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    Home » Peter Taylor Wins SOC’s Camera Operator Of The Year For “Gravity”

    Peter Taylor Wins SOC’s Camera Operator Of The Year For “Gravity”

    By SHOOTSunday, March 9, 2014Updated:Tuesday, May 14, 2024No Comments3701 Views
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    "Gravity"

    Don Devine takes TV honor on the basis of “Mad Men”

    LOS ANGELES --

    The Society of Camera Operators (SOC) tonight announced winners of the Camera Operator of the Year Awards in film and television. Peter Taylor, ACO, SOC, won Camera Operator of the Year in Feature Film for “Gravity.” His counterpart on the TV side was Don Devine, SOC, for “Mad Men.”

    Honors were bestowed during a black-tie event in Herscher Hall at the Skirball Cultural Center. The event took place before an audience of 500, including SOC and International Cinematographer Guild (ICG) members, industry executives and press. SOC VP and Awards executive producer David Frederick, SOC, presided over the event with emcee Bruce Carse. All proceeds from the show are donated to the Vision Center at Children’s Hospital Los Angeles. The honor was accepted by Dr. Thomas Lee, director of the Retinal Center.

    A special In Memoriam tribute to Sarah Jones, the 27-year-old assistant camerawoman killed by a train while filming Midnight Rider on February 20, was included in the evening’s proceedings. Frederick, former SOC president Dan Kneece, and SOC VP Mark August presented an honorary associate membership certificate to Jones’ parents, Richard and Elizabeth, to a standing ovation.

    Lifetime Achievement Award recipients, previously announced, included Chris Haarhoff, SOC, Camera Operator, presented by Colin Anderson; Bill Coe, Camera Technician, presented by Steve Campanelli; Barry Wetcher, SMPSP, Still Photographer, presented by Will Gluck; Jack Carpenter, Mobile Camera Platform Operator, presented by Duncan Henderson. The Distinguished Service Award was given to the founder of Filmtools, Inc., Stan McClain, SOC, presented by Michael Frediani. Leonard Chapman, founder of Chapman-Leonard Studio Equipment, received the President’s Award, presented by SOC President Chris Tufty. Accepting the Technical Achievement Awards were president Tom Hallman, on behalf of Pictorvision, presented by McClain, and Dave Grober, founder and president, on behalf of Motion Picture Marine, presented by David Emmerichs. The honor for Historical Shot went to J. Michael Muro for his zip line shot in “The Mighty Quinn,” presented by Jerry Holway.

    Guests included ICG president Steven Poster, ICG national executive director Bruce Doering, SOC president Chris Tufty, president of Local 871 Michele Tedlis Sorbo, and president of Local 80 Russell Nordstedt. Richard Crudo, president of the American Society of Cinematographers, presented the Camera Operator of the Year Awards.

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    Category:News
    Tags:Camera Operator of the Year AwardsSociety of Operating Cameramen



    Location Lensing In L.A. Declines In 2025

    Thursday, January 15, 2026

    FilmLA Research has issued a report on regional filming activity in 2025 as well as for Q4 of that year (October-December). And while there was improvement during that three-month period as compared to the previous quarter, it wasn’t enough to save the bottom line for 2025.

    On-location production activity for the Q4 of ‘25 totaled 4,625 shoot days (SD), a 5.6 percent increase from the prior quarter (July-September, at 4,380 SD). Overall, 2025 finished with an annual total of 19,694 SD, a number 16.1 percent below the 2024 total (at 23,480 SD).

    “While the year-end numbers are disappointing, they are not unexpected,” said FilmLA VP of integrated communications Philip Sokoloski. “FilmLA has consistently projected that the full effect of the expanded Film and Television Tax Credit Program would take time to materialize, and although our overall numbers remain low, there are dozens of incentivized projects that have yet to begin filming. We were pleased to see that a majority of the incentivized project shoot days in the feature film category were for independent films, and we look forward to continuing to support productions of all sizes as they kick off early in the New Year.”

    Since the expanded California Film & TV Tax Credit Program went into effect last July, 119 projects have been awarded incentives. The most recent allocation round, held in early December, awarded credits to 28 film projects, many of which will be made in Greater Los Angeles. All approved productions have 180 days to start production after receiving their incentive award. Incentivized projects accounted for approximately 13 percent of all Film and TV shoot days in Q4.

    “FilmLA is grateful to have had the opportunity to meet with independent... Read More

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