By David Bauder, Media Writer
NEW YORK (AP) --Lady Gaga, Michael Jordan and the remote Rolling Stones provided television entertainment over the weekend for millions of Americans homebound because of the coronavirus.
Gaga helped organize the "One World: Together at Home" concert that featured musicians like the Stones, Paul McCartney, Jennifer Lopez, Elton John and Lizzo. Shown live Saturday night across 26 networks, it reached 20.7 million people, the Nielsen company said.
That's about on par with similar benefit concerts for Haiti earthquake victims in 2010, which attracted 24.1 million people, and a Hurricane Katrina show seen by 22.1 million people in 2005.
Sports-starved ESPN recorded its biggest audience ever for a documentary on Sunday with the first two of a 10-part series, "The Last Dance," about the final championship season for Jordan and the Chicago Bulls.
The first hour was seen by 6.3 million viewers and the second hour by 5.8 million on Sunday, Nielsen said.
ESPN moved up the air dates for its Jordan documentary from June. With the absence of live sports, ESPN's audience has been down 50% since January, according to the research firm Samba TV.
"Clearly, fans are craving high-quality sports content and we look forward to building upon the momentum in the coming weeks as the series continues to get better with each episode," said Connor Schell, ESPN's executive vice president of content.
The network hopes for a big audience this Thursday with the start of the annual NFL draft, even as the pandemic has made that less of a show than it would normally be. ESPN also has documentaries on Lance Armstrong, Bruce Lee and the 1998 home run battle between Mark McGwire and Sammy Sosa in the coming months.
ABC's special, "Disney Family Singalong," proved a big hit for families last week, scoring 10.5 million viewers. The show featured performances by Demi Lovato, Michael Buble, Ariana Grande and Christina Aguilera.
CBS was the most popular network in primetime, averaging 6.5 million viewers last week. NBC had 4.9 million, ABC had 4.2 million, Fox had 2.8 million, Univision had 1.5 million, ION Television had 1.3 million, Telemundo had 1 million and the CW had 490,000.
Fox News Channel led the way among cable networks in primetime, averaging 3.83 million viewers. MSNBC had 2.05 million, CNN had 1.94 million, HGTV had 1.37 million and TLC had 1.2 million.
ABC's "World News Tonight" led the evening newscasts with an average of 12.3 million viewers last week. The "NBC Nightly News" had 9.85 million and the "CBS Evening News" had 7 million.
For the week, the 20 most popular primetime programs, their networks and viewerships:
1. "NCIS," CBS, 13.5 million.
2. "Disney Family Singalong," ABC, 10.45 million.
3. "The Voice," NBC, 9.84 million.
4. "60 Minutes," CBS, 9.66 million.
5. "Young Sheldon," CBS, 9.57 million.
6. "Chicago Fire," NBC, 9.46 million.
7. "Chicago Med," NBC, 9.34 million.
8. "FBI: Most Wanted" (Tuesday, 9 p.m.), CBS, 8.95 million.
9. "Survivor," CBS, 8.15 million.
10. "Chicago PD," NBC, 7.82 million.
11. "911," Fox, 7.64 million.
12. "Bull," CBS, 7.34 million.
13. "FBI: Most Wanted" (Tuesday, 10 p.m.), CBS, 7.16 million.
14. "Mom," CBS, 7.143 million.
15. "Magnum P.I.," CBS, 7.135 million.
16. "The Neighborhood," CBS, 7.12 million.
17. "NCIS: Los Angeles," CBS, 6.89 million.
18. "The Masked Singer: Singalong," Fox, 6.87 million.
19. "Bob Hearts Abishola," CBS, 6.81 million.
20. "Station 19," ABC, 6.73 million.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More