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    Home » Oscar Nominees Value Being Able To Finally Come Together

    Oscar Nominees Value Being Able To Finally Come Together

    By SHOOTTuesday, March 8, 2022Updated:Tuesday, May 14, 2024No Comments2470 Views
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    Will Smith, left, and Denzel Washington arrive at the 94th Academy Awards nominees luncheon on Monday, March 7, 2022, in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    The Oscar race may be heating up, but you wouldn't know it to peek in on the nominees luncheon Monday in Los Angeles.

    Attendees packed into a ballroom at the Fairmont Century City for the annual luncheon, where nominees get to mingle and celebrate. It was a long awaited homecoming for many after a year away due to the pandemic.

    Before the lunch, nominees excitedly greeted one another. Will Smith and Denzel Washington, both best actor nominees this year, smiled and grabbed each other's hands. "CODA" Star Emilia Jones was signing with co-star Daniel Durant, who plays her brother in the movie.

    Kristen Stewart arrived with her fiance Dylan Meyer, circling the room in her Chanel outfit, while Netflix exec Ted Sarandos shook hands with Questlove, whose documentary "Summer of Soul" is nominated. Benedict Cumberbatch made his way around holding hands with wife Sophie Hunter.

    Nominees continued mingling, ignoring the pleas to be seated.

    "Just being back together without a hazmat suit is cause for celebration," said Will Packer, who is producing the show this year. "This is a year like no other, this is THE year."

    During lunch most chose to ignore their quinoa salad. Bradley Cooper made sure to say hello to Questlove. Steven Spielberg was deep in conversation Paul Thomas Anderson. Both are nominated for best director.

    The luncheon was a first for many including Andrew Garfield, a best actor nominee for "tick, tick…Boom." He said it was a "special moment" to be among fellow nominees like "PTA and Ariana," referring to Anderson and best supporting actress front-runner Ariana DeBose from "West Side Story" who were standing close by.

    Kim Morgan, the "Nightmare Alley" screenwriter, was a little overwhelmed by the experience which was also her first time. "I'm a writer," she said.

    Osnat Shurer, an animation nominee for "Raya and the Last Dragon," said it was a joy to be at the luncheon. She was excited to tell Jessica Chastain that she loved her performance in "The Eyes of Tammy Faye." What she didn't expect was that Chastain was also a fan and frequent watcher of "Raya," thanks to her children.

    Near the end of the festivities, Washington gave big hugs to Garfield and "Belfast" director Kenneth Branagh, while supporting actor nominee Troy Kotsur made his way over to embrace Bradley Cooper, who is a best picture nominee as a producer of "Nightmare Alley."

    Top of mind for many were the changes to the broadcast, in which eight categories are going to be presented off air before the show. While many have spoken out against the decision, some are supportive too.

    Bill Corso, an Oscar winning hair and makeup artist, is one who was on the committee that made the decision. In 2004, he was given his Oscar in the aisle, another attempt to streamline the broadcast and, he said, it felt like he didn't get his moment.

    This change he hopes will let the winners have that moment on stage at the podium, which will be edited into the broadcast in a way that won't be obvious to the viewing audience.

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    Category:News
    Tags:CODADenzel WashingtonKristen StewartOscarsWill Smith



    London Alley Signs Director Silence For U.S. Representation

    Wednesday, June 10, 2026

    Production company London Alley has signed London-based director Silence to its U.S. roster. Her body of work includes commercials, fashion, music videos and branded content.

    Among Silence’s clients are Dr. Martens, Adidas, Boots, Canva, Chanel, Converse, D&G, Instagram, Island Records, Liverpool FC, Nike, Rabanne, Samsung, Spotify, Uber Eats, as well as editorial outlets including British Vogue, Glamour, HypeBeast, Notion and Wonderland. Her work spans brands and clients across fashion, retail, music, sports, automotive, and tech.

    Prior to joining London Alley, Silence had most recently been repped in the U.S. market by production house Dress Code. Her work is defined by craft, confidence and an unmistakable point of view. Each film she creates is its own crafted world: vivid, playful and a little mischievous, all built on a sharp eye and an even sharper sense of timing. The result is work that feels well crafted and effortless at the same time--every frame deliberate, every punch landing exactly where it’s meant to, and always with a touch of humor and a knowing wink.

    “From the moment we were introduced to Silence’s work, we could not stop watching. Her energy and spirit are so aligned with our creative aspirations and what we’re building,” said London Alley founder and executive producer Luga Podesta. “Silence’s distinct voice is an incredible addition to our creative force of directors on the London Alley roster.”

    “I’m very much looking forward to being under the wing of London Alley and working together on some epic films,” said Silence. “I love the work they make but I also love the people that make the team. We share the same enthusiasm for life. Can’t wait to see what’s to come.”

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