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    Home » Park Pictures Signs Director Leo Aguirre

    Park Pictures Signs Director Leo Aguirre

    By SHOOTMonday, June 3, 2024Updated:Sunday, July 7, 2024No Comments1369 Views
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    Leo Aguirre
    LOS ANGELES --

    Park Pictures has added filmmaker Leo Aguirre to its roster for U.S. representation. Aguirre is a multi-hyphenate talent who utilizes his diverse experience as a writer, photographer, cinematographer, and editor to his advantage as a director. 

    Aguirre is a first-generation Mexican-American born and raised in the border town of El Paso, Texas. This bicultural experience and his adolescence in the Caribbean have greatly influenced his cinematic style and relationship with storytelling. During this time, Aguirre participated in a government-sponsored film workshop, where his career as a director began. Since then, he’s been a Young Guns Award recipient and garnered a Silver 1.4 Award for his bilingual documentary film No Somos De Aquí, Ni Somos De Allá, which follows modern Mexican-American youth and their relationship with the gradient of their bicultural experience. Prior to connecting with Park Pictures for U.S. representation, Aguirre had most recently been handled by Stink Films.

    Brands such as Biofreeze, Nio, Red Wing, Corona, and Nike have tapped Aguirre to bring their commercial films to life in recent years. Additionally, he was commissioned by NOWNESS to direct a documentary film, Barrio Sonidero, which explores the DJ-led cumbia warehouse party community in Queens, NY. Aguirre helmed a musical long-form commercial from Patrón, featuring singers Jessie Reyez, Amber Mark, and Fousheé performing the song “Gracias a la Vida.” Aguirre's other musical collaborations include directing videos for James Blake’s “Not Long Now” and River Tiber’s “Hypnotized.”

    “Being invited to join alongside such an inspiring roster of directors is a true honor,” said Aguirre of joining Park Pictures. “It’s clear that over the last 25 years, they have had an unparalleled commitment to craft, but their humanity and tight-knit sense of family is what really drew me in. I’m very moved by their kindness, diligence, and profundity.”

    Jackie Kelman Bisbee, executive producer and co-founder of Park Pictures, added, “Leo has worked just about every job on a commercial set, including director of photography, so it makes sense that his films are elegantly executed and highly watchable. He’s always building on his skillset as a filmmaker and crafting these incredible on-screen worlds. He’s inspiring to be around, and we’re very excited to work with him as he enters this next chapter of his career.”

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    Category:News
    Tags:Jackie Kelman BisbeeLeo AguirrePark Pictures



    “No Good Men” and “Only Rebels Win” Bring Love From Unexpected Places To Berlin Film Fest

    Thursday, February 12, 2026

    A surprising and touching Afghan political rom-com that is said to feature the first ever on-screen kiss in an Afghan movie opens the 76th Berlin Film Festival Thursday.

    Set in a Kabul newsroom in 2021, with the Taliban on the cusp of returning to power, "No Good Men" tells the workplace love story of camerawoman Naru, separated from her cheating husband and struggling to keep custody of her young son while trying to build a career in a male dominated industry and patriarchal society.

    Director Shahrbanoo Sadat said the kissing scene cost her lead actor three weeks before shooting began, and forced her to step into the role herself.

    "The joke was everyone who wanted to play Naru, they didn't want to do the kissing, I wanted to do the kissing, I didn't want to do the rest of the film," Sadat said.

    And it wasn't just the casting that was met with resistance. The Afghan film industry is small, she said, so the expectation is that the movie will be "good PR" for the country.

    Sadat had her own ideas, though.

    "I love Afghanistan, but I cannot close my eyes to patriarchy, sexism, all the big topics, and just say the good things about Afghanistan, so I'm disappointing my people," she said.

    Making an Afghan film in Europe, with European funding, she also felt added pressure to be a political and feminist filmmaker or make a war movie.

    Sadat received multiple letters of complaint from funders who said it was inappropriate for them to support a rom-com given the political situation in Afghanistan.

    "For me it was like, wait a minute, what? I feel offended that you feel offended about my project," she said. "I'm coming from a war country, and this is my way of expressing myself, to go through the oceans of... Read More

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