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    Home » Paramount Extends Deadline Again For Its Warner Bros. Tender Offer

    Paramount Extends Deadline Again For Its Warner Bros. Tender Offer

    By SHOOTThursday, January 22, 2026No Comments59 Views
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    The Warner Bros. water tower is seen at Warner Bros. Studios in Burbank, Calif., Friday, Dec. 5, 2025. (AP Photo/Jae C. Hong, File)

    By Wyatte Grantham-Philips, Business Writer

    NEW YORK (AP) --

    Skydance-owned Paramount is again extending the tender offer window in its $77.9 billion hostile takeover bid for Warner Bros. Discovery, while doubling down on a coming proxy fight.

    Warner stockholders now have until Feb. 20 to sell their shares to Paramount for $30 apiece in cash — a price that remains unchanged, giving the offer a total enterprise value of over $108 billion including debt. It marks the second extension the company has made since challenging Warner’s merger agreement with Netflix last month.

    As of late Wednesday, Paramount said that more than 168.5 million Warner shares had been tendered in support of its offer. But that’s still far below the 50% mark it would need to effectively gain control of Warner — which has about 2.48 billion shares outstanding in series A common stock today.

    “Once again, Paramount continues to make the same offer our Board has repeatedly and unanimously rejected in favor of a superior merger agreement with Netflix,” Warner said in an emailed statement Thursday — adding that it’s “clear our shareholders agree,” as more than 93% have so far rejected “Paramount’s inferior scheme.”

    In December, Netflix agreed to buy Warner’s studio and streaming business for $72 billion — now in an all-cash deal that the companies say is more straight forward and will speed up the path to a shareholder vote by April. Including debt, the enterprise value of the deal is about $83 billion, or $27.75 per share.

    But Paramount argues its offer is better than Netflix’s and has accused Warner leadership of not being transparent with stockholders. On Thursday, the company claimed Warner’s board was “rushing to solicit shareholder approval” for the Netflix merger, which it said could lead to a lower payout for shareholders if debt spanning from a previously-announced spinoff of Warner’s networks business makes its way to studio and streaming operations.

    In an escalation of its hostile bid, Paramount is also moving forward with a proxy fight. Earlier this month, the company announced plans to nominate its own slate of directors to Warner’s board before the next shareholder meeting. And on Thursday, Paramount filed preliminary materials to solicit proxies in opposition to the Netflix merger.

    The battle for Warner and the value of each offer grows complicated because Netflix and Paramount want different things. Netflix’s proposed acquisition includes only Warner’s studio and streaming business, including its legacy TV and movie production arms and platforms like HBO Max. But Paramount’s bid is for the entire company — which, beyond studio and streaming, includes its news and cable operations. That would put CNN under the same roof as CBS.

    If Netflix is successful, Warner’s current networks would be spun off into their own company called Discovery Global, under a previously-announced separation.

    Regardless of who wins the upper hand, a Warner Bros. Discovery sale could be a long, drawn-out process — likely attracting tremendous antitrust scrutiny. Politics are expected to come into play under President Donald Trump, who has made unprecedented suggestions about his personal involvement on whether a deal will go through.

    Shares of Warner Bros. Discovery and Netflix both fell slightly Thursday. Shares of Paramount-Skydance rose nearly 3%.

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    Category:News
    Tags:ParamountSkydanceWarner Bros.



    Kim Gehrig Wins The DGA Award For Outstanding Achievement In Commercials

    Saturday, February 7, 2026

    Kim Gehrig of Somesuch has won the Directors Guild of America (DGA) Award recognizing Outstanding Directorial Achievement in Commercials for 2025. The honor was announced and celebrated during the gala 78th DGA Awards ceremony on Saturday evening (2/7) at the Beverly Hilton.

    This marked the third time in the last four years that Gehrig has won the coveted honor. She's been a nominee each of those four years.

    This time around, Gehrig won on the basis of two entries: Nike’s “You Can’t Win. So Win.” for Wieden+Kennedy, Portland, Ore.; and the Apple film “I’m Not Remarkable” via in-house agency Apple Marcom.

    The latter piece celebrates how “disabled” students around the world use Apple products and accessibility features to get the full college experience--studying, socializing and achieving on their own terms.

    Driven by the song “I’m Not Remarkable” by Kittyy & The Class, Deaf and “disabled” college students perform in a stirring musical number spanning college campuses, in dormitories at house parties and more. Through their collective voices, the students express a strong singular sentiment--that “remarkable” is a word that should be reserved for everyone.

    Gehrig has an award-winning pedigree with Apple. She directed its accessibility short “The Greatest” in 2022 which went on to garner the primetime commercial Emmy Award, and helped her win the DGA Award for Outstanding Directorial Achievement in Commercials for 2022.

    As for Nike’s “You Can’t Win. So Win,” that spot made its broadcast debut on the 2025 Super Bowl. The work tackles the misconceptions that have perennially shackled women sports. Women athletes can’t stand out--or so they’re told. They can’t have an... Read More

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