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    Home » “Oppenheimer,” “Spider-Man: Across the Spider-Verse,” “32 Sounds” Take Feature Film Honors At Cinema Audio Society Awards

    “Oppenheimer,” “Spider-Man: Across the Spider-Verse,” “32 Sounds” Take Feature Film Honors At Cinema Audio Society Awards

    By SHOOTSunday, March 3, 2024Updated:Tuesday, May 14, 2024No Comments1942 Views
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    The CAS Award-winning sound mixing team on "Oppenheimer"

    Non-theatrical winners: "The Last of Us," "The Bear," "100 Foot Wave" and "Weird: The Al Yankovic Story"

    LOS ANGELES --

    The Cinema Audio Society (CAS) revealed the winners of the 60th annual CAS Awards, held Saturday evening (3/2) at the Beverly Hilton International Ballroom. The sound mixing teams for Oppenheimer, Spider-Man: Across the Spider-Verse and 32 Sounds were honored with feature film wins, while The Last of Us, The Bear, 100 Foot Wave and Weird: The Al Yankovic Story won the top non-theatrical honors.

    Additionally, two special honorees and the annual student filmmaker award winner were honored during the proceedings, which were hosted by comedian Tom Papa. Sound industry executive Doug Kent presented the CAS Career Achievement Award to sound mixer Joe Earle CAS (American Horror Story, Six Feet Under, Monster’s Ball). Jon Favreau presented the CAS Filmmaker Award to writer/director/producer J.J. Abrams. And Yushu “Doris” Shen from USC won the Student Recognition Award, receiving a check for $5,000.

    Award presenters included: Walter Murch CAS, Jeremy Piven, Omar Dorsey, Jeff Garlin, Cristo Fernandez, Shameik Moore, Steven Weber, Bruce Greenwood and Dianne Warren.

    “On behalf of the Cinema Audio Society, I extend heartfelt congratulations to all the winners of the 60th Annual CAS Awards,” remarked CAS president Peter Kurland. “As we mark this significant milestone, reflecting on 60 years of the CAS, it’s truly remarkable to witness the evolution of sound in cinema. While much has changed over time, one constant remains—the remarkable talent of these artists, whose dedication continues to enrich the cinematic experience for audiences worldwide. We applaud your exceptional achievements and invaluable contributions to the art of sound.”

    The winners of the 60th Annual CAS Awards are as follows:

     

    Motion Picture — Live Action
    Oppenheimer
    Production Mixer – Willie D. Burton CAS
    Re-Recording Mixer – Gary A. Rizzo CAS
    Re-Recording Mixer – Kevin O’Connell CAS
    Scoring Mixer – Chris Fogel CAS
    Foley Mixer – Tavish Grade
    Foley Mixer – Jack Cucci
    Foley Mixer – Mikel Parraga-Wills

     

     

    Motion Picture — Animated
    Spider-Man: Across the Spider-Verse
    Original Dialogue Mixer – Brian Smith
    Original Dialogue Mixer – Aaron Hasson
    Original Dialogue Mixer – Howard London CAS
    Re-Recording Mixer – Michael Semanick CAS
    Re-Recording Mixer – Juan Peralta
    Scoring Mixer – Sam Okell
    Foley Mixer – Randy K. Singer CAS

     

     

    Motion Picture — Documentary
    32 Sounds
    Production Mixer – Laura Cunningham
    Re-Recording Mixer – Mark Mangini
    Scoring Mixer – Ben Greenberg
    ADR Mixer – Bobby Johanson CAS
    Foley Mixer – Blake Collins CAS

     

     

    Non-Theatrical Motion Pictures or Limited Series
    Weird: The Al Yankovic Story
    Production Mixer – Richard Bullock CAS
    Re-Recording Mixer – Tony Solis
    Scoring Mixer – Phil McGowan CAS
    ADR Mixer – Brian Magrum CAS
    Foley Mixer – Erika Koski CAS

     

     

    Television Series — One Hour
    The Last Of Us: S01 E01 "When You’re Lost In The Darkness"
    Production Mixer – Michael Playfair CAS
    Re-Recording Mixer – Marc Fishman CAS
    Re-Recording Mixer – Kevin Roache CAS
    Foley Mixer – Randy Wilson CAS

     

     

    Television Series — Half Hour
    The Bear: S02 E07 "Forks"
    Production Mixer – Scott D. Smith CAS
    Re-Recording Mixer – Steve “Major” Giammaria CAS
    ADR Mixer – Patrick Christensen
    Foley Mixer – Ryan Collison
    Foley Mixer – Connor Nagy

     

     

    Television Series — Non-Fiction, Variety or Music/Series or Specials
    100 Foot Wave: S02 E05 "Lost at Sea"
    Re-Recording Mixer – Keith Hodne

     

     

    Student Recognition Award
    Yushu “Doris” Shen from University of Southern California won the Student Recognition Award, receiving a check for $5,000. The other four student finalists each took home $1,000 from the CAS, along with $10,000 in products and gear to help launch their careers in sound, thanks to the support of these companies: Acon Digital, Apple, Avid, Ginger Audio, Halter Technical, Izotope Inc., K-Tek, Krotos Audio, Lectrosonics Inc., McDSP, Sound Particles, Shotdeck, Todd-AO/Absentia DX, Zaxcom.

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    Category:News
    Tags:CAS AwardsCinema Audio SocietyOppenheimerSpider-Man: Across the Spider-VerseThe Last of Us



    Documentary Celebrates Travis Barker’s Life Before and After He Survived A Plane Crash

    Tuesday, August 11, 2026

    The inferno rages onscreen three minutes into "Travis Barker: Louder Than Fear." Dashcam footage lifted from a police car shows the blaze: It's 2008, and Barker has survived a plane crash in South Carolina. Four others did not.

    And then, a cut. The documentary, which follows the Blink-182 drummer from 2017 to 2026, is a celebration of Barker's life before and after the life-altering accident, a central event in a career full of them. The film began as a mirror of his memoir, 2015's "Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums," but became something else entirely after a producer suggested it end with the image of Barker, then still unable to fly due to post-traumatic stress disorder, walking toward a plane.

    Ending on that note, "where this thing still has power over me," didn't sit well with him. Instead, he boards a plane at the end, but the documentary's final images are a slide show of family photos, including his wife Kourtney Kardashian and kids.

    "I almost died," he says. It "could be helpful to share my life."

    An elastic artist
    Barker's resume is long, and a two-and-a-half-hour documentary can only cover so much of it. The film hits most of the big notes, quickly establishing Barker as a rebellious kid with a supernatural drumming ability from age 4, when he got his first kit, to now, at 50.

    And that's with many projects in-between: From the SoCal punks Feeble, which he joined while working as a trash collector, to his stint in the ska band The Aquabats and multiplatinum, pop-punk legends Blink-182 — the band that skyrocketed Barker into superstardom.

    Also covered? His love of skateboarding and car culture, his clothing brands, side-projects Box Car Racer and +44,... Read More

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