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    Home » P&G Looks To Spark Dialogue About Racial Bias With “The Look”

    P&G Looks To Spark Dialogue About Racial Bias With “The Look”

    By SHOOTThursday, June 27, 2019Updated:Tuesday, May 14, 2024No Comments4270 Views
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    Procter & Gamble's "The Look"

    Stink Films’ Anthony Mandler directs film for creative collective Saturday Morning

    CINCINNATI --

    Continuing the conversation from its Emmy Award-winning film “The Talk,” Procter & Gamble has released a new film designed to spark reflection and dialogue on racial bias and inequality. Titled “The Look,” the piece highlights bias as experienced by many Black men in America and is available beginning today together with educational resources online.

    “The Look” follows a Black man throughout his day as he encounters a variety of “looks” that symbolize a barrier to acceptance. In the film, the windows of a passing car are raised after his son waves to a young girl in the back seat, occupants of an elevator seem to shut him out as he approaches, and workers in a department store watch him with suspicion as he shops. Whether intentional or not, these small “looks” can have a major impact. The film ends with the line, “Let’s talk about the look so we can see beyond it.”

    Click here to see the film and to access historical records and contemporary stories for each scene–along with other educational material.

    Anthony Mandler of Stink Films directed “The Look,” which was lensed by DP Malik Sayeed. Sam Ostrove of Cabin Edit cut the film, with sound handled by Barking Owl. The agency behind the film, website (www.talkaboutbias.com) and overall integrated campaign is Saturday Morning, a creative collective founded by executives in the advertising industry who came together to create ideas that bring awareness to and shift perceptions on racial bias and injustice.

    “The story of ‘The Look’ is based in the real-world experience of thousands of Black men across the country who experience bias in different ways, big and small, every day. This film is an opportunity for the world to see – and feel – what it’s like to walk in their shoes,” said Kwame Taylor-Hayford, a co-founder of Saturday Morning. “Partnering with companies like P&G on thought-provoking and authentic work like ‘The Look’ will lead to deeper and richer conversation that will inspire change.”

    Director Mandler related, “When I first saw the idea for The Look, I immediately knew I wanted to be part of this project. As a filmmaker, I believe in the power of narrative. It can reveal truths, change minds, move culture. We can’t fight racial bias unless we acknowledge that it exists, so I’m humbled to be part of a project that confronts a difficult subject with such directness.

    “We want to live in a world that is equal and inclusive–in race, gender, ethnicity, sexual identity, ability, religion and age–but the reality is, it’s not fully equal or inclusive and one of the core reasons is bias,” said Marc Pritchard, chief brand officer, Procter & Gamble. “Empathy can be a particularly effective antidote to bias, and we created ‘The Look’ to change perspectives, prompt personal introspection, and bring people together for a conversation to ultimately change hearts and minds.”

    “Bias is part of the human condition, something we all have and something we all experience. It is most frequently unconscious, formed by generations of social norms. ‘The Look’ is designed to constructively challenge people to look beyond what they think they see,” said Damon Jones, VP, global communications and advocacy, Procter & Gamble. “Beyond highlighting bias, this film also celebrates the strength, humanity and resilience of Black men who are thriving amidst many obstacles. It is one part of a comprehensive effort that will help address individual and institutionalized bias to create meaningful change.”

    Over the past year, P&G partnered with BET Networks on a comprehensive study called Black Men Revealed, highlighting compelling data on prevailing narratives in media and entertainment, including those on parental involvement, relationship status and economic pursuits. Insights from this study are being shared with groups across the country to enable more accurate, positive portrayals of Black men in film, television and news – all key factors in addressing the underlying bias in society.

    The film will be followed by a series of nationwide community conversations, individual and classroom educational resources and reading guides, informative and inspirational podcasts, virtual reality extensions and ongoing digital and social media activities through the end of 2019. This program is designed to go beyond simple awareness and equip and enable individuals and communities with tools to create lasting, substantive change.

    Other credits on “The Look” include Jeff Baron and Fran McGivern of Stink as managing director and EP, respectively, with Mark Hall serving as producer. Fernanda Guerrero was art director, with Monique Vilfort as stylist. Red Creek was the production services company.

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    Category:News
    Tags:Anthony MandlerProcter & GambleSaturday MorningStink Films



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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