Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Oscar Nominee Bradford Young Joins Serial Pictures’ Directorial Roster

    Oscar Nominee Bradford Young Joins Serial Pictures’ Directorial Roster

    By SHOOTThursday, October 22, 2020Updated:Tuesday, May 14, 2024No Comments3569 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Bradford Young
    LOS ANGELES --

    Director and Academy Award-nominated cinematographer Bradford Young has joined production company Serial Pictures for directorial representation spanning branded entertainment, commercials and music videos. Young is known for his artful, poetic and humanistic visual style, as showcased in his cinematography for film and television including Ava DuVernay’s Selma and When They See Us, Ron Howard’s Solo: A Star Wars Story and Denis Villeneuve Arrival, for which he was nominated for an Oscar for Best Cinematography in 2017. While Young continues his career as a cinematographer, working with award-winning filmmakers including Alejandro Gonzales Iñárritu, DuVernay, Dee Rees and Spike Jonze, he will partner with Serial Pictures to keep expanding his directing career with short-form projects that stand out in their creative approach.

    In 2016, Young made his directorial debut with the 21-minute short film Black America Again, a visual celebration of the varied Black communal experience, inspired by rapper-actor Common’s 2016 studio album of the same name. In 2019, working with filmmaking collective formerly known as the Ummah Chroma (comprised of filmmakers Young, Terence Nance and Jenn Nkiru, editors Marc Thomas and musician and producer Kamasi Washington), Young co-directed the short “As Told to G/D Thyself,” which premiered at Sundance. Last year, he also directed a short film as a memorial to slain rapper Nipsey Hussle, a meditation on the cathartic nature of collective mourning in the African diaspora.

    “Bradford’s work as both a director and a cinematographer is deeply immersive and meditative,” said Serial Pictures founding partner Violaine Etienne. “His singular creative eye and thoughtfulness penetrates deep below the skin, transporting us visually and centering us emotionally. I have rarely been so taken by such beauty, power and introspection in film work. We look forward to supporting him as he further expands his career into directing.”

    “It’s with great pleasure and humility that I join Violaine Etienne and the rest of the wonderful Serial Pictures family,” said Young. “I feel very much at home and safe at Serial, as I turn this new leaf in my practice as a visual artist and storyteller.”

    Young has shot commercials for brands such as Nike, Apple, Givenchy, the NBA, Samsung, and Ketel One. This year, he won a D&AD Graphite pencil for his cinematography for Lacoste’s emotionally stunning, world breaking campaign “The Crocodile Inside” directed by Megaforce, which followed his D&AD win last year of a Wood Pencil for the Spike Jonze-directed “The New Normal” for MedMen. Young’s signing comes after working with Serial Pictures as the cinematographer for the 2018 branded film Corazon, directed by John Hillcoat for Montefiore Health Systems, which won both a Cannes Lions Grand Prix for Health & Wellness and a Grand Clio for Branded Entertainment.

    Young’s work is both deeply connected and extending into the art world. In 2019, along with filmmaker Elissa Blount Moorhead, he created the film installation Back and Song, produced by Philadelphia Contemporary and Thomas Jefferson University. The kaleidoscopic installation reflected on the manner in which health and wellness are a part and parcel of the American Black experience from cradle to grave.

    Young has won Cinematography Awards at Sundance twice. In 2011, he won for his work on Dee Rees’s Pariah. Two years later, he won for his work on both Andrew Dosunmu’s Mother of George and David Lowery’s Ain’t Them Bodies Saints. In addition to his Oscar nomination for Arrival, Young also won a Silver Frog at Camerimage and was also nominated for a BAFTA and an American Society of Cinematographers Award for Best Cinematography for the film. Young went on to be nominated for a primetime Emmy in Cinematography and another Camerimage award for When They See Us, DuVernay’s Netflix series about the five young men wrongly convicted in the 1989 Central Park jogger case, dubbed the Central Park Five.

     

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2020-10-24)
    Category:News
    Tags:Bradford YoungSerial PicturesViolaine Etienne



    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    A primal punk spirit rages through Lynne Ramsay's "Die, My Love," a jagged, go-for-broke psychodrama starring Jennifer Lawrence as an increasingly unhinged new mother and Robert Pattinson as her husband. In this cauldron of marital nightmare, set in a ramshackle rural Montana home, there are fires, real and imagined, and a variety of wildlife. There's an incessantly yapping dog, brought home by Jackson (Pattinson) shortly after the couple move in from New York. There's a horse in the road, inopportunely. And on the shirt on Grace (Lawrence) is a tiger. But, more than these animalistic flourishes, there is Grace, herself. In a moment early in the film, she prowls on all fours through tall grass, with a knife in her hand. The shorthand description of Ramsay's film, adapted from a 2012 novel by the Argentine writer Ariana Harwicz, is that it's about a woman with postpartum depression. But that's not quite right. It's more about the power and urges of a woman who, like a beautiful, feral creature, is not taking to domestication. That's the appealing through line of "Die, My Love," though it can be difficult to firmly grasp it in Ramsay's piercing but tediously overamplified character study. Still, as unkempt and overwrought as "Die, My Love" is, it's not a movie that's timidly weighing in on parenting and gender roles. There's plenty to admire in Ramsay's uncompromising and delirious portrait of marital hell, particularly in the bracingly raw performance of Lawrence. The abandon with which she throws herself into the role is enough to make you exclaim "Mother!" Grace and Jackson have moved near his childhood home. Their house belonged to Jackson's uncle before he killed himself. Jackson's parents (Nick Nolte, Sissy Spacek) live nearby, and Spacek's knowing... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleSHOOT’s 2020 New Directors Showcase Reel Goes Live
    Next Article Creative Category Nominations Unveiled For HPA Awards
    SHOOT

    Add A Comment
    What's Hot

    Thanks To Shows Like “Abbott Elementary” and “Hacks,” LGBTQ+ Representation On Primetime TV Grows

    Thursday, November 6, 2025

    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    Sarah Snook Stars In Peacock’s “All Her Fault,’ A Thriller About A Missing Child That Explores Pressures On Modern Moms

    Thursday, November 6, 2025
    Shoot Screenwork

    Top Spot of the Week: BBDO, Director Anthony Frattolillo Get “Packing” For The American Red Cross

    Thursday, November 6, 2025

    Once again, this holiday season, BBDO New York and the American Red Cross have launched…

    The Best Work You May Never See: Zulu Alpha Kilo Rolls Out Tongue-in-Cheek “Catch Me If You Cannes” Short

    Wednesday, November 5, 2025

    GS&P, Director Alice Brooks, “Wicked: For Good” Star Jeff Goldblum Bring The Magic Of Oz Home With Xfinity

    Tuesday, November 4, 2025

    W+K Portland, Director Christopher Nataanii Cegielski Share “What You Pass On” For American Indian College Fund

    Monday, November 3, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.