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    Home » The Oscar Envelope Opens To Diversity

    The Oscar Envelope Opens To Diversity

    By SHOOTMonday, March 3, 2014Updated:Tuesday, May 14, 2024No Comments2460 Views
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    Alfonso Cuaron accepts the award for best director for "Gravity" during the Oscars at the Dolby Theatre on Sunday, March 2, 2014, in Los Angeles. (Photo by John Shearer/Invision/AP)

    Steve McQueen, Alfonso Cuaron among those who make history on Hollywood's biggest stage

    By Jake Coyle & Jessica Herndon, Film Writers

    LOS ANGELES (AP) --

    Diversity was perhaps the biggest winner at the 86th annual Academy Awards.

    For the first time, a film directed by a black filmmaker — Steve McQueen of "12 Years a Slave" — won best picture and a Latino — Alfonso Cuaron of "Gravity" — took home best director in a ceremony presided over by a lesbian host and overseen by the academy's first black president.

    McQueen's grimly historical drama "12 Years a Slave" took best picture, leading the usually sedate filmmaker to jump up and down in celebration after his acceptance speech.

    The British director dedicated his award to "all of the people who endured slavery and the 21 million people who still suffer slavery today."

    Cuaron's lost-in-space thriller "Gravity" led the Oscars with seven awards, including cinematography, editing, score, visual effects, sound mixing and sound editing. Some in his native Mexico have been critical that since the attention came for a Hollywood release and not a Mexican-themed film, his win didn't have the same kind of importance.

    "I'm Mexican so I hope some Mexicans were rooting for me," he told reporters backstage.

    The entire Oscar ceremony had the feel of a make-over for the Academy of Motion Picture Arts and Sciences — an institution that has sometimes seemed stuck in the past. After a Los Angeles Times report revealed the academy was overwhelming older white men, new president Cheryl Boone Isaacs has pushed for a more varied membership.

    The movie industry that the Oscars reflect has also been reluctant to tell a wider range of stories.

    "Dallas Buyers Club," the best picture-nominated drama about AIDS in 1980s Texas, took two decades to get made after countless executives balked at financing such a tale. Matthew McConaughey and Jared Leto won best actor and best supporting actor for their roles in the film as a heterosexual rodeo rat (McConaughey) and a transgender drug addict (Leto) united by HIV.

    "Thirty-six million people who have lost the battle to AIDS and to those of you out there who have ever felt injustice because of who you are or who you love, tonight I stand here in front of the world with you and for you," said Leto is his acceptance speech.

    Cate Blanchett, best-actress winner for her bitter, ruined socialite in Woody Allen's "Blue Jasmine," used her acceptance speech to trumpet the need to make films with female leads — films like her own and like "Gravity," starring Sandra Bullock. A study by analyst Kevin B. Lee found that last year's lead actors averaged 100 minutes on screen, but lead actresses averaged only 49 minutes.

    "To the audiences who went to see the film and perhaps those of us in the industry who are still foolishly clinging to the idea that female films, with women at the center, are niche experiences, they are not," said Blanchett. "Audiences want to see them and, in fact, they earn money."

    "12 Years a Slave" also won awards in the writing and acting categories. John Ridley picked up the trophy for best adapted screenplay, which was based on the 1853 memoir by Solomon Northup. The screenwriter is only the second black writer (Geoffrey Fletcher won for "Precious" in 2009) to win in the category. Backstage, the "12 Years" team mentioned their efforts to include Solomon Northup's memoir as part of high school study. The National School Boards Association announced in February that the book is now mandatory reading.

    "It's important that we understand our history so we can understand who we were and who we are now and most importantly who we're going to be," said Brad Pitt, who produced "12 Years." ''We hope that this film remains a gentle reminder that we're all equal. We all want the same: Dignity and opportunity."

    Lupita Nyong'o was a first-time Oscar winner for her supporting role as field slave Patsey in "12 Years." ''I'm a little dazed," said Nyong'o backstage of winning the Oscar. "I can't believe this is real life."

    Nyong'o is the sixth black actress to win in the supporting actress category, following Hattie McDaniel ("Gone with the Wind"), Whoopi Goldberg ("Ghost"), Jennifer Hudson ("Dreamgirls"), Mo'Nique ("Precious") and Octavia Spencer ("The Help").

    In her second time hosting, openly gay Ellen DeGeneres sought to make celebrities more like plain folk. She passed out slices of pizza to the front rows at the Dolby Theatre, then passed the hat to pay for it. She also tweeted a "selfie" with such stars as Meryl Streep, Julie Roberts, Jennifer Lawrence, Bradley Cooper, Pitt and Nyong'o. The shot "made history," DeGeneres told the audience later. It's since been retweeted more than two million times.

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    Category:News
    Tags:Alfonso CuarondiversityOscarsSteve McQueen



    20 Years After A 22-Minute Ovation, Guillermo del Toro and “Pan’s Labyrinth” Return To Cannes Film Fest

    Thursday, May 14, 2026
    Director Guillermo del Toro, left, and Ivana Baquero pose for portrait photographs for the 20th anniversary of the film 'Pan's Labyrinth' at the 79th international film festival, Cannes, southern France, Tuesday, May 12, 2026. (Photo by Scott A Garfitt/Invision/AP)

    Twenty years ago, Guillermo del Toro premiered "Pan's Labyrinth" at the Cannes Film Festival. He went in anxious. It was toward the end of the festival and many journalists had left. The movie's production had been a nightmare. Then the audience gave it a 22-minute standing ovation, the longest in Cannes history. "It's a commute," joked del Toro. "That's about what it takes me to get from home to the office. Alfonso Cuaron, who made this movie with me as producer, turned to me at some point and said, 'Let it in. Relax.' I was very tense. I'm not very good with praise." Del Toro returned to Cannes on Tuesday to screen a restoration of one of his most beloved films. Shortly beforehand, he met a reporter for an interview at a hotel on the Croisette, a few steps away from where his filmmaking life changed two decades ago. A lush fairy tale set against 1944 Francoist Spain, "Pan's Labyrinth" is about the young Ofelia (Ivana Baquero) who has come with her mother to stay with her new fascist stepfather, Captain Vidal (Sergi López). Taking place largely in the northern Spain, it's Del Toro at his earthiest and most imaginative. Books become alive when held. Doors manifest out of a chalk outline. And creatures — fairies, a faun, the unforgettable Pale Man, with eyes in the palms of his hands — reveal a world of deeper and darker enchantment. A pivot point for del Toro Del Toro, who has since made "The Shape of Water" and "Frankenstein," grants that he wouldn't have become the filmmaker he is today if he hadn't made "Pan's Labyrinth." At the time, he was the well-regarded but not well-known filmmaker of "Hellboy" and "Blade 2." "I was getting all the Marvel offers from Avi Arad. It was a real choice to go make the movie no one wanted... Read More

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