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    Home » Partizan Signs Directing Duo Nono + Rodrigo

    Partizan Signs Directing Duo Nono + Rodrigo

    By SHOOTThursday, September 22, 2022Updated:Tuesday, May 14, 2024No Comments2102 Views
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    Nono + Rodrigo
    LONDON, PARIS & LOS ANGELES --

    Directing duo Nono + Rodrigo, consisting of Nono Ayuso and Rodrigo Inada, has signed with global production studio Partizan for representation across the U.S., UK and France. This marks the first representation in those markets for the directing team, which is known for its penchant for socially conscious subject matter.

    “We feel a duty as filmmakers to tell stories and make films that impact our viewers  and inspire them to make change,” said Rodrigo. “We know our partnership with Partizan, and their reputation for boundary-pushing and socially-conscious work, will take us in that direction.”

    Partizan already has. For their first official project since signing with the company, Nono + Rodrigo directed a globe-spanning campaign for WhatsApp featuring Greek-Nigerian NBA basketball superstar Giannis Antetokounmpo. The creative team at Transition NYC gave the directors freedom to develop the script beyond the initial brief.

    Their ambition paid off: resulting in the 12-minute short film called Naija Odyssey, which premiered on Amazon Prime September 21st. The film, which centers around Antetokounmpo’s identity and immigrant story, is the exact sort of work this talented duo, both of whom are immigrants, set out to do together when they first met nearly three years ago.

    Born in Spain and now based in London, in a previous life Nono traveled the world as an investigative journalist specializing in conflict zones. Only a quick while after he began making commercials on the side in 2020, he won himself a Vimeo Staff Pick for his short film, The Heartbeats of Memory, which was also shortlisted for a Cannes Young Directors Award.

    That same year, Rodrigo, a Japanese-Brazilian film director with a rich background in art direction, cinematography and postproduction, received acclaim for his short CIRCA 2020 and a Vimeo Staff Pick for his short film, IARA. Their Vimeo laurels in common, Nono + Rodrigo became interested in each other’s work and met for coffee in London. Quickly, they found they were walking similar personal and professional paths as immigrants and non-native English speakers breaking into the U.K. advertising and short-form content industry. Within their natural friendship, they saw an opportunity for collaboration—not only for creative value, but also to tell stories that reach a broader, more culturally-diverse audience.

    “We shared a hunger to find our voices,” the directors shared in a joint statement. “It’s not as easy for immigrants and we understood each other’s challenges, and the resilience born from that. We really connected over our parallel histories. Our partnership was born from a sense of community.”

    Leaning on Rodrigo’s knack for bold, dynamic visual storytelling and Nono’s ability to shape stirring narratives, the pair produced their first project together later that year: The creepy, surreal music video “Cuenta Lo,” featuring the West London-based and Irish-born singer and rapper Biig Piig engaging in a smarmy poker game. Keeping up the music video momentum, Nono + Rodrigo collaborated with Kehlani to compose a series of dreamlike vignettes featuring throwback pop diva choreography for the visuals for “Up at Night” feat. Justin Bieber. 

    It was their epic short, Terre Cene, which garnered the pair a Gold Screen in this year’s YDA category Changing the World Frame by Frame. An experimental short film commissioned by The Karman Project, Terre Cene is a meditation on the concepts of time, space and the urgency of climate change. Shot on 16mm against a backdrop of brutalist architecture, the message of awareness-through-artistry that Nono + Rodrigo achieved won the film the Gold at 1.4 Awards, Grand Prize from the Rhode Island Festival, and Best Film in the Korean competition at Energy Film Festival.

    “Neither of us came into the industry with any filmmaking connections or resources,” explained Rodrigo. “Our style has been to just make things any way possible, even if we don’t have the money for it. That spirit is inherent in our personalities.”

    “We have a rule: There is no ego,” added Nono. “If an idea isn’t working, we say fuck it. The film always remains on top.”

    “Nono + Rodrigo are the type of directors we love to nurture at Partizan. They’re radically talented filmmakers who challenge our understanding of what’s possible,” said Partizan founder Georges Bermann. “They are masters at developing very specific worlds across short and longer formats. Above all, their unique journeys have brought them together in this moment where creating stories for the screen is their way of life.”

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    Category:News
    Tags:Georges BermannNono + RodrigoPartizan



    To Tell Her Story In A Groundbreaking Documentary, Marlee Matlin Reached Out To First-Time Director Shoshannah Stern

    Friday, June 20, 2025

    When American Masters approached Marlee Matlin about doing a documentary, Matlin had one name in mind to direct: Shoshannah Stern.

    Like Matlin, Stern is deaf. She also hadn't directed before. But Matlin, who herself became the first deaf person in the Directors Guild of America just a few years ago, was certain she was up to the task.

    The resulting film, "Marlee Matlin: Not Alone Anymore" is an intimate look at her life: Growing up in a hearing family; winning the best actress Oscar at 21 for her first movie role in "Children of a Lesser God," which film critic Rex Reed at the time called a "pity vote"; what she's described as an abusive romantic relationship with her co-star, the late William Hurt, which he denied; getting sober; and her experiences in an industry not equipped to accommodate deaf actors.

    It's also an evocative portal into the world of the deaf community that uses groundbreaking techniques and sound design to put American Sign Language (ASL) and visual communication first. The film opens in select theaters Friday.

    While Matlin told much of her story in the memoir "I'll Scream Later," on some level it wasn't a completely satisfactory experience. Before the #MeToo movement, its revelations were not treated entirely seriously in the media. But a documentary also provided an opportunity.

    "We communicate visually," she said.

    Matlin and Stern spoke though translators about the "CODA" effect, making the doc on their terms, and why they hope Reed sees this film. Remarks have been edited for clarity and brevity.

    Q: Shoshanna, what was your approach?

    STERN: I had never seen a deaf person direct an episode of TV or film. Never. I thought, what does that even... Read More

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