.”
“The ONE School motto is ‘Creatively Excellent. Unapologetically Black,’ and Ez embodies both to the fullest,” said Davis-Lyons, CD at Spotify who heads the school and will teach East Coast classes. “He’s risen through the ranks of the world’s top creative departments, and I couldn’t imagine a better person to help usher in a new generation of Black creative talent on the West Coast.”
Davis-Lyons and Blaine will work closely with Bob Isherwood, former Saatchi & Saatchi worldwide creative director and Vanderbilt University adjunct professor now in charge of the club’s Professional Development department, to organize and administer the program.
Strong industry support
The industry has quickly gotten behind the program with sponsorship support and donation of creative tools for students to use.
Spotify is founding partner and Adobe is creativity partner, with BBDO, The Coca-Cola Company, COLLINS, DAVID, DDB, Dentsu Aegis, Droga5, Deutsch, Facebook, FCB, Goodby Silverstein & Partners, Google, Google Creative Lab, GUT, Leo Burnett Group, The Martin Agency, McCann Worldgroup, McKinney, Publicis, JOAN, Ogilvy, Restaurant Brands International, R/GA, S4 Capital, Squarespace and WPP also on board so far to underwrite ONE School.
“Creatives, agencies and brands who are committed to helping solve the diversity pipeline problem have rushed to get involved and support ONE School because it will make a concrete contribution to increasing diversity in advertising,” said Kevin Swanepoel, CEO, The One Club. “It’s a meaningful action that will bring talented Black creatives into agencies, and we’re thrilled to have Ez as the person who will make it happen on the West Coast.”
ONE School background
ONE School grew out of an early-June LinkedIn post by Davis-Lyons lamenting the high cost barrier of US portfolio schools for young creatives of color, and his pledge to find a way to rectify the situation. The post was seen by Isherwood, who reached out to Davis-Lyons and started the collaborative process to make ONE School a reality.
The free online school will run two nights a week for 16 weeks, with students getting 10 briefs over the course covering everything from OOH to innovation and data-driven storytelling. Due to the hands-on mentoring aspect of the program, enrollment in the course is currently limited to 15 students for each fall and spring session on each coast who have not previously attended an ad school.
Briefs will be written by Black strategists and taught by Black tutors and lecturers, and students will be paired with Black mentors in the industry. The program also goes beyond simply teaching how to put a book together: it will include how to navigate the industry while Black.
“Most of the lecturers will be speaking not just about creativity but also their own personal experience as Black creatives, and passing on advice that will help a new generation succeed,” said Davis-Lyons.
Applicants will be selected based on raw creativity, passion and commitment so as not to discourage those with no prior knowledge of advertising. They are asked to submit a brief video on why they want to be an advertising creative, provide examples of their creativity in personal or professional projects, and respond to a brief.
To learn more about ONE School and apply for either East or West Coast classes, click here.
Comedic Director Roderick Fenske Joins Yard Dog TV For U.S. Spot Work
Roderick Fenske, the award-winning agency copywriter/creative director turned comedic director of commercials and films, has joined Yard Dog TV for U.S. representation.
Fenske--known for his idiosyncratic casting, stylish art direction, and blend of practical and digital effects--saw his newest commercial work, for Drink Weird Ice Tea, break earlier this month. His most recent short film, I’m Dead, You’re Welcome, starring JR Russell, Taissa Zveiter, Sandy Eels, and Julia Lorpriore, is making the rounds of film festivals now, having won Best Comedy Short at the Flagstaff International Film Festival last month.
Fenske, who started out in the business as a copywriter, is one of a select group of agency creatives to have found success in both New York and London, where his last post was as a creative director at TBWA there. “I owe so much of my career to Trevor Beattie [TBWA London chairman/creative director at the time], because he believed in me and started my career directing commercials,” said Fenske, citing work for Sony PlayStation, French Connection UK, and Channel 5.
Those spots led to an invitation to become a member of the visionary Swedish film collective known as ACNE. “I learned so much there working in a directing collective. With everybody talking about how to make stuff look stylish and cinematic it was like a film school for me,” Fenske explained. “Production design is so important because humor can be much more unexpected when you have an elevated look.”
Over the course of his career, Fenske’s work has received many international awards from shows including the Cannes Lions, British D&AD, and AICP. He moved from London to Los Angeles, and during this time he met Yard Dog... Read More